Tutorial Tuesday (Potpourri)

February 25, 2020 by

Is Exhaustion a Thing?

Well, last week was a total whirlwind! It still feels a lot like a dream, but we now own a beautiful new house in a surreal setting, even though we’re not moving into it until early May. The trip itself was pretty exhausting, both mentally and physically. Somehow we got to the airport without our son’s photo ID, without which he couldn’t board the plane. (We live 30 miles away, on the other side of a major city…) The airline was amazing and got us on a later flight so I could run home and get it. We ended up getting there 5 hours later than originally planned, but in the end that was fine. All the things that needed to happen to get us into the house happened, and I’m planning and scheming every minute of the day. All of this is leading up to me apologizing for not having a tutorial for you today, but in its place I’m going to give you a sneak peak at some of the photos you’ll see in my layouts in the coming weeks. And then I have a couple of little challenges for y’all.

What do you think??

Okay. Your first challenge is to find one of your layouts where you’ve used something you learned from Tutorial Tuesday and send me a private message (JaninAlberta) with a link to it. Don’t tell me what you did, I’m going to see if I can figure it out! Next week I’ll compile all the layouts I get from you into a blog post and share your successes with everybody else.

Your second challenge is to help me come up with a new user name. When we move, I’ll no longer be Jan in Alberta… I’ll still be Jan, but living in Kelowna, British Columbia. Ginger has told me I can change my user name when the time comes and I’d like it to be a bit more creative! Help?

Have a great week!

Filed Under: Be Inspired, Behind the Scrapbook, Creative Style, Digital Scrapbooking Tagged With:

Tutorial Tuesday (Photoshop Elements)

February 11, 2020 by

Effect? Affect? What’s the Difference?

Today’s tutorial has some common elements with last week’s. I’m going to show you how to turn a photo into a work of art, and to blend it into a layout. But that’s where the similarities end! I played around for quite awhile before I got the look I was after, but lucky for you, I kept track of what I did so you can skip the experimentation and go right to the good part.

There are so many ways to make Photoshop Elements do fantastic things. I first played with the Filter Gallery, but didn’t get what I wanted. So then I started looking at the Effects Gallery. There’s where I found the pot of gold.

First I made a copy layer of my photo. (I actually tried to work right on the background photo layer but didn’t like where I ended up – no control!)

Then I clicked on the Effects button down at the bottom right of the work space. From the Effects Gallery I chose Vintage and then Pencil Sketch. (Yes, I’ve done a couple of sketch tutorials before, but this one is different. And a lot easier!)

One click and this is where I went.

Elements has created another Copy layer and then added the Sketch effect to yet another separate layer.

I tried out each of the Blend Modes until I found one I liked – Hard Light. It brought back some of the colour but kept the sketchy look.

I made another copy, of the very topmost layer and it lightened up the image and blew out some highlights.

Blend Mode change to the rescue! I changed it to Multiply, and got a really arty looking image. I Merged all the layers and saved my new image as Sketch Edit.

I don’t think anybody can guess what I did when I added the Sketch Edit copy of the photo to this blended template from Heartstrings Scrap Art. I decided to try some Blend Modes and settled on Luminosity. I love how it turned out.

I hope you’re having as much fun as I am when you try my techniques. But I feel it’s only fair that I let you know I may be MIA a bit in the next while. We’re closing on our brand-new house (in another province) next Tuesday!! It’s been a long haul since we signed the construction contract, and in some ways it feels a little surreal now that it’s finally done. We’ll be out of town tying up all those loose ends next week but I’ll try to have something for you for the following week… even if it’s just photos of the new house. We won’t be moving for a few weeks yet, and I’ll make sure you have a heads-up for that. Thank you for supporting me in this amazing hobby we share!

 

Filed Under: Be Inspired, Behind the Scrapbook, Creative Style, Digital Scrapbooking Tagged With:

Tutorial Tuesday (Photoshop Elements)

February 4, 2020 by

A-Tinting We Will Go 

How did it get to be February already? The older I get the faster time flies. The last week has really kicked my butt, let me tell you. So I thought we’d try something very simple but incredibly beautiful today. I love this photo (from Pixabay) but I think it could be even prettier in black and white. With a little hint of tint…

In Photoshop Elements there are several ways you can convert a colour photo to black and white. Probably the easiest is to click on Enhance>Convert to Black and White (CTRL/CMD>ALT>B) as shown. Or you could use Enhance>Adjust Color>Adjust Hue/Saturation then pull the Saturation slider all the way to the left. But… using the method shown gives you some added options that don’t involve fiddling.

When you use the Enhance>Convert to Black and White tool, this menu opens. The default setting is for Scenic Landscape, but there are multiple style options you can choose from.

There’s a slight but visible difference when I change the style to Portrait. The image is a little sharper and the contrast is a little higher. For this technique, that’s perfect.

