Tutorial Tuesday (Photoshop Elements+)

Unlocking the Photoshop Elements Easter Eggs

The other day I was scrolling through Google News on my phone looking for celebrity stories and horoscopes… who doesn’t? I’d at one time done a Google search for tutorial ideas and obviously Google stores away all that information to use against me at a later date. Because there in front of me was a video extolling the virtues of Photoshop Elements+. I’d heard of Elements+ in passing before but never actually looked at it. I mean, who wants to spend more money than we have to for hobbies, right? But I watched the video anyway. Then I went over to the Elements+ website and bought it! My first pleasant surprise was the cost – $12 US ($17.87 CDN at today’s exchange rate, but still a steal!). They have a free demo option which is a much-abbreviated set of features, and if you aren’t sure you want to spend the cash, maybe give it a look first before you decide. What do you get for the cost of a couple of gourmet coffees? A TON!!

This first screenshot shows the key to the (very lengthy) list of features and which version they’re part of. The type is quite tiny but if you go to the website you can see the list full-sized. There is an Elements + version for every release of Elements from 1 through 2020, and the patch (that’s what the developer is calling it) unlocks all the hidden potential of the Elements software that turn it into so much more of a powerhouse. There are a lot of features in here that won’t appeal to the average scrapper, but don’t let that hold you back! The first block of features are RAW corrections. You may remember quite some time ago I gave you a tutorial on editing in Camera RAW, which is super for taking a so-so photo into the amazing realm. Elements + adds several functions not present in the basic software.

The second block of features in the screenshot are for Color and Tone. They’re pretty complex edits, and only the real photography snob or the wedding photographer might use them. But handy to have, no? Of note, there are some features that are only in the Windows version, or the Mac version, but not both, and the chart shows you which.

The list continues with Selections, a group of edits that make extracting much more precise and with fewer steps. They’ll take a bit of a learning curve, I think.

Next is a section on Layers. What caught my eye is the one called “Creating layer from style” and it’s making me giddy! I can’t wait to put my styles on their own layers so I can bend them to my will.

Then comes Smart Objects. I’ll confess, after using Elements 17 and being frustrated by Smart Objects, I think I need to learn how to make them work for me, so I’ll be exploring these functions.

Layer Styles options look pretty interesting. “Photoshop-like dialog with undocumented effects and advanced blending options” sounds like something I need to know! “Saving custom styles” is also something that might be fun to learn.

Masks refers to layer masks, not the sort we’d use for clipping photos or papers to, but for making adjustments to individual layers. I’ll need to do some playing to understand how they work.

Smart Filters sounds like Instagram went to college. But I suspect there are some really useful edits to be found in there.

In Elements‘ later versions there’s a text option for putting words on a path. You know, putting test around the outside of a box, a heart, a star or some other shape. These options under Paths expand and extend that to so many applications, from creating paths to creating shapes from a path to using a path as a selection, there’s a lot to unpack there.

Text options to allow scaling of individual characters, the ability to edit only a fragment of text (not for Mac), text inside a shape and paragraph justification will make journaling much more interesting.

Pen Tools are only available in Versions 10-14. Bézier curves are a bit beyond my limited geometry, algebra and trigonometry education so I can’t explain that one. Anyone smarter than me care to dumb it down?

Macros are little bits of code that define a specific process. The two entries in this category relate to recording and replaying macros you create yourself. Let’s say you have several edits you do to every one of your photos or layouts and you wish you had a way to automate that. This is it! But. It needs something called Scripting Listener to be installed and functional within PSE. Let me look into that further…

Droplets could be a game-changer! The website says this: ““Droplets” provide a quick and intuitive way to apply scripts to pictures. You just drag one or more image files onto the droplet icon and… it’s done! ” The example they show is resizing a whole batch of photos to a defined size. (I might be interested in this for my tutorial screenshots…) I think this particular feature will be really handy for scrapbookers, because you can create a Droplet of your favourite script (I’m going to talk about Scripts next) and apply it to multiple objects. Once I’ve played with this, if there’s interest from my faithful readers, I’ll put it all into a tut.

