Tutorial Tuesday (Fonts)

New Valentine’s Day Fonts!

I’ve been under the weather since Sunday and have been supporting a friend whose had her fourth surgery in 3 years just recently, so I opted for a font post for this week. But it won’t disappoint! I did a meander through the Challenge Forum the other day and noticed that the theme for many of this month’s Challenges is “love”. I found some completely free fonts and a few dingbats for you at Dafont.com that dovetail with that theme that will give your layouts a real boost.  Each font is hyperlinked for you, just click on the font name (bold, coloured and underlined) to grab them. Let’s check ’em out.

Darling Girl is my favourite of these, I think. It’s elegant, modern and completely legible. The free version is a demo version, so not all of the glyphs are in the zip file. But there are enough to make it worth the download. It’s versatile enough too that it could work for both titles and journaling.

Valentia has ALL the glyphs a girl could want. Its scripty look would be perfect for word art, subtitles or journaling.

Marithe is another really flourish-heavy font. The swashes are very ornamental, and there are lots of them!

I like First Love for titles. It would look great with a slightly beveled, glossy Style, or even with a metallic Style. Of course, the hearts could be Filled with pink or red to add a ton of character to it.

When I saw Enamor, I instantly knew what I’d do with it. I’d fill all those doodles with a chalk style so it looks like a blackboard. It’s an all-caps font, and would be fabulous for titles and word art.

Hello Besty Sans is a bit more of a simple bubble font. It has a folk-art look and is pretty versatile.

Better Spring Script is another variation with lots of swoopy, swashy flourishy upper case characters. There aren’t any lower-case embellies, but it wouldn’t be hard to create them.

I really appreciate multi-purpose fonts like Beauty. All the curly heart glyphs you see here are in the file!

The very imaginatively-named Be My Valentine is another script font with lots of potential. It would make gorgeous sticker-type titles – and you KNOW how much I love that! But it also is suitable for journaling. All the glyphs a girl could want are in the file too.

Now for some dingbats. This one is called Blustina Extras (which implies there’s a Blustina font… I’ll see if that’s true.) There are hearts, swooshes, banners, sparkles and even a butterfly in this collection.

So, the Blustina font is just… meh. You can check it out for yourself and decide if it’s worth the download.

Beloved is a collection of bold, hand-drawn hearts. They can be jazzed up with glitter or a glossy Style or even a wire Style for some very cool elements.

 

And our last dings are these, called Heart Salad. I don’t know if I’d use the Grey’s Anatomy heart, but the others I definitely would.

If you use any of these on a layout, I’d love to know, so drop a comment so I can get a look!

 

 

 

 

Tutorial Tuesday (Fonts)

Wintery, Christmasy Fonts

I didn’t realize it’s been FOUR YEARS since I last did a winter/Christmas font post! Just what I need… more fonts while I’m trying to move all my Very Important Files to a new laptop (thank you Black Friday sale at Costco!), right? I’m going to have to make a resolution to get MainType properly set up so all my fonts are sortable. Might need y’all to hold my feet to the fire. Anyway, let’s look at some new-ish seasonal fonts and a few related dingbats, shall we? If you see something you like, click on the name, it’s linked for you, and the download is FREE….

Christmas Comeback is what’s known in the industry as a “display font”. It’s a solid font with an assortment of glyphs and ligatures – those extras that really zhuzh up your titles.

Last Christmas is a multilingual script font that would be legible enough for journaling. Now I’ just have to hope I escape Whamaggedon, having just typed out that title..

Home Christmas is another solid display font. It’s an all-caps typeface, but has an upper and lowercase set. It includes punctuation and numerals, but no fancy swashes.

Wonderful Christmas is a multilingual mash-up; it has curly-swirly uppercase characters and formal serif-style lowercase caps. It’s definitely legible, so it’s suitable for titles, subtitles and journaling.

Santa’s Air Mail has a lot of title potential. The snowy tops could be glittered, while the actual characters could be any colour, pattern or texture. It includes numerals and punctuation.