I plan to blend this photo into the paper shown below. It’s from January 2020’s Daily Download, Toujours from Key Lime Digi Designs and The Cherry on Top. I’m going to choose a colour from it to tint my photo.

I decided that the soft green would be lovely, so I grabbed my Eye Dropper tool and clicked on the spot shown.

Next I clicked Layer>New Fill Layer>Solid Color. The green that I chose is the foreground colour so it will be the colour used.

I made sure the Use Previous Layer to Create Clipping Mask was selected.

The Color Picker still opened so I had the chance to verify the green is what I want.

And there it is… the Fill Layer. Now what?? As you can see there are two separate layers there, with the colour layer on top. I changed the Blend Mode to Color.

If you’re of a certain age, you might remember the days when the colour on those old tube TVs would go wonky and everything was really green. Look familiar?

So I lowered the Opacity of the Fill Layer to 51%. Now there’s just a faint green glow.

I had already chosen a masked template that would work nicely with this photo. It was a freebie from Promethean Concepts in the A Love for Layout Templates Facebook group in December 2019.

Here’s a tip for ensuring the part of your photo you most want included within a mask makes it onto your layout. Rather than dragging and dropping it ON TOP of the mask, clipping and fiddling with it, try dragging and dropping it UNDERNEATH the mask and moving it around.

It isn’t exactly perfect, and I know I don’t want any harsh edges visible. I didn’t know this trick until just recently, but when using a mask like this it’s possible to use the Clone Stamp tool to extend a photo out to the edges of your mask.

I wanted more of the pearls and her hair inside the mask, so before I started playing with the Clone Stamp, I clicked Image>Transform>Skew to adjust the shape of the mask just a bit by pulling the lower left corner down and to the left, the lower right corner just over more to the right.

Then I moved the photo layer ON TOP of the mask and clipped it in place. I’m going to Clone the window, curtains and the top of her head to cover up all that pink that’s still visible from the mask. Once I’ve done that, I’ll use the Healing Brush tool to make the Cloned areas less obvious.

And there’s my finished blend. I’m pretty pleased with it, and with how little time it actually took to get the effect. I’d say 20 minutes, tops!

My finished layout looks like this:

Will you give this a try? Shout-out to Ulla-May for the inspiration.

Filed Under: Be Inspired, Behind the Scrapbook, Daily Download, Digital Scrapbooking, Digital Scrapbooking Freebies, Tutorials Tagged With:

Tutorial Tuesday (Photoshop Elements)

January 28, 2020 by

It’s a Total Eclipse!

Greetings! As promised, today I’m going to show you a paper-to-digi technique that CalGirl (Steph) brought to my attention. It’s called the Eclipse Technique, and I’ll tell you, the digi version is a LOT less work than the paper one. To get this effect with paper, first the letters need to be cut from the foreground paper. Then several layers of each letter are cut from the background paper, stacked and glued together onto the back of the foreground paper letters. Then some foam adhesive pieces are added to the bottom of the stack, the stack is stuck into the cut-out areas and it looks like this card created by Amy Koenders from Stampin’ Up. It’s a really pretty look, and so simple to obtain digitally.

I think the best choice for a background paper for this technique will be a solid, but a paper with a tiny print might work well too. To look really fabulous, the foreground paper should have some sort of design. In the card image above, the pine branches and cones were stamped onto the foreground paper. Digitally, that’s a step you can skip unless you really want to do it. When you see my finished layout you’ll know how I went on that. I planned to use a template for my layout so I did the process with the papers I planned to use, in the way I planned to use them. The solid is from the GingerBread Ladies Warm and Cozy January gift-with-purchase collab, and the foreground paper is from Ilonka Designs‘ Rejoice kit.

The font I used is called Amadeust Regular. Choose a font that has some oomph to it, so you get the full effect. (Although we’re not gluing together skinny little strips of paper so I bet it would be fine to go with something more scripty or delicate too.) Make sure you have two copies of your foreground paper before you go on to the following steps. Turn the visibility of your top layer off so you can see what’s happening.

You can use any colour you want for your text because that layer is going to be deleted later. This it the title for my layout. At this stage, your text layer needs to be underneath your lower paper layer; I’ve made it visible here just for clarity.

Now Select your text by CTRL/CMD>clicking on the Layer Thumbnail. That will turn on the marching ants.

Make sure your active layer is the lower paper layer now. You’re going to Edit>Cut the text out of your lower paper layer. Keyboard shortcut for this is CTRL/CMD>X.

With both the text layer and upper paper layer visibility turned off, you can see the background paper through the “holes”. When you add a drop shadow to that upper paper layer, the appearance of your cut-outs will change.

If you want to, you can move your text layer up to just underneath the upper paper layer, but it’s not essential. Again, Select the outline of your text the same way. CTRL/CMD>Click on the text layer thumbnail. But this time we’re going to shrink the selected area just a tiny bit. Select>Modify>Contract is shown.