Let’s talk about Scripts. These are just what they sound like – series of instructions to be followed in order. I’ve used some of the scripts and will show you what I did with them in a bit. These Scripts let you do so many things it’ll make your head spin! The ones I think will be the most useful for scrapbooking are the Edge Effects scripts. Burnt Edges!! There’s one that turns your photo into a piece of Film, and another one that turns a series of photos into a Filmstrip. Another one applies Hand-stitching to the edges of whatever you want. The script varies the length and angle of each stitch so it’s completely random, and won’t be exactly the same twice. The colour of the stitches and the background texture are customizable. Page Curl rolls the corner of your photo or paper, putting the perfect shadow on it. Photo Corners, Rough Bounds, Rounded Corners, Stamp Edges, Torn Edges, Wavy Edges, Yellowed Margins and Zig-Zag complete the list. Then there are the Photo Effects scripts that expand significantly on the basic effects already in Elements. Randomize is something I want to get deeper into to see if I can make my own fabulous scatters. That’s just a sampling of what’s in the Scripts treasure chest.

This screenshot just continues the list of Scripts. More POWER!

This too is a continuation of the Scripts list. At the very bottom they show the functions available in Versions 1-5. Of course they’re much more limited because Elements has evolved so much over the years.

Still with Versions 1-5

Notice how the lists are much shorter…

Okay! On to my experiment from earlier today. I downloaded the software and installed it. Then I opened up Elements and let it absorb all the new goodness. This will take several minutes, so if you decide you want to try it out make sure you have time to let it get set up.

How do you find your Easter eggs? There are two ways to do it. You can click on File>Automation Tools (which would have been greyed out before) and the category menu opens.

Or you can click on the Effects button at the bottom of the layers palette and select Elements+ from the drop-down menu. Then you have all these thumbnails to give you an idea of what they hold.

I had this Instagram photo I downloaded from my phone that was okay, but not really what my eyes were seeing when I shot it. So I thought, why not give it the RAW treatment? And I can get to it with the photo already open in Elements, which is fantastic! I’m going to tell you that, start to finish, this edit took me all of 2 minutes. And I’m impressed! The RAW menu looks a little different and offers a few options that aren’t found in the Open in Camera RAW menu. But the preview screen is still the same and lets you see what you’re doing as you do it.

I did some basic editing to see if I could pull a bit more detail from the foreground, which was pretty underexposed. Of course, that washes out the sky a bit… but okay, onward and upward.

I took a look at the Scripts and was intrigued by the Favorites on the menu, but don’t know enough about it yet to do much with it. Later…

However… further down the list is Landscapes.  So I opened it. And there’s a Cloud Booster. YES! I selected it then hit the green triangle icon that represents the Play button.

I haven’t shown it here but the Script creates a copy of the background layer and works upward. There’s a RAW layer, and then the Cloud Booster layer, which includes a layer mask. The Brush menu also opens so you can use a brush to adjust where and how much the effect changes your image. I didn’t touch the image with a brush though.

Instead, I took a look at the layers palette.

I toned down the Opacity of the layer mask, which softened up the mountains a bit, but didn’t change the Blend Mode.

Then I spied the Neutral Density Filter script. Oh my heart! I have a neutral density filter for my DSLR, but find it cumbersome to use. To say nothing of pricey! ND filters are especially useful for landscape photos, where you know there’s going to be trouble getting the exposure just right. They come in a range of intensities from almost imperceptible to very dark. The glass is gradient-tinted; the filter needs to be positioned so that the darker part is over the lighter, brighter part of the intended photo – usually the sky. It decreases the amount of light getting through the lens in that area of the photo so it’s less exposed than the rest of the image. Using the filter takes practice, experimentation, exposure-bracketing and shooting purely in manual settings. How can Elements+ replace the on-lens filter? Let me show you!

This is my photo after I ran the ND Filter script. Notice how the sky is darker now, maybe just a bit TOO dark? But because this is completely digital, I can make adjustments to the layer and fine-tune it so it’s just right. Let’s say I was shooting a snowscape and it was the FOREGROUND that’s over-exposed. I could rotate the filtered area so it’s at the bottom of the photo. If the filtered area bleeds into the part of the photo that is already correctly exposed, I could either shrink the filter area, or slide it up so that it only touches the area of the photo where it’s needed. And then there’s the on-its-own-layer thing. Bingo, more control!

So let’s look at that. The Blend Mode is Soft Light, which works. The Opacity was about 45% at the default setting, and I just pulled it down to 32%.

The last thing I did was to Merge all the layers and Save As an edited image.

Just for you, I put the original next to the edited version. Now you see what my eyes saw on Sunday evening when I took my photo.

I think there’s a gold mine in this patch! I want to dig into how it can be leveraged for digital scrapbooking for you and then show you how to make it happen for your layouts. So much potential!!