Whoa! Christmas Squad. Are you seeing what I’m seeing? The whole family in matching PJs on Christmas Eve… this title is included in the character map! The basic character set has those swashy caps, and offers multilingual options too.

 

Magic Christmas is an all-caps vintage display font. The character set includes both the version you see in the screenshot and a solid version. They could be layered with a shiny or glittery Style added to create a pretty fabulous title or siggie.

Magical Nordic includes BOTH of these typefaces in your download. Along with multilingual support, the snowflake is in the special character set. Since I’m currently working thrulines on my Swedish family tree, I was very drawn to this one.

Winterlight Season has such whimsy! The multilingual fairytale quality is charming, including punctuation and numerals.

Snowballs has a handwritten look to it, with snowflakes surrounding each character. Some characters have swash versions.

This one, Snowinter, started giving me ideas the second I saw it. The actual letters in white, with maybe a glossy coloured Style, and the crystally bits in matching glitter? Oh, yeah! I’m definitely going to play with it! It’s an all-caps-in-two-sizes multilingual typeset.

St Nicholas is giving me really strong A Christmas Carol or ‘Twas the Night Before Christmas vibe. It’s such an old-timey look; there are numerals and basic punctuation marks in the set.

This one, Mickey’s Merry Christmas, is my segué from font to dingbat. This all-caps set has a Mickey in a Santa hat in all the uppercase characters! Christmas at Disney World, anyone?

I’m really doomed… Last Christmas Symbols is a collection of Christmas and winter images.

If you’d rather have festive outlines, Christmas has got you.

And last, a seasonal but not festive set of mittens! Christmast Gloves could be used in so many ways.

I’ve got an idea for next week’s tutorial that might be a useful one. It’s a hybrid technique. Stay tuned!

 

Tutorial Tuesday (Photoshop Elements)

Quick Trick: What the Font?!

PDF Version : https://bit.ly/3SqmX0b

Today’s Quick Trick is literally a 5 second life saver! You may recall that I’m teaching myself to use Cricut Design Space. It has some similarities to PSE, although it’s REALLY not intuitive at all. One similarity is the extensive use of fonts in projects. Which, of course, leads to… “ACK!! I need to update this/correct spelling/change wording/add something and I can’t find the font I used! Help!!!” This one little trick will end that – and it works on both platforms!

In my screenshot, the text in the speech bubble is a font I picked up somewhere… could be dafont, or Creative Fabrica, or Font Bundles… I don’t know. I love it for this layout of my youngest grandpuppy. But it’s not going to stay in my brain.

But –  if I double-click on the text to the right of that big T where Elements is just showing the first couple of words of my text, I can type in the font’s name there and the layer will save it for posterity! Now, this only works if you save a layered version, either PSD or TIFF, of your layout, as I do. If you know you’ll be Simplifying your text – to change fonts, for example – you can do this step before you Simplify. The layer’s new name will be the same as your font.

Another option is to add a text layer to your layout somewhere with the names of all the fonts you’ve used. This layer can be made invisible by closing the eye on the layer; it won’t show in the Gallery or if you decide to print your layout, but it’ll be preserved in case you need to use the same fonts again!

Personal note: My dad’s cancer is back and he’s filled with metastases. He has declined treatment and will be receiving palliative care. It’s impossible to predict how long he has, so if I’m suddenly MIA, you can assume I’m with my family.

Tutorial Tuesday (Fonts)

Celebrating Grads and Dads Again

PDF Version : https://bit.ly/3yYDDVH

Are y’all getting tired of font-based posts? Lately I’ve been looking at fonts from a bit of a different perspective, searching for those that would be suitable for cutting with my Cricut for cards. When I was making my Father’s Day cards this year, I ended up using an old standby, Lumberjack Regular – the very font I use to create the text on my tutorial screenshots. I think it worked fairly well, considering the text I cut was only about 1/2 an inch tall…

While I was browsing at dafont.com, I noticed a few [100% free, no-pennies!!] fonts that I could easily use to create titles for graduation and Father’s Day layouts too. I’m going to share some of them with you today. As with past font posts, each is linked directly to the download to make it easier for me to enable your font hoarding. Just click on the font name, in red.