In the dialog box for that task type in the number 2, which will move the marching ants toward the centre by 2 pixels. It doesn’t have to be much, just a wee little bit.

The next step is to Invert the Selection. Select>Inverse or CTRL/CMD>shift>I.

With this step we’re going to cut away everything BUT the letters themselves. Edit>Cut or CTRL/CMD>X.

Aha! See the red outline of my text? That’s exactly what I wanted to see.

The original text layer has served its purpose, so you can go ahead and delete it, or simply turn it off.

I made a copy of the INSIDE letter layer and will be working on the very topmost layer in the next step.

Here’s the fun part. We’re going to apply a Bevel Style to that topmost layer. Click on the Styles button at the lower right of your workspace and choose Bevels from the Styles menu.

I tried almost all of the Bevels on for size before settling on the Scalloped Edge style shown below.

It’s not exactly what I was looking for so I made some adjustments.

To adjust any Style or Effect on a layer, double-click on the fx to the far right of the layer in the layers panel. The menu box has several options you can change. I adjusted the Lighting Angle to 120°, which is the angle my template uses. The default setting for Bevels is 21 pixels, but that’s not the look I want so I decreased the amount of Bevel down to 5 pixels.

Then to make the offset look a little more obvious, I added a solid colour Fill Layer in the same turquoise as my background paper to the bottom letters-only layer. Layer>New Fill Layer>Solid Color.

Ensure the box next to Use Previous Layer to Create Clipping Mask is checked and that the Opacity of the fill layer is 100%.

Then I Merged the two layers together.

Here the only layer not visible is the original text layer. I think it looks pretty awesome! I know it seems like even more work than the paper version, but it’s an illusion. Explaining it all makes it look like more work than it is.

When I put my layout together, I decided to add some brushes and some glossy glitter to the patterned paper layer. See how the white brush crosses the edge of the “O”? I love this technique and I think I’ll be using it a lot more.

Thanks Steph!

Filed Under: Be Inspired, Behind the Scrapbook, Creative Style, Digital Scrapbooking, Tutorials Tagged With:

Tutorial Tuesday (Windows and Elements)

January 21, 2020 by

Following Up for Donna

Last week’s organization tips drew some great comments. Many of you have good systems for sorting and retrieving your digi goodies. But… there are some things that still prove elusive.

Donna had this to say: “Dragging from all different folders from the finder is a pain in the ***, it was so much easier dragging from the searched results in photos.. ” Because I usually copy the files I plan to use and place them in a subfolder of my digiscrapping master folder, I hadn’t worked out a trick for that process that might streamline it a bit for those of you who prefer to drag-and-drop right from your folders into your scrapping software. Read on!

First I’ve shown my folder method using the search box in Windows. (Sorry, I’m not a Mac girl so I don’t have any tips for that platform.) I ran a simple search for “buttons“. The search box is at the upper right of the window and the progress bar runs from left to right as Windows does the work for you.

Once the search was done, I selected 4 buttons with a similar colour scheme, from 4 different folders. Remember, to make multiple selections, hold down the CTRL/CMD key while you’re clicking on the items you’re choosing.

Next, I Copied all 4 of the buttons.

Finally, I Pasted those buttons into a new Button folder I’d created within my Digiscrapping folder. Now, when I’m ready to use them in Elements, I can open that Button folder with the Open tool on the main screen. But that seems to be a little involved. Is there a way to select the same 4 buttons and open them in Elements without the extra steps? Work Smart, Not Hard, right??

OF COURSE!! I got Elements up and running. Then I activated that big Open button at the left of the main screen. But instead of having a dedicated folder with my buttons in it, I instead opened my Digikits folder and USED THE SEARCH BOX! It was something that had never occurred to me before. I typed “button” into the search box and waited.

Then I went through the results in the same way I would any other time. I Selected the same 4 buttons as before. (The image below shows the search results as a list. I did my selections using medium icons so I could see the actual images then I changed the display to a list so I could show you multiple selections.) When I had all 4 selected, I just hit that Open button at the bottom right of the menu.

And there they are! All from different folders and in fewer steps! I hope this is what Donna was looking for.

Her second organizational challenge reads like this: “Having switched to using my cellphone as my primary camera these last few years has actually made it more difficult to group as events, etc because of all the random photos, notes, screenshots etc that I also take photos of. Open to any suggestions there…?” This one is actually an easy fix. Both iPhone and Android have the ability to build albums with our photos. My Android phone creates some of its own albums, but I can make more to suit myself. Moving photos into the albums is as easy as clicking on them, going to the gallery menu and moving or copying the selected photos over. The key here is to sort them soon after you take them so it doesn’t become an all-day job. If you’re planning to use a group of photos taken on a specific day, make an album for that day. Sending the photos to the platform upon which you do your scrapping is the same process as whatever you’re doing now. If you’re using the iCloud, Dropbox or Google Drive or some other cyber-sharing device, that will allow you access to all your phone folders. Give it a try and see if it makes life easier!

