DD: MAY 23

https://bit.ly/4d6Dpfh

Follow Heather on her Facebook Fan Page.

Remember, the download is kept up for 5 days, and then it is taken down. If you miss pieces, the kit will be available for purchase on the first day of the following month.

Post expires at 10:00am on Thursday May 29th, 2025

DD: MAY 22

https://bit.ly/3GFFq5X

Follow Heather on her Facebook Fan Page.

Remember, the download is kept up for 5 days, and then it is taken down. If you miss pieces, the kit will be available for purchase on the first day of the following month.

Post expires at 10:00am on Wednesday May 28th, 2025

DD: MAY 21

https://bit.ly/4d2QDK5

Follow Heather on her Facebook Fan Page.

Remember, the download is kept up for 5 days, and then it is taken down. If you miss pieces, the kit will be available for purchase on the first day of the following month.

Post expires at 10:00am on Tuesday May 27th, 2025

Tutorial Tuesday (Individual Style)

Challenge Spotlight: Wild About Styles

Well, so far May has been… a lot. My son has been ill, needing a lot of attention, and I’m mentally exhausted. He went back to his day program today, and I was awake half the night worrying that it might be too soon. So far, so good – no calls from the coordinator. Fingers crossed.

At the beginning of the month, glee asked me if I could help her figure out how to use Wetfish DesignsWild About Styles Challenge Styles, and I said I would. Then everything unravelled. Yesterday when I finally started to play with them, it dawned on me that I should let YOU be the tutors, and I’d offer some commentary. Brilliant, right? Why would I reinvent the wheel? So let’s have a look at how YOU’ve used them!

As always, the layouts to follow are linked to their spots in the Gallery so you can get a closer look, and maybe leave some praise. Just click on the Scrapper‘s user name and you’ll be transported. But before we get rolling, I should take a minute to discuss the Styles themselves. As you can see, some of them are heavily textured. They’re gorgeous as is, but aren’t scale-able – meaning the Style itself can’t be Resized. If you want the texture, but not the size, you’ll need to apply the Style to a paper or a solid Filled layer, Simplify the layer, THEN Resize. The Styles, when applied to objects, will not allow the contours of that object to be visible. They’re “flat”. This can be overcome by decreasing the Opacity of the Styled layer until the contours are revealed. And the third thing I want to mention is that what you see is what you get – solid, off-white texture. If you apply a Style from the set to a coloured paper, for example, the colour will be completely concealed. There are a couple of ways to colour the Styled layer. One is to drop a coloured (or patterned) paper on top of the Styled layer then decrease the Opacity of the paper layer until the texture appears. The second is to drop a coloured paper on top of the Styled layer then change the Blend Mode. Overlay works beautifully, but some of the others are also quite stunning. Color Burn, for example, gives a very sculpted look. So if you’re not seeing the look you want, don’t be afraid to experiment!

This is how the designer demonstrated her Styles.

Next up is this layout from VariaMoon. She chose the horizontal plank woodgrain Style, then added some paint splash and paw print Brushes to it, picking out the brick colour from her large photo.

For her layout, dhariana used a bunch! The vertical woodgrain is her base, and she’s used masks to add the floral and flourish-y textures to her background.

Here, lm44west took a similar approach. She’s added a semi-transparent lily overlay behind her photo.

01lousmith kept it simple; she used the vertical woodgrain coloured to look almost like pressure-treated lumber, and threw some paint at it. Very effective!

KatherineWoodin has recoloured the chrysanthemum Style yellow, likely by layering a solid yellow paper over the Style layer and using Overlay, to pick up her theme’s colour palette.

The chrysanthemum Style seems to be quite popular, used again here by greenfiend27. She created bilateral borders by layering lace over the Style but under her photo, all layers shadowed perfectly. The result is so pretty.

Pippin went with the flourish-y choice, creating a textured mat behind her framed photo. The original ivory colour of the Style works well with the elements she added.

FormbyGirl has a very subtle touch, using at least two Styles, blending them into the background. The result if soft and lovely.

Jill used the chrysanthemum Style and put it behind some very expertly shadowed cutouts. She also used the flourish-y Style to add dimension to her background.

The vertical woodgrain Style seems to be quite popular too; stater used it for her background with a dark blue paper blended into it, likely with the Multiply mode.

It looks like glee went ahead without me. 😀 She too went with the chrysanthemum, adding a blended deeply coloured paper border. Then she Clipped the flourish-y Style to her title. It took me quite some time to figure that darker border out.

5grand has created a sampler, with at least eight different Styles represented. She Clipped papers to some, left others as is and presented us with a visual feast!

 

For her layout, imafishtank kept it simple and just Clipped the flourish-y Style to her title. It gives the illusion of colour but I zoomed WAYYYY in, and it’s not!