Designer Spotlight: Miss Fish

Whoops… I apologize – had a brain fart and got sidetracked by planting my containers yesterday. So without further ado, let me introduce you to Juli, the most awesome Miss Fish!

 

Jan: How long have you been designing?

Juli: It will be 4 years in August.

Jan: What made you decide to design?

Juli: I had been a digital scrapbooker for over 14 years. I needed to make a little extra money to do some fun things for myself, like get pedicures and highlights in my hair. Sometimes I’m extra nice and buy my kids and my husband little gifts too.

Jan: What led you to decide to design together?

Juli: Jennifer and I have been real life friends for years. We have similar personalities and tastes. I love working with her because she makes me laugh and pushes me to be a better designer.

Jan: What do you use to create your designs (program, additional tools, etc.)?

Juli: Adobe Photoshop CC

Jan: Describe your design workplace.

Juli: I do most of my designing from laptop which is located in our family room. I have a double wide monitor I use and this set up allows me to work in our main family space so I’m still with everyone while I’m working.

Jan: What motivates and inspires you as a designer?

Juli: I love patterns and colors and sayings. I’ve always been a creative person and creating templates and kits is so much fun and let’s me create things I would like to work with myself.

Jan: What is your favorite kit currently in your GS store and why?

Juli: I make many more templates than kits – I love this one: https://store.gingerscraps.net/Big-and-Little-3-Templates-by-Miss-Fish.html I think it’s an easy pack to theme for any photos and would work with just about any kit. Also, I love that it has so man photo spots!

Jan: If you could only eat one meal for the rest of your life, what would it be?

Juli: Ribeye steak, loaded baked potato, steamed broccoli and carrot cake for dessert. These are all my favorite things that I don’t get to eat often (well, except the broccoli). They are always a treat!

Jan: What is your favorite game or sport to watch and play?

Juli: I love to watch football. If we’re playing games I like Scrabble.

Jan: What did you want to be when you were small?

Juli: A Teacher

Jan: Aside from necessities, what one thing could you not go a day without?

Juli: My phone. It keeps me connected to my daughters and the rest of my family.

Jan: Who would you want to play you in a movie of your life?

Juli: Diane Keaton

Jan: If you had a warning label, what would yours say?

Juli: Danger – will eat your cupcake and talk your ear off. Also watch for foul language.

Jan: What celebrity would you like to meet at Starbucks for a cup of coffee?

Juli: Barack Obama

Ladies, thanks for sharing your talents with all of us!

Fresh Baked: JULY 3, 2020

Welcome to the first Friday in July. Here in the US, we are getting ready for a big holiday weekend. It’s always a fun time with family and friends, although the groups will be smaller this year.

If you spend $10 or more in the store you get this awesome kit for free. Doesn’t it just scream summer?

Let’s take a look at some of the new kits in the store today.

Aren’t those just lovely?

Remember, if you complete 10 challenges you get this wonderful collab from the GingerBread Ladies. I think we need a {fresh start 2020}, don’t you?

Fresh Baked: July 1, 2020 & NEW Free With Purchase, Monthly Mix and More

Welcome to July. Wow. Is anyone else having a hard time believing we are halfway through 2020?

It’s the beginning of a new month, so that means all the new goodies are available in the store. The Buffet colors this month are bright and the kits are full of celebration ideas.

Don’t forget to check out the Buffet Bundles. One easy click to add bundles of Buffet goodies to your cart.

Look at this fun Free with Purchase kit celebrating all those treats of summer. If you spend $10 in the store, you get this fun kit for free.

The Monthly Mix for July continues those summer memory vibes with a {bucket full of memories}.

We have a fun new Daily Download for July.

We have a guest designer joining us for July. Some of you may recognize her.

Chere Kaye Designs

Bio: Chere is an artist and designer who has been working in the scrapbooking industry since 2007. She has developed digital and paper lines, and loves learning new techniques to add fun things to her collections. She is married to Chris and has two teenaged daughters and two cats, and lives in the Dayton, Ohio area.

Look at this beautiful kit for July’s Challenge Reward. Complete any 10 challenges (there are more than 25 to choose from) and you get this kit as a reward.

Take a look at what our awesome store creative team did with the fun buffet kits from this month! There are more layouts to admire in the Gallery.

Fresh Baked: JUNE 26, 2020

Happy end of June. Crazy isn’t it? With the end of June, though, comes an A-M-A-Z-I-N-G sale in the store.