Next week I’ll be showing you another paper-to-digi technique courtesy of Steph Barry. I think you’re going to love it!

Filed Under: Be Inspired, Behind the Scrapbook, Digital Scrapbooking, Tutorials Tagged With:

Tutorial Tuesday (Potpourri)

January 14, 2020 by

Decluttering Isn’t Just for Homes

It’s January. It’s bone-chillingly cold in some parts of the world (like HERE!) and unseasonably warm in others. The holidays are over, and winter stretches out in front of us like a long and bumpy road. There’re no truly exciting events on the horizon, so what’s a girl to do? Well, the flyers are filled with supplies for organizing our stuff… But for digiscrappers, we don’t need to buy anything. It’s all right in front of us! I think now is a good time to talk about organizing our stuff, and maybe actually making some effort to get ‘er done. This is how I do it, but I know y’all have your own way of doing things, The important part is to DO it!

It’s not as important where we start as that we actually DO start. For me, the place to begin will be with all the new kits I’ve amassed but haven’t unzipped. This is actually my New Year’s Resolution, to unzip and relocate my supplies as soon as I download them. I was keeping up just fine until my dogs started fighting in the house and I had to spend a lot of time keeping them away from each other. I have a backlog, and I WILL attend to it ASAP. I use Extract Now, a free rapid unzipping app that makes the unzipping part pretty easy. I make folders within my download folder into which I unzip the new goodies, which eliminates a couple of steps in the process, and it works pretty well. I still go through each of the subfolders, deleting all the duplicate previews and things I know I’m not going to use (like alpha sheets!). If the kit is templates, I delete the PNG files and the TIFF files, and I add to the name of the previews to include single or double and the number of photo spots the template includes. That lets me put a keyword like “single4” in the search bar and Windows will find all the previews with 4 photo spots. Once I’ve arranged my folders the way I like them, I move them en bloc to my digikit folder for the store or designer as appropriate. Then my download folder should be empty. Until I fill it up again!

The way I sort my digikits is primarily by store or by designer’s creative team, with the exception of Heartstrings Scrap Arts… I have so many of Bryony’s kits I need a separate folder just for them. Having said that, my GingerScraps folder is ENORMOUS!  (24.6GB without the kits sitting in my downloads folder. Thank heaven I have a 2TB drive on this laptop!) I rename each kit’s folder: DesignerNameKitName, unless it’s a Buffet kit, then it’s MonthYearBufDesignerNameKitName. That makes it easier when I’m doing a store challenge.

I try to organize my photos as I take them, so the job isn’t too daunting. I don’t care for the Organizer that comes with Photoshop Elements so I don’t use it. But it can be very useful for both organizing and retrieving your photos. The Help menu can give you some ideas about how to maximize your efficiency. The way I file my photos is in folders… what else? I create a new folder for the current year, and a subfolder for each month. I download a lot of photos from my daughter’s Tiny Beans album where she posts pics of my grandchildren. Those I rename with a suitable tag so I can run a keyword search later. If I’m looking for photos of Aaron, I just type in his name. These photos go into the folder for the month and year they were taken so I have some frame of reference later. I have a folder for the photos my friend Sandy takes and graciously allows me to ‘steal’ and one for the photos I download from Pixabay. My Pixabay folder is broken down into subfolders by topic: Kids, Insects/Flowers, Animals, Portraits, Scenic and such. This method of filing makes it a lot faster to find what I’m looking for.

I also organize my layouts. I have folders for each month’s challenges, with subfolders for the challenges themselves. When the year is over, they all collectively are filed in a folder for the whole year. Then again, I have some folders that have copies of the finished layouts for my daughters’ weddings, my grandkids’ first years, all of my Ireland layouts and for the creative teams I’m on. It’s all about finding things later!

Since I set up this new(ish) laptop back in September, I haven’t taken the time to go through my 1400+ fonts and retag them for MainType. That’s something I really need to get on with! It’s a daunting task, but you know what they say. Focus on the first step. I know the time I spend on it now will decrease the time it takes me to find the one font I’m looking for later. The best part of MainType is that I decide what my tags are, based on MY workflow – how I search for things. And like everything else, if I work at it as I add new fonts, the amount of time I spend on it will go way down. But just writing about it is giving me a rash, so let’s move on!

One caveat. If you’re going to delete duplicate files, make sure you only delete the ones you’re not going to want to search for later. I made the mistake of using a Windows utility and chose the wrong metric so it removed a LOT of my original templates and left me with the PSD files for the last layout I used them for. Retrieving the original template takes a lot of time but is necessary when I use the search feature to find previews for my desired number of photos.

