Tutorial Tuesday (Photoshop Elements)

Restoring those Vintage Snapshots

Halfway between my birthday and Mother’s Day, I had the most amazing visit with some relatives I’d never met before. One of the ladies I spend the day with is my Grandmother’s first cousin, who is actually only four years older than my mother. This delightful woman brought along a huge collection of vintage photos, some of them well over 100 years old. Today I’m going to show you one of them and take you through a Guided Edit to restore it. (Spoiler alert: This is NOT a quick edit. It took me about 2 hours to get it to the final version.)

The Guided Edit I’m going to demonstrate today is simply called Restore Old Photo. It’s in the Special Edit toolbox. What I love about these Guided Edits is that everything you’re going to need (pretty much) is all in the Edit toolbox. It’s especially helpful for those who are still learning how to use their software, because each tool in the box has a little explanation of how to use it. Like a mini-tut, if you will.

Here’s my photo. The little girl is my first cousin twice removed, Lily Annie Delia. She was nicknamed Laddie (for her initials) and she really didn’t like it! This photo was taken in the fall of 1916 and was sent to her grandmother as a Christmas gift.

This Guided Edit has more tools within it than can be shown all at once, so don’t forget to scroll down and take a peek. Be cautious of that Cancel button I’ve circled. It resets EVERYTHING back to the original.

The tools are listed in the order you’re most likely to use them, but I found I was bouncing between them as the condition of the photo demanded. Zoom in really closely so you can see the imperfections better and what changes the tools create when you use them.

But first… This is a personal preference here. I like to crop off the white paper border before I do anything else. But there may be times when you want to leave it. Here I show you how I cropped this one. The image was printed slightly askew so I straightened the Crop window level to the demarcation between the carpet and the wall.

This is my new starting point.

The Spot Healing tool in the Expert edit mode has a number of options for the tool, but within this Guided Edit, it doesn’t. If you’ve never used it before, you’ll be surprised at how one click can make a huge difference. The secret to a great, invisible edit is to take your time and use a SMALL diameter brush.

See how all that discoloured scratchy stuff is gone now? Typo spotters… that should read “down”. You can move your photo around on your workspace by using the Hand tool.

That scratch and the messy corner will need more help than the Spot Healing tool can provide, so I’ll use the Healing Brush. It’s similar to the Clone Stamp but can be stroked across a blemish like a brush. More details on how this tool works best are to follow.

Now you see it, now you don’t!

This is where I started moving back and forth between the Spot Healing tool and the Healing Brush.

This shows how sometimes there are several types of blemishes in a small area.

The Spot Healing tool is active in this screenshot. I’ve removed most of the discoloured stuff.

It’s very easy to change the size of the brush you’re using in either the Spot Healing tool or the Healing Brush. Those square brackets that don’t have much use outside of algebra are the volume up and volume down buttons for brushes. The [ one makes your brush smaller, while the ] one makes it bigger. I just made my Healing Brush slightly bigger than the scraped area, selected an unblemished area of my photo and painted over it.

These scratches and creases might be erased with the Spot Healing tool, but I didn’t take any chances. I used the Healing Brush.

Here’s the secret to making the Healing Brush and Clone Stamp tools work to their best advantage. (And I literally discovered the trick LAST NIGHT!) If you don’t move the cursor away from your ALT>Click selection before you start using the tool, your “source” point will be… what you’re trying to cover. So always move it, even just a little bit, before you start trying to fix an area. You’ll be able to see where your source is because there will be a little white “plus” sign at the spot where the colour or texture is being sampled. Below I’ve mocked up what you’ll see, but in black to make it more easily seen.

When using either the Healing Brush or the Clone Stamp, work AWAY from your source so you’re moving from clear to unclear. You’re trying to blend away the blotches, not replicate them.

No matter what tool you’re using, when you’re in a spot where there’s lots of detail, you need to slow down and use the smallest brush possible. If you’re too close to an area where the colour or tone is different, your correction will actually only create another flaw.

Hair. It’s one of those love-it-or-hate-it things!

Use the zoom! The keyboard shortcuts – and + make it easy to do. Get in tight where you need to, pull back to make sure it looks right when you need to.

I used the Spot Healing tool, the Healing Brush and the Clone Stamp freely in this area. The Clone Stamp tool is terrific for repeating shapes and sharp edges. By selecting a spot along the edge, for example, I can replicate that perfect spot all the way down the rung.