I think this grungy font Nexa Rust Slab would work for both grads and dads. It might look fabulous with one of the gradient techniques we’ve played with recently.

College Boy has a varsity vibe and could be used for both titling and text.

Reach has several variations included in the download.

Stitch’n School has a letterman’s jacket look to it. I wish I could have put my letter on my varsity curling sweater.

Athletica already has a gradient applied!! I would probably find a way to make it metallic using Styles.

Now for the dads… Hot Winner Team might actually be suitable for both. I like the condensed form and the funky angle on the horizontal aspects of the letters.

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This one, Hand Shop Typography A20 is sort of similar, but still different enough. Be advised, the only numerals in the download are the 2 and the 0.

I like the vintage look to Rumble Brave. It’s a bit of a fairytale-hero font, don’t you think?

I love the texture I see with Inlander. It could be zhuzhed up with some Styles for a unique title. Chipboard or felt would be perfect.

Kingston Roman makes me think of gladiators. Who doesn’t love a good toga? 😉

Speaking of superheroes… Smallville actually included the curved title! You can find it by using the tilde [ ~ ] key.

Catastrophic Consequences is perfect for journaling. Clean, upright, legible – exactly what good journaling needs.

Here’s one for the gamer dads. Darks Skyrim has so much potential. I could see it with a shiny shades-of-blue gradient. Yeah!!

And one more journaling font, Philosopher. It’s a little fancier but still clean and clear.

I’ll confess, I’m really struggling with scrapping inspiration and even more with tutorial topics. After almost 350 tuts, it’s really hard to come up with fresh stuff. I may have to make some changes. Stay tuned.

 

Tutorial Tuesday (Dingbats)

Inspiration for the April Scraplift Challenge

I’m very literal (I know, I say that ALL the time) when it comes to the Scraplift Challenge. If I like a layout enough to emulate it, I’m gonna EMULATE it. So I was looking at the April 2024 Scraplift Challenge last night and what resonated with me was the abstract drawing Alexis used for her no-photo sample layout.

Then I started thinking about what I could use to emulate it. Do I have any doodle drawings in my stash? Will they work? What else could I use? And just about the time I fell asleep, it occurred to me that maybe using a dingbat could be an option. So I pored over the dingbat section at dafont.com and I found a few you might like. All the sets I’m showing you are 100% free for personal use; the bold name of the dingbat (font) is a direct link to the download. Let’s take a look.

First and most closely related to the image above is this collection called Woman Faces. Don’t be fooled… there are a LOT of options with this set that wouldn’t fit into the screenshot. 236 different glyphs, to be exact! Many of them are line-drawings, so very suitable.

If you like a less formal effect Cartoonabha might work for you. This one comes with 66 different options. some of them are very expressive!

This set contains the 12 constellations that make up the Zodiac. If you’re into that kind of thing, Constellations Ostia could provide your non-photo focal point. Or you could use the glyphs as background stamps.

The Goddess gives off a bit more of an esoteric vibe. There are 30 options in this one; the letter X is a fairy!

Art Nouveau Flowers offer a lot of possibilities. They can be filled with the Paint Bucket, Styled to look like wrought iron or lead, have papers clipped to them, or just be left as is.

For a more whimsical take, Country Cuties is your friend. Mostly line-drawn, there are some sweet kittens, cutie bears, a frog, and that hilarious pig.

For the Disney fans, there’s Disney family 1, with all the usual suspects represented.

If you’re more of an old-school Star Wars gal, check out Lucas characters. No Grogu… so if you’re looking for him, skip this one.

These Vintage Mixed vol1 dingbats remind me of print ads from the 60s. There’s even an image of Fred Astaire and Ginger Rogers for elegance. The pointing finger could work for quite a few topics, don’t you think?

I just love the gossipy image! Vintage Mixed vol2 has even more retro images; I think my fave is the cartoon bride and groom on the run.

If you’re in the Path of Totality for this month’s solar eclipse, this set called Galaxia might have something you could put into a photo-less layout. Or you could use the drawings for a border.

These just made me laugh. Smile 2 Me has a huge assortment of expressions; I love the one flashing a peace sign.