I’m interested to hear how YOU organize your stuff. So please, share your secrets!!

 

Filed Under: Be Inspired, Behind the Scrapbook, Digital Scrapbooking, Tutorials Tagged With:

Tutorial Tuesday (Photoshop Elements)

January 7, 2020 by

Getting in on the Action(s)

When I was thinking about a topic for this week’s tutorial, I wasn’t inspired, so I did a Pinterest search for ideas. Are you ready to have your mind blown?? When I was playing with this subject so I could compose a coherent discussion, my mind certainly was!

I’ve referred to Actions in previous tutorials, but didn’t get into them too deeply. Your software came to you with a set of them already in place, and they form parts of the Guided Edits. If you’re unsure what Actions are, they’re like little scripts that tell Elements to make a series of predetermined changes to an image. The process is largely automatic, but there’re usually some options for personalizing the results. And I’m going to show you a really cool action I downloaded free. The image below is one I found at Pixabay; it turned out to be ideal for this little foray.

This is where I downloaded the Action I’ll show you. Most of the Actions here are completely free and have instructions within the Action menu itself. There are actions that perform one-step edits for portraits, actions that alter the colour of images, actions that make dodging and burning easier, ones that resize and sharpen images for different purposes, actions that watermark your photos… the list is endless! Check out the list here: The Coffee Shop Blog

Accessing the Actions on your workspace isn’t intuitive. Click on Windows>Actions to see which have been loaded (outside of the Guided Edits, since they’re specific to the Edit you’re playing with).

This is the default menu (with a couple of extra Actions I’ve loaded listed at the bottom). Click on the icon shown to open the Actions command centre. This is where you Load new ones.

The software will find any Actions you’ve downloaded and placed in the Actions folder of PSE. If you want to see which ones you already have, using the file explorer on your computer and look for .atn files. I have a LOT of them… I know. The one I’m going to show you is Coffee Shop Urban Grit.

Now that I’ve added it to the Actions menu, there it is! When I click on the triangle icon to the left of my chosen Action, it will open a dropdown that contains the script, or list of processes Elements is going to run.

Some Actions will have a dropdown list of steps that you can turn on or off. This one does too, but to see it I’d have to click on that triangle icon next to the name of the Action.

With the desired Action highlighted, click on the blue triangle icon shown to “play” the Action. The script will start running; with some Actions you can watch the changes being made flash over your image. With others the changes only happen when you decide where you want them. That’s how this one works.

So, it looks like all the software did was add a Layer Mask. The image itself looks exactly the same. But… the Brush tool menu is now open and the Layer Mask is selected. So I chose a large, soft, round brush and used it on the Layer Mask.

Can you see what’s happened? I just used the brush over the car and the girl. The sky, sea and sand weren’t touched. (Look at the Layer Mask to see what area was brushed over.)

But what else can I do with this now that I’ve played the Action? I duplicated the mask layer and it really amped up the effect. Here is where Blend Modes really come into play.

I liked the more obvious effect of the two mask layers but I wanted to try a few more things. I duplicated the mask layer and went down the list of Blend Modes until I found one I really liked. I’ve never found a way to use the Difference mode until now!

But the focal point of the image is too dark and muddy now. So I lowered the Opacity of the layer to 80% which made it better.

I moved that Difference layer down to the bottom and found the funk was still there but the image was much brighter. Can you see this on an art journal page?

I did one. More. Thing. If I decide to use this image on an art journal page, I’ll probably want to blend the sky/sea/sand areas into the paper. To make that possibility more workable, I changed the Background to a layer to make it editable. (I had NO clue what would happen when I started playing with it, I just wanted some more options.) To make the Background into an editable layer, right-click on the layer then choose Layer from Background from the dropdown. Then you can do what you like to that layer! I lowered the Opacity to 75% and was delighted to see that only the actual image background was changed. It became more transparent. So if I clip this finished image (with the layers merged) to a blended mask, it’ll look amazing. That’s next on my agenda!

This was just a quick-and-dirty guide to loading and using actions. There are so many ways they can be used for elevating our work. I hope you’ll download one or two and give them a whirl.

Filed Under: Be Inspired, Digital Scrapbooking, Tutorials Tagged With:

Tutorial Tuesday (Photoshop Elements 2018)

December 31, 2019 by

Double Indemnity? Nope, Double Exposure!

Here we are, at the very end of 2019!! I hope you all had some wonderful times with family and friends over the holidays. If you’re celebrating tonight, stay safe!!