RobynC is our last presenter. She used two of the Styles, one on her background and the other on her title.

Have you been inspired? I have!

DD: MAY 20

https://bit.ly/3RLEnUy

Follow Heather on her Facebook Fan Page.

Remember, the download is kept up for 5 days, and then it is taken down. If you miss pieces, the kit will be available for purchase on the first day of the following month.

Post expires at 10:00am on Monday May 26th, 2025

DD: MAY 19

https://bit.ly/4m3ciG6

Follow Heather on her Facebook Fan Page.

Remember, the download is kept up for 5 days, and then it is taken down. If you miss pieces, the kit will be available for purchase on the first day of the following month.

Post expires at 10:00am on Sunday May 25th, 2025

DD: MAY 18

https://bit.ly/4iU4IuL

Follow Heather on her Facebook Fan Page.

Remember, the download is kept up for 5 days, and then it is taken down. If you miss pieces, the kit will be available for purchase on the first day of the following month.

Post expires at 10:00am on Saturday May 24th, 2025

DD: MAY 17

https://bit.ly/42H3jmq

Follow Heather on her Facebook Fan Page.

Remember, the download is kept up for 5 days, and then it is taken down. If you miss pieces, the kit will be available for purchase on the first day of the following month.

Post expires at 10:00am on Friday May 23rd, 2025

GingerScraps Fresh Baked Friday – May 16, 2025

Happy Friday Scrappers! Are you ready for the weekend? Do you have scrapping plans?

•Don’t forget to grab the May Monthly Mix – {a woman’s purse} created by our GingerBread Ladies.

•The Bake Sale is also going until the 20th. Look for a sneak peek of those kits below.

•Make sure to check out the Challenge area of the forum. You received a great collab as a reward with 10 completed challenges.

•Remember if you spend $10 in the store, you’ll get this great collab free.

Let’s take a peek at some of the new items in the store this week.

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Make sure to visit the Bake Sale for great deals until the 20th.

Are you getting your challenges done? If you complete any 10 challenges this month, you get this gorgeous collab (or a variety of other choices from previous challenge collabs) as a reward!

Tutorial Tuesday (Photoshop Elements)

Greatest Hits: Weaving – the Digital Way

Ginger recently sent me request for a topic I’d already covered; this time the request came from Lavonne. Her request again resulted in Ginger sending me a link to this layout by trinanne; she used the March 2023 Challenge Brush and clipped her papers to it over and over. Of course, I had to take the long walk down the garden path instead… I had no idea it would end up being much more complex than at first glance. I tossed the first two attempts at making this a coherent process and I think you’ll find it’s not as bad as all the screenshots – and your faithful demonstrator – make it look. (However, this tutorial will require intermediate-to-expert familiarity with the Elements software.)

 

Now, obviously, if we’re weaving a bunch of papers or ribbons together, they’ll look best against a neutral solid background. I’m using 10 different patterned papers and a solid cardstock from the February 2023 Daily Download Noteworthy, from Miss Fish.

I decided it would work best for the way I was seeing this in my head if I created a bunch of paper strip Clipping Masks. If you’d rather use the Rectangular Marquee Tool to cut strips, that’s up to you. I want to have some variations in width, some crooked and torn edges, and one strip will have a deckle edge. (Instructions not included.) To make those individual features work best, the adjustments are made to the Mask to ensure the patterns on the papers aren’t distorted. I’ll be making a roughly 8 inch by 8 inch square, 10 strips in all. Here’s a tip: When using the Custom Shapes Tool you can specify dimensions and with only one click, you’ve got the desired shape in the desired size. I’m using a Width 8 inches, Height 1.5 inches for my first strip Mask.

Don’t forget that when using the Custom Shape Tool, the resulting shape is a Smart Object – it’s locked and can’t be altered unless you Simplify it. More recent versions of Elements includes a Simplify button bar in the Tool Options. If your version doesn’t show it there, right-click on the layer and choose Simplify Layer from the drop-down menu that appears.

Here I’ve created all 5 of my horizontal Clipping Mask layers. I’ve changed the foreground colour a bit for each to help keep them separate in my mind. You can see there are some thinner and some thicker strips. Next I’ll make 5 vertical strips the same way.

All 10 strips are there now. Let’s Clip some papers to them!

I know you all already know how to Clip papers to template spots but I’ll review anyway. With your paper right above the object you’re Clipping to, right-click on the paper layer and choose Create Clipping Mask. Alternately, you can use a keyboard shortcut. For versions 14 and earlier, CTRL/CMD>G will do it. For versions 15 and later, CTRL/CMD>ALT/OPT>G. My fingers just go there almost automatically now, I’ve used that shortcut so often.