Remember, any $10 spent in the store and you get this awesome kit!

Let’s see what our designers have new in the store.

Make sure you get your challenges listed in the forum. Complete any ten challenges and you get this full kit.

Tutorial Tuesday (Celebrations!)

Plan Your Holiday Photos NOW!

I took a look at the calendar this morning and got a bit of a shock. (I’m sure I’m not the only one losing track of days and dates…) It’s going to be JULY next week! My granddaughter’s second birthday is on Monday, her cousin’s birthday the next day and her big brother’s birthday is the day after that. And of course it means that Canada Day and Independence Day are also next week. So that got me thinking… maybe I should talk about planning your celebration layouts now, so you get the best photos. Even though many of the big events usually held on these national holidays have been cancelled this year due to the pandemic, I’m sure there will be events worthy of documenting. Don’t forget, you can always come back to this post next year for a reminder too. I try to have a rough idea of which shots I’d like to get so I went to Pixabay and had a look for the basic themes for Canada Day and the Fourth of July: parades, flags, food, family gatherings and fireworks. (The photos I found were all Fourth of July – we Canucks are a little less exuberant on our national holiday, but these tips are easily adapted for a made-in Canada celebration too.)

Let’s start with parades, since they’re often in the late morning or early afternoon, and kick off the day’s events. Try to think of interesting scenes you can photograph. Look for people in costumes and try to find a camera angle that will give you an interesting composition. This photo,  taken by the contributor beccajanef, caught my eye because of the Liberty hats. I’d love to have seen the crowd afterward, with all those hats on heads everywhere.

BigBearVacations gave us this shot. What I like about it is that the sun flare conceals the guy walking into the frame on the right, putting the focus on those hero-worshipping kids with Uncle Sam. At first I thought the photobomber should be cropped out, but a second look told me doing that would take away from the scale of the stilt-walker. I always wanted to learn how to walk on stilts, didn’t you?

The amazing Jill Wellington took this photo, which speaks to how patriotism is learned early. The sun flare adds a softness to the photo without distracting from the subject. I love her blue-and-white dress and red bloomers too.

There are so many ho-hum ways to photograph flags. But filling the viewfinder with the most recognizable area of the flag, along with the draping of the fabric, elevates this photo by TechPhotoGal to a much more interesting level. It also shows that you don’t need to include the entire object in your image to create a photo with impact.

When I look at this image, credited to OohhSnapp (aka Angelique Johnson), I get the impression of a huge flag and Angelique standing directly underneath it. It has a definite God-blessed-America feel. It’s a visually pleasing image for sure.

Ah! Food!! When you’re documenting the feast, look for perspectives that hint at how good the food will taste and how perfectly it’s prepared. It’s very easy to take boring food pix… but TesaPhotography (Tesa Robbins) captured a true delight for the eye.  I can almost taste the corn now!

Here’s another I-can-almost-taste-it shots. Here, utroja0 uses both composition and depth of field to give us a visual feast. The skewer in the foreground is in sharp focus and the grill is only partly in the frame. Between them they give the impression of lots of food and incredible aromas.

Here in Canada those ice pops (or popsicles, which is actually a trademark…) are called Rockets. And they’re my favourite. (I lived on them, literally, when I was sick last year.) No cookout or picnic is complete without the sweet finish. What makes this photo, again from the camera of Jill Wellington, so successful are the red-white-and-blue colour palette, the scatter of candy and the creamy background. The drips of melting ice cream hint at the heat of the day too, offering another clue to the kind of celebration going on.

Candid photos are almost always more appealing than tightly posed ones. This scene looks so natural and it’s easy to see the kids are enjoying their picnic with their dad. The background suggests it wasn’t taken in July, but that’s not the point… capturing those special moments when the subject isn’t aware you’re shooting them takes a bit of thought and some stealth, both of which Victoria_Borodinovea managed here. But… if you really want to have a formal-ish, posed group photo, try to arrange your people so their faces from visual triangles, allowing those triangles to overlap a bit. Use a small aperture so that your depth of field is large enough to keep all the eyes nice and bright. Another option is to line the kids up, shortest in the front, tallest in the back. If necessary, have them tilt their heads to one side, alternating sides so you can see everyone’s eyes, then snap away. Everybody will be recognizable in the shot, and everybody should be in focus.

Families who have cottages at the lake or on the beach may include a bonfire in their holiday plans. Photos of these can be incredibly beautiful, but can also be just okay. I like this photo by Free-Photos because it tells the story of a campfire through imagery.