Are you ready for another Guided Edit? This one was only introduced with the 2018 version, but I LOVE it!! It’s under the Fun Edits tab and it creates a double exposure almost automatically. It caught my interest when I started seeing lots of double-exposure photos popping up on my Pinterest feed after I Googled PSE techniques. All the how-to’s were for Photoshop‘s full version and try as I might, I wasn’t getting the results I hoped for when I tried to find a work-around. Then I tried this. I know you’re going to love it. I’m playing with photos I downloaded from Pixabay and chose a black-and-white close-up portrait as my base photo.

Once I clicked on Guided>Fun Edit>Double Exposure this is the menu that comes up. (Remember, if you click on Cancel, you’re back to the Start Menu so be very sure that’s what you want to do…)

For this tutorial I just took the most basic route possible with my photo choices so as to make it as straight-forward as possible. I’ll be playing with it a lot more in the weeks to come, so you may see another more complex tut later. The Edit tools are lined up top-to-bottom for easy progression through the steps. If your photo needs to be cropped, this is when you’d do it, with the Crop tool. The Guide suggests cropping so your desired focal point is in the centre.

There’s also the option of Selecting only a portion of your photo. I skipped both the Crop and Select steps altogether.

Now, the software has some images already embedded in the Edit that you can use for your double exposures: a forest scene, a cityscape and some clouds. Here I’ve superimposed the forest scene over my photo; if you look in the upper left corner you can see the girl’s eye, but it’s pretty well concealed.

Thankfully the software knows that might not be the look you’re after. The Intensity of the superimposed photo can be easily adjusted by pulling the slider to the left. Here you can see the difference it makes to decrease it to about 47%.

There’s also the opportunity to move the superimposed image around a bit by using the Move tool. It can be activated either by clicking on the tool image in the upper left of your workspace, or by clicking on the tool bar in the menu.

The cityscape almost completely obliterates the original photo. Good thing it’s adjustable!

I decreased the Intensity to about 35% and the resultant image is really moody. It suggests the girl is homesick for this view, at least in my imagination…

What will the clouds do? Well, at first glance, we can see her nose and chin fairly clearly, but not her eye, and I think the eye is the key.

I’m conflicted as to which emotion this evokes. I think she looks wistful, so maybe it’s dream-like.

Okay, before we move on, I want to show you how to use another of your own photos. So instead of using a preset, I clicked on Import a Photo. It opened up Windows Explorer and let me find a suitable photo for the look I’m aiming for. Once I clicked on the thumbnail in the photos folder, I clicked on the Place button.

Wow! That’s a really dramatic image!! I don’t even know if there’s any adjustment needed.

But just to be sure, I decreased the Intensity  by 50%. There are still more ways to manipulate the image so let’s keep going.

Before I moved on, I opted to shift the rocks in the superimposed photo down and almost off her face. It makes the sky more of an element in the image and you can’t see the demarcation where the superimposed photo ends. Further down the menu, there are some more Effects presets. So working with the image with the superimposed photo at 50%, let’s hit it with each of the Effects to see what they do. The very first one, top left of the tool menu is No Effect… just the way it is.

I’ve circled the Effect with each image so you can see what they look like right out of the box. This one adds a lot of colour.

This one makes the original image more vivid and increases the contrast.

Here, it’s basically a black-and-white version. If my original photo had been a colour portrait, it might make a big difference to use this Effect.

This one is a soft, rainbow-hued look.

I think this one would be amazing with underwater photography, or for photos with a beachy, watery theme.

This adds a touch of cool colour to a tonal black-and-white image.

I’m showing my age. All that’s missing is a prism in the middle.

The last one gives the whole image a warm, golden look.

After seeing them all, I decided I like the third version best. I decreased the Intensity to 50% again and have a really eye-catching image. I might add an inspirational quote into the dark area to the right of her neck. What do you think?

Before I shut down for the night, I decided to play with a couple of other photos I had. The one of the stone bridge provided a perfect frame for a superimposed face, but I didn’t take the time to figure out how to use the Guided Edit. Instead… I took a lot more time doing it manually. Duplicated layers, layer masks, erased areas, clipping masks, more layer masks to bring out the blue in her eyes, blend modes, sheesh. There’s gotta be a better way! When I find it I’ll share it with you!

I hope that whatever 2019 brought your way is greatly improved on in 2020! I know there are big things coming up for our family, details to follow. Happy New Year, dear GingerScrappers!

Filed Under: Be Inspired, Be Pinspired, Creative Style, Digital Scrapbooking, Tutorials Tagged With:

Tutorial Tuesday (Potpourri)

December 17, 2019 by

Beyond the Ordinary – Holiday Photos

Wow, can it really be only 8 days until Christmas? Even fewer until the first night of Chanukah… Families all over are getting ready for the Main Event and of course, no special occasion is ever complete without the photos to prove it happened. I think I can speak for most of us when I say I’ve taken a LOT of really ho-hum photos over the years. If you’re like me and browsing through the Gallery in late December makes you envious of the amazing photos OTHER scrappers have scrapped, I’m going to offer some thoughts on how to make our holiday photos better. I’m not going to completely rehash this tut from last year but some things do bear repeating.