Here are the 5 horizontal strips with their papers Clipped in place. The process is identical for the vertical strips.

Just like that.

I’ll show you how to make them look a little less deliberate in the next few screenshots. Here’s why I opted for Clipping Masks and not just Marqueeing out a bunch of strips. If I decided to Image>Transform>Skew a paper strip, the pattern would also Skew and it would look awful. So instead, I’ll Skew the Mask, giving it crooked ends, and the paper will stay unblemished. Skew only allows the corners to move in a single direction.

To make each paper strip more manageable, after I make my tweaks to the Mask, I’ll right-click>Merge the paper and Mask layers into a single layer. The shortcut is CTRL/CMD>E.

 

Here I’ve made a bit of a curved cut into the end of the Mask. The Smudge Tool will give that effect, or you could use the Elliptical Marquee Tool to Cut (CTRL/CMD>X) away a thin curved sliver. That method will give you a cleaner Cut.

Why not, indeed?

For this strip I used Image>Transform>Distort. With that command, each of the corners moves independently in all directions.

Another variation on the Smudge Tool.

Now let’s get to the WEAVE. First you’ll need to decide which strip to start with. I’m going to skip the first vertical strip and pass the pink striped strip then the multi-striped strip underneath my red-and-white horizontal strip. I Selected the edges of the first horizontal strip by CTRL/CMD>clicking on the layer thumbnail in the Layers Panel. Then I made the pink striped layer my active layer. To make it look like it passed behind the horizontal strip, Edit>Cut or CTRL/CMD>X removes that Selection from the pink striped paper.

 

Alternate this process for each of the horizontal layers.

Here is what it looks like before the dimension of shadowing is added.

Add a new, blank layer at the top of the stack of layers. This is where you’ll put your shadows. Decide where your light source is. That will determine where your shadows will lie. I like my light to come from the upper left, at 120°. Because some of my paper strips don’t have sharp, straight edges, I created custom shadows for those layers. (Custom Shadows – Jan’s Method) If you’re going with straight edges you can ignore that. Instead, use the Pencil Tool. For the horizontal strips, you’ll be drawing in your shadows inside the edges of the paper horizontally. For the vertical layers, you’ll be drawing your shadows inside the edges of those papers vertically. The Radius for your Pencil lines can be fairly small, since the papers will be laying tightly together. I used 4 pixels but 5 or even 8 won’t be too big. Set your Foreground Colour to black (000000) Click the cursor right inside the corner of the paper square you’re working with.

Then hold down the SHIFT key and click the cursor in the opposite corner. Here I’ve made a horizontal line. Don’t be too fussy about making it perfectly straight, because it’s not going to be noticeable later.

After you’ve got all your paper rectangles outlined in black, add a Filter>Blur>Gaussian Blur to that layer.

 

Don’t go overboard here. The Blur is to soften the lines, not make them blend right into the paper! If you can’t see anything in the Preview Pane, click your cursor in a spot where you know there’s a line. It’ll pop up in the Preview Pane and you can gauge how far to Blur. 2.3 pixels worked well for me.

Last thing to do is to change the Blend Mode to Linear Burn and drop the Opacity to about 60% and it’s done! Now to decide how to use the weave…

You can Save this weave as a PSD to allow for alterations later, or as a PNG to preserve the transparent layer behind. Or you can just go ahead and scrap on top and around it. To add the Brushes as described below, Link all the layers of the weave to each other by highlighting all the layers (click on the first layer>hold down Shift>click on the last layer in the weave then click on the Link icon at the left of any of those layers) so they’re separate but connected.

If you really want the Challenge Brush look, create a horizontal stack of varied widths and lengths of the Brush on a new workspace with each Brush on its own layer so you can adjust them one at a time. Adjust them to suit your desired look; you can flip them, widen or narrow them, overlap them, whatever your mind’s eye desires. Create a second stack of vertical Brushes (you can change the angle of the Brush in the Tool Options to 90°) and adjust those. When you’ve got what you like, Merge (CTRL/CMD>E) the layers. This is your Clipping Mask.

Then Merge (CTRL/CMD>E) all the Brush layers. Move this newly created Clipping Mask onto your layout and position it underneath your weave. Then Clip to your weave. Ta DA! My screenshot shows just a plain paper Clipped to it and is only an example. All the adjustments you’ve made to your weave and the shadowing you’ve created will be preserved when you’ve Linked then Clipped.

If you have requests or ideas for future tutorials, you can contact me by Direct Message. In the Forum look for the envelope icon on the right, just above the blue band, then click on it. Down at the very bottom of the dropdown it’ll say Send Direct Message. My handle is ObiJanKenobi. Then if I have anything I need to clarify, we can chat!

Til next Tuesday!