I like this shot for the texture in the charring wood, the heat suggested by the flames and the containment of the firepan. flyupmike created his appealing image by getting in close (I’m hoping he zoomed the camera and not the photographer!) and intentionally cropping his shot in the viewfinder. This gives context to the image. Your could add context to your fire photos with silhouettes, or framing the flames in some way. Zooming in even more closely to capture the intensity of the burning fuel would work too.

Is there any better reason to have a bonfire than to make smores?? This tight shot of a toasted marshmallow, taken by skeeze, would immediately make me want to have a smore – and I don’t particularly like them!

Everything about this photo says “Fourth of July” to me: the flag in the background, the sparklers and the hint of a smile on the only face visible. The depth of field has the sparklers in sharp focus – where it should be, softening everything else into background. Free-Photos got it right again!

Doesn’t this photo just shriek JOY? Jill Wellington knows how to use her camera to capture the most captivating images. She has the children in silhouette to draw the eye into the scene and the upflung arms reveal the excitement of seeing the light show. The fast shutter speed she used froze both the girls and the fireworks, while her small aperture got the whole scene in focus.

Photographing fireworks is a real challenge. For more tips on how to get the best shots, Darlene Hildebrandt offers her tips here. The most important ones are the quality setting, figuring out where in the sky the bursts will appear, shooting into the eastern sky with a medium aperture, starting early in the show to avoid the smoke and using a TRIPOD. You want that camera stock still to get the best images. I just checked out the camera on my Android phone and it has some pro settings I’m going to have to play with. Our new house will give us a ring-side seat for any fireworks in our city, since we’re halfway up a mountain with nothing built behind us!

I’ve been gathering ideas for future tutorials and have some great ones lined up, so stay tuned!

Fresh Baked: JUNE 19, 2020

Welcome to another Friday! We’ve had some unseasonably cold and we weather this week, but it should push out for a beautiful weekend.

Have you shopped and gotten this beautiful Free with Purchase yet? Just spend $10 in the store and it’s yours.

Time to see our Fresh Baked goodies!!

Have you grabbed this month’s Monthly Mix? These colors are GORGEOUS!!

Remember, complete any 10 challenges and you get this beautiful kit!

Tutorial Tuesday (Photoshop Elements)

Faking It! Tuck a Corner into a Digital Slit

Sorry this tutorial was derailed. Who knew changing drivers’ licenses from one province to another was going to be an ALL-DAY event? I’m just happy I was able to lay hands on the 8 pieces of identification we were going for the 3 of us to need to get it done and we didn’t have to make another trip. Our house is still a work-in-progress and I haven’t found the right arrangement for my laptop and seating so I can actually work on the fun stuff. Our living room has floor-to-ceiling windows so the light is either in my eyes or being reflected off my screen into my eyes! And my craft space is packed to the ceiling with boxes so it’s not an option right now either. Oh well, all in good time.

The technique I’m going to show you today is one I thought about some time ago but never actually moved on. Don’t be put off by the number of screenshots to follow, because I’ve literally shown EVERY step, and there will be some you might decide to leave out. As well, this technique uses a lot of the same steps I’ve shown you several times before, so for those who are already doing some of the techniques I’ve shown you, this will be a refresher. So let’s get into it! I’m going to show you how to tuck the corner of a photo, or in this example, a journal card, into a slit in your background paper. I’ve used a paper and card from Just So Scrappy’s She Can kit. (Pretty appropriate – I installed a towel bar today, after putting together our new patio furniture yesterday!)

First thing to do is make a Copy: right-click>Duplicate Layer of the journal card. (or CTRL/CMD>J)

Now turn off visibility of one or the other of the cards. It doesn’t matter which.

Now rotate the card you can see to about 45° from the vertical. This will make clipping the corner of the card off much easier.

Select the Rectangle Marquee tool.

Click and drag out a rectangle over the corner you plan to put into the slit.

Click on Edit>Cut (or CTRL/CMD>X) and the corner will disappear.

Like that!

Turn the invisible card back on so you can align the two cards. Rotate the card with the cut-off corner back so that it sits exactly on top/underneath the UNCUT one.

Like this….

Turn the UNCUT card back off again for now. Time to put the slit into the background paper.

You can do this step with black, but I choose to use a brownish gray colour. I’ll use the same colour later for my custom drop shadow.

Zoom in on the cut corner as much as you can and still see both ends of the cut-off area. Click on the Pencil tool and set the Size to quite small – 5 pixels works well.