First, make sure you have fresh batteries and a large SD card for all the great shots you’re going to take. If you’re into phonetography, you might want to trim your in-phone collection by saving them to your computer or the Cloud, then deleting them from your internal storage.

Make a list – physical or mental – of the shots you MUST have. We all have our own preferences for what we want to document so don’t feel like you’re being forced to conform. But there are some sort of standard images we all like.

Even if you feel like decorating for the holidays is a dreaded chore, take some photos of the process. Get a shot of the decor while it’s still in the box. If your kids are helping, turn them into models for your portfolio. Remember to get down on their level. Even the cutest kids aren’t great photo subjects if they’re always shot from above. And get in close!!!! I know I’ve mentioned before that the best crop is the one you do in the viewfinder. so fill the frame! Don’t be afraid to zoom in. Same goes for your pets, if you want them in your photos.

When shooting your tree, look for a different approach than the typical 8-feet-away-so-the-whole-tree-and-gifts-are-in-the-shot. Maybe take some close-ups of your favourite ornaments. Use a portrait mode to soften the background and make the ornament totally the focal point. Get down on the floor and shoot up toward the topper, or shoot down through the branches and make the presents the subject. Turn off all the room lights and shoot the tree with just the tree lights. Experiment with shutter speed and aperture to create some lovely bokeh effects. Add a human or a pet to the frame. Or take a photo of the lights reflected in a window. (If you don’t want your reflection in your photo, stand at an angle to the window and look carefully at what’s in the viewfinder.) Or take a photo of the tree THROUGH the window! Turn off your flash though, so you don’t spoil the shot.

If you’re celebrating Chanukah, there are lots of great ways to take photos of your menorrah. A series, with each night’s new candle lighting, would make a lovely layout. Look at the angles. On the last night, when all the candles are burning, an angled shot from one end with each flame visible would be incredible. Some of my favourite photos of my grandsons are of them lighting a candle, with the soft glow of the flame on their cheeks and wonder in their eyes. (Their mom takes amazing photos.)

We’ve all got a folder full of group photos where everybody is stiffly lined up and fake-smiling at the camera. So how can we take better group shots? Having the subjects doing something together is a good start. If you have snow in your area, have the group build a snowman, or have a snowball fight. Or play football in the snow. Beach ball volleyball (in sand or snow) would make some entertaining shots. But if you just have to have a posed group shot, give some thought to who goes where. If you can arrange the people so that their faces form little triangles, you’ll have a nicer image. Have them turn their shoulders toward each other or the centre of the photo so they can get a bit closer together. Make sure you’ve chosen a landscape setting so everybody will be in focus. Think about trying not to cut people’s legs off. If you can, shoot everybody down front from the waist up. Your subjects will thank you.

Do you go all out with a gorgeous table-scape for your guests? I’ve never done it, but I love seeing how others do it. If you’re hosting and have your table all set well in advance (like the experts recommend for sanity’s sake 😉 ) take a few minutes to look at it with your photographer’s eye. Take a shot of a single place setting. Try and get the whole table in a shot, easiest if you shoot from one end. Take a closeup of your crystal.

Don’t forget to get some shots of the dinner prep. Be stealthy and get some candids of the main cook, or if that’s you, get some of your helpers. Look for interesting camera angles of your turkey, ham or standing rib roast. Ask someone to be the carver and get some action shots. And look for smiling faces as the meal commences.

What about gifts? Well, there’re lots of opportunities around gift opening. Get down on the floor with the kids. Try to capture the moment when they identify what’s in the package. If it’s your thing, you can take some of them channeling Vanna White, holding up a favourite gift. If there’s a very special gift being given, arrange for it to be delivered when you have a moment to frame your image. I really wish I had a photo of myself when I opened a gift from my sister quite a few years ago. It was a resin frame with dragonflies on it, but what made it truly special was that it held a photo of me with my grandfather, who died when I wasn’t yet 4 years old. If you know in advance, you can be ready to catch the emotion.

After the dust settles, you can relax, but don’t forget there might still be some great photos yet to happen. Like when a child falls asleep in the middle of a game, or the dog takes off with a long piece of ribbon… they could be the best shots you get all day. But don’t concentrate so hard on getting good photos that you don’t have fun! At a family reunion, my niece made a point of taking a selfie with every single one of us, and they were all fantastic. If you have mad selfie skills, give it a whirl. You might surprise yourself!

I’ll be taking next Tuesday off, as I expect most of you will too… bigger fish to fry! Merry Christmas! Mazel tov! Kwanzaa blessings to all!