From the ridiculous to the sublime… Caligrafia Divina strikes a more elegant chord. The dragon is fabulous.

And last, since we do Takeout Tuesday at my house, there’s a food set called LMS Junk Food Junky. (Of course!) I could see myself creating a layout and calling it In Praise of Pizza.

I had one more for you but for some reason WordPress isn’t allowing me to attach an image of it. I’ve tried several different tricks and failed……… It has a selection of fairy tale images in it and is called Once Upon a Time2.

If you’re not sure you see anything you like, check out the other dingbats at dafont.com. There’s something for everyone there. These are just my picks for what would work as line drawings. (I won’t tell you how many I downloaded today. 😉 )

Before I let you go, I should explain how to use these dingbats as line drawings, shouldn’t I? Install your dingbat set; they take a little longer to install than say a script font, because of the added details. Then open Elements. Dingbats are essentially fonts, so the Text Tool will let you see what’s in the set. I usually run through the alphabet, looking at which image is attached to each letter. For this purpose, I’d use a huge size, like 200 pts. Then I’d Simplify the text (image) so it can be manipulated. Now it’s resize-able to whatever will work best. And then I’d work my layout into the canvas.

For sets that have additional glyphs you can’t access via the alpha keys, check out this tutorial Unlocking the Secret Extras in Your Font Files.

This might be fun!

Tutorial Tuesday (Dingbats)

Four Ways to Use Dingbat Fonts

PDF Version : https://bit.ly/3PVn7eh

After last week’s tutorial, Lisa commented, “now that you bring up dingbats I’d love a tutorial on how to really use them in a layout!” So today, I have four techniques to share. There are many more than four, but for now we’re just looking at four. These are all relatively simple techniques we’ve used before so I’m not going deep into the weeds with step-by-steps. If you think of other ways to use dingbats, I’d love to try them!

First, if you’re not using a font manager like High Logic MainType, and aren’t familiar with Wordmark It, figuring out which characters will give you the image you want means either searching your computer for “character map” or trying one character at a time. If you look at the screenshot, I’ve enlarged the character V for this spider from Witch Night Dingbat as shown on the Type Layer.

I think this spider would look a lot more scary with some glowing red eyes. So I added a New Layer to put the eyes on, then using the Elliptical Marquee Tool, set on Fixed Ratio 1:1, I dragged out a circle just slightly bigger than the eye hole.

Then using the Paint Bucket Tool, I filled the circle with red.

He’s got two eyes, so I Duplicated the red circle [CTRL/CMD>J], positioned the new circle over the other eye hole then Merged [CTRL/CMD>E] the two layers.

I intend to layer two Styles on the eyes, one a red acrylic Style that adds both a Bevel and a highlight, and a glass Style which will add some shine and a Drop Shadow. While it IS possible to layer Styles on a single layer, the two I plan to use won’t work that way. So I Duplicated [CTRL/CMD>J] my eyes layer.

The acrylic Style is opaque and changes the colour of what’s under it. The glass Style makes the layer it’s applied to transparent or translucent, depending on which glass Style you choose. This is why the acrylic was applied to the lower eye layer and the glass to the upper. I wasn’t totally jazzed by how the glass layer looked so I made some adjustments; I double-clicked on the fx symbol on the glass layer and moved the sliders until I liked the look. To put the highlight in the right spot, I changed the Lighting Angle. Once I was happy, I Merged [CTRL/CMD>E] the two layers and moved them under the spider body layer.

All that was left now was to add a Simple Scalloped Bevel to the spider’s body and it looks quite evil!

Dingbats are ideal for creating Brushes. The character for this black cat in Witch Night Dingbat is the letter O. Resize the image until it’s about 2500 pixels. Then click Edit>Define Brush.

My example is 1583 pixels, but can be enlarged when it’s used as a Brush. I gave it a name, Black Cat. A highly original name.