Recently I reminded you how to draw a straight line with the Pencil tool. Here’s a reminder for you. Click on where you want your line to start. Then hold down the Shift key and click where the line will end. That’s it. It takes longer to explain it that it does to do it. 😉

I forgot to mention that this step is done on a new blank layer.

There’s the slit!

After looking at it, I decided it was jut a bit too dark, so I dropped the Opacity down to 45%.

Then change the Blend Mode to Color Burn.

Go back and turn on the UNCUT card layer, and turn off the CUT layer. You need to be able to see where the card’s corner is to get this step done.

If you were doing this technique with a real card and real paper, when the corner is tucked, there will be a vague suggestion of the contours of the card visible on the paper layer. This contour will have areas that are highlighted and areas that are shadowed. To make this work digitally, use the Dodge tool set to a small diameter (I used 16 pixels at 50% Opacity) to highlight inside the edges of the corner, working with the background paper layer active. This is done just like drawing that straight line, but you’ll be taking the corner too. Click at the start of the first edge, hold down the Shift key, click right at the corner and then click again at the opposite edge of the card. Click-click-click! Make these Dodged lines just inside the edge of the card.

Then go back over the corner with the Dodge tool and a larger diameter (24 pixels) and lower Opacity (21%). Make your highlights a bit more inside the edges than the first round, which will give the appearance of a gradient to your highlight.

To create the shadowed area where the paper dips over the edges, use the Burn tool. But this time you’ll go just a hair outside the edge of the card.  I used 11 pixels and 21% for this step.

See how the background paper seems to hug the edges of the card?

I went back over the shadowed area again to just add a bit more visual gradient, but you might not see the need for it.

The effect is pretty subtle, but realistic.

Now the UNCUT card layer can be deleted. Either right-click>Delete Layer or use the Delete key.

Last step is to add a custom shadow. This is one of my quick-step custom shadow techniques. Click on the layer thumbnail for the card to select the edges.

The shadow needs to go on its own layer. Here I’ve shown it above the card and will move it down below the card in a second. Using the Paint Bucket tool, fill the selected area with your shadow colour.

Then I moved the shadow UNDER the card. Image>Transform>Skew is chosen to allow for some tweaking of the shape. With this tool you can move all four corners of your bounding box in whatever direction you want.

If you look closely you’ll see I moved the upper left corner out and up, the upper right corner down and in and the lower left corner over and in.

Remember when you’re creating shadows that you’re deciding where the light source is and estimating how much light will be able to get UNDER your object. Where is the object touching whatever it’s sitting on? I use the Smudge tool to further adjust my shadows. I like to use a BIG diameter and a very light touch. This is how I obtain a curved look to my shadow where the card or paper touches down in some spots and lifts away in others.

Once you’re happy with the shape of your shadow, it’s time to soften it up a bit. Harsh shadows aren’t attractive! The best way to do this is with the Filter>Blur>Gaussian Blur effect.

If the Preview Pane pops up and all you see is solid colour, you can shift the area in that Preview Pane just by clicking on an edge. Then you can see how much blur is enough.

Almost done! The last task is to lighten up the shadow a bit. I dropped the Opacity to 45%.

Changing the Blend Mode to Color Burn lets more of the underlying paper’s colour show through in the shadow, so that’s what I’ve used.

After looking at the end result for a few minutes I decided the slit needed to be a little longer – it looked really tight! All I had to do with it, since it’s on its own layer, was to stretch the line a bit at either end.

And then I was done! I like how it turned out.

I’m still getting the hang of the new time zone here, and I apologize for being so late! I’ll try for better next week.

 

Tutorial Tuesday

Jan regrets to announce that life took over her agenda today and the tutorial that normally appears here at this time will instead appear tomorrow. But it’s a good one!

$2.00 Tuesday & $1.00 Bake Sale NOW OPEN @ GingerScraps!!

 Hello Scrappers!

We have some AWESOME deals for you! Our $2.00 Tuesday AND $1.00 Bake Sale are both happening NOW at GingerScraps! You will not want to miss these deals!

$2.00 Tuesday!

Each Tuesday we feature digital scrapbooking products that you can pick up for just $2.00 each!

This sale will end promptly at 11:59pm (Eastern Time) on Tuesday night. 

$1.00 Bake Sale!

BakeSale

This sale will end promptly at 11:59pm (Eastern Time) on the 20th of the month.

Remember when you spend over $10.00 you will receive this collab!