 

Filed Under: Be Inspired, Behind the Scrapbook, Creative Style, Digital Scrapbooking, Lets Celebrate, Party/ Event, Tutorials Tagged With:

Tutorial Tuesday (Photoshop Elements)

December 10, 2019 by

DIY Christmas Card Workshop

Woohoo! I’m on deadline today!! Things are looking up. Today’s tutorial isn’t necessarily scrapbooking-related, but it definitely uses digital scrapbooking supplies. It’s also not really in time for this year, but it can be a thought for next year. I’m going to show you how to make 2 personal Christmas cards from 1 sheet of cardstock. The resulting cards are 4 1/4 inches by 5 1/2 inches. You can get 50 envelopes that will hold these beauties at Michaels for $8 (Canadian, so about $5 in the US).

If I would have been thinking I could have skipped this step by putting the dimensions in reverse in the New Document screen. But I didn’t so I had to Rotate the canvas 90°.

Next I snapped a line across the centre of the page, and another from top to bottom. I used the Ruler and the Pencil Tool. To snap a straight line in a project, select the Pencil Tool and set the size of the line you want. I wanted these lines to be faint, so I went with 1 pixel. Line up the cursor with the halfway point along one side of your canvas. You can see a moving dashed line on the Ruler so you’ll know when you’re in the right place. Click once just barely inside the edge of your canvas. Then hold down the Shift key and move the cursor to the same spot on the opposite side and click again. It’s just that easy. Then do the same with the top-to-bottom centre point. These are guidelines for placement of elements and for cutting and scoring later.

Then I opened up the folder where I’d collected the objects I wanted to use. I have a photo taken several Christmases ago, a 3D snowflake from Lindsay Jane‘s Snowed Under kit and a mask from PrelestnayaP‘s December Wishes.

Working in the lower left corner of the canvas, I opened up the Shape Tool, chose the Rectangle, set a Fixed Size of 5.25 by 4 inches and chose a darkish green colour.

The resulting rectangle will fit inside the guidelines for one card. and by Simplifying the layer, I can make adjustments to it as needed because it’s now a Smart Object.

The next step is to add the mask. I resized it to fit inside the green rectangle completely.

The photo went on top of the mask and was resized to approximately the size I’d need. I want the deer and some of the illuminated snow visible later.

Clipping the photo to the mask is simple. Right click>Create Clipping Mask or CTRL/CMD>ALT>G for more recent versions of PSE or just CTRL/CMD>G for versions pre-15.

Final position tweaks included a little shifting and a little more shrinking.

I chose a gold colour from my photo to use for the sentiment. Here’s where all those amazing fonts you have in your stash will come in handy. You can make this text as personal as you want, even making it family- or person-specific. But it still looked like it needed something. So I CTRL/CMD>clicked on the green rectangle layer’s thumbnail to select the outer edges of the rectangle. Then Select>Modify>Contract.

I pondered for a nanosecond how much I should shrink my selection and settled on 25 pixels.

And then I added a Stroke to the new selection. Edit>Stroke (Outline) Selection

I then used the same gold as for the text and added my Stroke. The position for this isn’t a make-or-break thing, so don’t obsess over it.

Yes, I think that’s what it needed.

The final step for this card is to add a trademark to the back. I went with the green for this.

Knowing that it’s on the BACK of the card and should be readable with the card right-side-up, I Rotated the text 180°.

I’m going for 100% honesty here… I saw a card like this second one on Pinterest so I’m not taking credit for the idea. (Ignore the typo on the screenshot please!) I added a new blank layer to the stack and Loaded some watercolour Brushes. These are from a set of 20 free brushes from Brusheezy. I chose 3 shades of wintery blue for the brush area.

I layered the brushes, each on its own layer so I can make adjustments to just one – or all – if I need to.

For a bit of contrast I chose an aqua for the topmost brush layer.

I added in the snowflake and sized it appropriately. But it wasn’t quite enough by itself. So I added a Layer Style from Ooh La La Scraps‘ In the Frosty Air collection.

It still was missing something so I turned off the snowflake layer for a second and added a white paint splatter. That makes a big difference!

A few words and it’s pretty much what I was looking for.

A trademark on the back in the dark blue and it’s finished!

I saved the file as a .png so the printer wouldn’t need to add a white background to everything. To turn this into cards, I’ll load up my printer with white cardstock and print several copies. Using my guillotine cutter I’ll cut the cards apart on the top-to-bottom guideline and score then fold along the side-to-side guideline. I choose to print my sentiments for the inside of the card on resume paper (it’s a bit fancier than regular printer paper) and trim to fit the inside of the folded card. Word art would be perfect for this! Another option is to use a sentiment stamp and ink in a colour to match the front of the card. All that’s left is to sign them, pop them into their envelopes and mail them!

Whew… two weeks until Christmas Eve! Better get on that!

Filed Under: Be Inspired, Creative Style, Let's Get Crafty, Lets Celebrate, Tutorials Tagged With:
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