This part is just for fun. I want to add some dimension to the image, so I’m going to apply a Layer>New Fill Layer>Pattern Fill. Then I scrolled through the options in the Pattern Fill menu to Texture Fill and chose Denim. It’s the one that looks most like fur. Only problem is now the cat’s gray, not black. So…

I Merged [CTRL/CMD>E] the Fill Layer and the Brush Layer together. Then I adjusted Levels. [CTRL/CMD>L] I also filled the eyes with green and added a pupil, but that was for me! Now if I add a little Bevel, I’ve got a puffy sticker to add to my layout.

The third use I’ve got for you today is to use dingbats to create a border. I’m still using Witch Night, and the character that produces a pair of witchy shoes is either E or Y. All I did here was to type out a row of 13 pairs of shoes.

Don’t forget that dingbats are actually fonts where Elements is concerned. So they have to be treated like fonts. Before I can add Texture, Styles or do much of anything, the font has to be Simplified.

For the top of the border, I just Duplicated the base layer [CTRL/CMD>J] and moved it to the top of the canvas. Use your View>Grid (not shown)! It really helps with positioning and symmetry.

Now, I could have just Duplicated the base layer again and rotated it, but I decided I wanted to have the soles of the shoes all “touching the ground”. I knew there were individual shoe dingbats in the set, so I changed the Type Tool from Horizontal to Vertical then typed out a line of alternating Is and Rs. I ended up with one too many shoes, but that was easy to fix.

There. I have a border!

This last example is using both a traditional font and a dingbat. My favourite Bugs Bunny cartoons are the ones with the vampire, the witch, bats and the two-headed buzzards. In one, Bugs and the vampire have a spell-casting battle. So this just seemed to create itself. The traditional font is called Abracadabra (of course, what else could it be?) and the dingbat is from Alit Halloween. I typed out Abra ca dabra – with spaces for the bats, then Simplified the text. If I didn’t do that, when I switch to the dingbat, the font will change to it too. So nope!! I typed out the bats (character is b) on their own layers so I could tilt them. I wasn’t happy with the way everything aligned and fitted together so I Cut the “ca” out, Pasted it back onto the canvas then moved it into place a bit lower than the baseline. This could be used as a sticker by adding a white Stroke to it, or it could have a Style applied, or a paper clipped to it, or… whatever suits my fancy.

If you think you might want to reuse any of the things you’ve created from dingbats, make sure to Save As a PNG so the transparent background is preserved. I hope I’ve given you some ideas here. If the kit you’re working with doesn’t have that one special object in it that you’d really like to include, check out your dingbats!

 

 

Tutorial Tuesday (Fonts)

Autumn and Creepy Season Fonts

PDF Version : https://bit.ly/48Ay6lP

Have you chosen the font(s) for your October Signature Challenge siggy or Inspiration Challenge? Have I got some options for you! Now, Heather‘s instructions for the Signature call for a “beautiful font”, while Joy just wants 2 different fonts in the title. Since beauty is in the eye of the beholder, I think you’d be quite safe using a creepy/spooky font for the siggy, and anything goes for the other. I took a quick wander through the dafont.com collection of FREE fonts and found some I didn’t have but must… and I’m going to share them with you. Each font/dingbat’s name is linked to the site so you can quickly and easily download the ones you love.

I didn’t find any fonts that really proclaimed *AUTUMN*, but there are some lovely dingbats (little drawings). This one is called LCR Autumn Harvest Dings. The scarecrow sold me on it!

KR Fabulous Fall has some lovely leaves.

Next up is WM Leaves 1, which is literally all leaves, complete with the Canadian stylized maple leaf from our flag.

Autumn Days Clipart has a selection of solid symbols. Just look at that cute little fox.

I love the line drawings in Arboris Folium. They can be used like stamps or brushes and are filled with potential.

While we’re doing dingbats, let’s carry on into the Hallowe’en sets I found. Freaky Halloween has some classic images, like those creepy jack-o-lanterns.

I LOVE the frame in Alit Halloween. And the spiderweb, and the crow, and the haunted house… well ALL of them.

Look at the creepy witches’ hats here in Halloween Dreams Doodles!

This set, simply named Halloween, has more, very detailed line drawings.

Ooh, Vintage Halloween is really creepy.