And on it goes.

Spot Healing worked well for the cross piece here.

I made my way across the photo from the upper left corner over to the right, dropped my working area down then worked back from right to left, repeating until I’d covered the whole photo.

I could stop here, but I want to show you some more options, so let’s press on.

Even though I think I’ve done a great job, I think I want to use the Dust Removal tool to refine the image even more. It’s one of the hidden ones I had to scroll down to find. Adjusting the pixel size, I can tell Elements to find all the remaining flaws that size or smaller and Elements will fix them.

I wanted the Dust Removed first before I went on to the Blur tool. It does exactly what it says it does. It softens the hard edges of an edited area so it doesn’t stand out. I just brushed it over some of the background.

The next several adjustments aren’t using any of the tools, just adjustment modes, so the Blur tool looks like it’s still active. But this screenshot shows my photo after I used the Auto Levels mode.

Then I let Elements adjust it with Auto Contrast.

And a touch of Sharpening.

When I’ve gone as far as I want to with the Guided Edit, I can click on that Next button and go into the Expert edit mode.

Since I discovered Enhance>Haze Removal, I’ve used it SO OFTEN! It does several things all at once – sharpening details and deepening contrast.

And the effect is fully adjustable. I’ve moved both sliders to the left from the default settings.

Don’t worry that you’ve gone too far… you can ALWAYS Undo it all! CTRL/CMD>Z is a scrapper’s best friend! (CTRL/CMD>Y will Redo, so you’ve got options!)

Don’t foget to save your hard work! I named my new photo Laddie Xmas 16 for ease of finding it later.

What do you think?

Comments

  1. Thank you so much for yhis great tutorial. I now feel far more confident to give it a go x

  2. i am one of the lucky ones who has a PLETHORA of vintage photos … most of them are in pristine condition (LUCKILY) but some of them definitely need work. it does take time, that’s for sure, but i think it’s worth it. i use a lot of the techniques you’ve shown but gave me some new ones to try. and i’m really torn .. i love the look of the warm sepia tones of the originals but i also love what you’ve done to make them black and white. and your final result is spectacular! thank you for another excellent tutorial!

  3. Liz in Tx says

    Wow! Looks like a fantastic tutorial!! I will read it in depth when I have more time. Thank you, Jan!

  4. Great tutorial. I’ll have to see if it’s any easier than doing everything in the expert mode!
    Food for thought….. I have several grey scale items. Papers, elements etc. I know you are suppose to be able to recolor them any color you want. When I try to match what I am doing, the color is always way off from what I wanted. You have any tricks up your sleeve to get the correct color?

  5. Wow – this is great! So hard to find tutorials like these on the net. Thank you!

    I am curious – what version of elements do you have? I have Elements 11 and it does not have the haze removal tool.

  6. You’re so welcome! I work with Elements 15 now, having upgraded from 12. I think it’s worth the money.

  7. The main benefit of using the Guided Edit is that virtually all the tools you’ll need are in one place.

    Let me look into recolouring grey-scale and get back to you.

  8. Most of the pertinent information is right on the screenshots, Liz.

  9. I know what you mean about the sepia tones. That’s why I commented that I wasn’t sure I was going to leave the final version in black-and-white. I’m still undecided. But I didn’t save the new version over the original, so I have lots of opportunities to play with it some more. I might work on toning down the creased area in the lower right corner…

    There were lots of photos in the pile Ivy brought with her that were in excellent shape, even though they’d been glued into an old photo album with black pages. I have so many ideas for working with them and will treasure them forever.

  10. Confidence is a great thing to have. But the really great thing about digital is that you’re never committed to anything you’ve done. Play with your software! Get a feel for it. Experiment! You can always Undo anything you try and don’t like, so there’s only benefits when you play. I’d say 75% of the things I show in my tutorials are things I’ve figured out by experimenting. Some of the things I do now as almost automatic have evolved as I’ve continued to do them. If the only thing I ever teach someone is to try something, that’s good enough for me!

  11. that’s why i adore digital scrapbooking! i still have PSE 11 and since i use it mostly for photos (not scrapping), it would be interesting to hear the best things YOU like about it … i’ve been thinking of upgrading for quite some time but again, because i use it mostly for photos, i’m still on the fence

Trackbacks

  1. […] 135. Restoring those Vintage Snapshots […]

Speak Your Mind

*

This site uses Akismet to reduce spam. Learn how your comment data is processed.