Now on to some actual fonts. I’ve never seen this one before. Gnarly Skeleton has both an outlined alphabet and a bold version. That skull is in the glyphs section, along with an assortment of symbols and accented letters. No numbers though.

Halloween Guises is a bubble font with more of a cute look to it. There are numerals and a bunch of glyphs too.

Spoky Spider (not a typo) is both cute and creepy.

Halloween Party 3 has elements of both font and dingbat. There are numerals and glyphs galore here.

I feel like Spooky Halloween is my favourite of all today. It has upper and lower case alphabets and numerals but no glyphs.

Nightside is a bold, Gothic font that made me think of Tim Burton’s Nightmare Before Christmas. It’s a demo font, meaning only upper case alphabet, no numerals or glyphs.

Then I found Nightmare 5… which also made me think of Tim Burton, or maybe the Addams Family. It has no numerals or clyphs; to achieve the look in the sample, use alternating upper and lower case letters.

And THEN… I found Burton’s Nightmare! It’s not really scary or creepy, but definitely has a vibe. There are numerals, some accented letters and some punctuation.

Okay, so maybe Single Ghost is my actual favourite! It’s got it all, wrapped up in a very elegant package.

Last, I have Dracolas for you. It’s Goth, it’s vintage and elegant. It’s a bold, all-caps font with the lower case characters smaller and less fancy. And there are glyphs!

Did you see anything you like? Did you find Inspiration for Joy‘s Challenge? I think I might pair Nightmare with Single Ghost. I’ll have to go back and make sure I’ve downloaded all the ones I love.

Tutorial Tuesday (Potpourri)

X-Fonter – a Powerful Font Manager

PDF Version : https://bit.ly/3Z81CLe

First off, I apologize in advance for the lateness of the hour. I’ve had a MILLION interruptions today and am desperately playing catch-up. Now, on to the tutorial!

There has been a lot of chatter about font managers, both for digital scrapbooking and for Cricut users. I’ve used High Logic MainType for a few years and ran a tutorial on it a while back. Recently I got this PM from Kathi (aka granny5pics):

Hi Jan,
1) I have used the free version of X-Fonter for awhile and last month bought version 12.0.1 because I could no longer find it on my computer! Now I have forgotten how to load a font sample into a “Collection” I have created. Are you familiar with X-Fonter and how it works? Do you or designers have a font management program you like?

2) Why do some font folders show an example of the font and others do not?

3) Which is better to load–a .tff or .otf font file?

So, of course, I downloaded the free trial version and took it for a test drive. Let’s discuss.

1) The reason why Kathi couldn’t find X-Fonter on her computer is because it has a self-destruct after 30 days. Every time the app is accessed, it has a countdown timer and a reminder that if you plan to continue to use it, you have to buy it. The most recent version is 12.0.1, as she said, and today’s price is $35 (discounted from $40). Follow along for the Collection part.

2) Font folders on your hard drive may not always show a thumbnail of the font. I haven’t found an answer to why, but I looked at my own folders and there are quite a few that didn’t come with the thumbnail. So a font manager can be a handy way to see what those fonts look like before deciding to use them. Or try wordmark.it which will pull all your fonts and show them to you online. It doesn’t store any of your information so don’t worry about it being safe.

3. The difference between .otf and .ttf formats starts with where they originated. Microsoft/Adobe created OpenType.otf, Apple created Truetype.ttf. I always choose .otf format because the fonts are somewhat more complex, with all the glyphs and library options right in the file. TrueType has better screen quality so is more suited for electronic documentation while OpenType is better for print. The difference in file size is negligible. So it basically comes down to planned use and personal preference.

Now, how does this X-Fonter work? If you’ve used MainType you’ll see the interface is pretty similar, but the features are quite different.

I went through each tab and button one at a time to get a good look at what’s under the hood. Under View, the first two choices are pretty self-explanatory. Other than moving the boundaries of the windows, these are the only interface adjustments. First big advantage to X-Fonter is this! Font Compare lets you look at 2 fonts at the same time so you can choose the one that works best for your purpose.

The display windows are your access to the comparison. The first font you choose will automatically go in the top window. Click on the bottom window and choose your second font.

Options… hmm. There are Options? Browse Folders just takes you to your operating system’s directory.

Default Settings look reasonable to me. Check for Update on Startup keeps you running the most recent model.

Installing gives you control over what your computer does when you install fonts, either from a download or from a storage device. It might be worthwhile to Copy Files to an dedicated X-Fonter folder.

And then if you decide you’re never going to use a specific font again, you can Uninstall! By having a copy in your X-Fonter folder, you can load and unload without installing if you choose to later.

Under View Fonts there are several options, including what you want for your Preview Text. It’s handy having system fonts colour-coded so they can be skipped over easily.

Unless you’re a real IT maven, the Database tab is purely ornamentation.

This Settings tab is where you can customize what you see on your screen. You can change the Text Colour, Background Colour or leave it black on white.

Have a look at the Text menu. Another advantage to X-F! I use French text all the time and have memorized the most common ASCII codes I use, and others I look up on a table, but having this ability is huge!

This is what I mean.

But how do I get the ASCII character onto my project? Choose the character – let’s use a GBPound symbol – and right-click, then choose Copy to Clipboard.

Then with your Text Tool active, click on your project where you want your Pound symbol then Paste (CTRL/CMD>V). Easy peasy!

On to Pangrams. You can choose from 4 different sentences containing every letter of the alphabet.

Don’t you love Filters? You can winnow 1000 items down to a few dozen. Just be aware that when you end your X-F session by closing the app, all your filters will go too unless you Save Filter…

Aha! System fonts can be filtered out!

 

Are you familiar with Font Families? X-F uses Roman (Serif), Swiss (Sans Serif), Modern (Monospace), Script (Cursive), Decorative (Fantasy) and Unknown (Other) and will filter for either of those terms.

Font Type has already been covered above, somewhat. Raster Fonts and Vector Fonts are used by a range of text-based applications such as Photoshop and Cricut.

Then there are Font Styles… how handy is this?

These Tools aren’t typically applicable to digital scrapbooking, except maybe Duplicate Font Search…

I’m not sure why someone would want to rename a font, since the creator chose its name, but maybe changing it to something that makes sense to the user?

For the people who like to have hard copies, under the Print button you can print out all the fonts on your system, or only certain ones. You can choose just a sample of the font, or the entire character map. Hey… school supplies are on sale – grab a binder and some page protectors!

Next to the Print button is the Create Font Book button. Yes, you can group all your fonts into categories and create an online library of your Font Books.

Third from left is an Options button, and it’s identical to the Options tab.

In the middle are a Filters button and a Clear Filters button. Self-explanatory.

Now to Collections, as Kathi was asking about. Here, YOU decide what your descriptors are. I’m going to create 2 Collections, Creepy and Fairytale, as part of my test drive.

I scrolled down my font list until I found my first Creepy font. I right-clicked on the font’s name then chose Add to Collection>Creepy. Then I continued scrolling until I found another font that met the criteria, adding it, and so on. I ran into a snag with some of the fonts I have, because X-F wasn’t able to “locate the path*” to those fonts, which meant it couldn’t add to a Collection. I’m not sure how it found the fonts in the first place without a path, but what do I know?

That’s where Tags* come in. Font Tags lets me search for the type of font I’m looking for by yet another method. Edit Font Tags doesn’t mean the font already has a tag; it’s how you access the Tag process.

I chose this cute font called Beyond Wonderland to Tag with Fairytale by right-clicking on the font name and choosing Edit Font Tags then typed in Fairytale.

To use Tags to find my desired group, I had to push the boundary of the font preview box over until I could see the Tag heading, then click on it.

Now for the critique. I wasn’t able to get X-F to run on my laptop simply by opening it once I had it installed. I had to Run as Administrator. I shut it down when I was done with my screenshots, but wasn’t able to get it to run again. I got a message that I had 29 days left on my free trial, it read my font files then disappeared. Multiple times. Even after I added it to my Taskbar. I tried all the tricks I know to make it work, without success. Windows Troubleshooter declared it incompatible with my operating system (Windows 10) and tried running it in Windows 8. Again without success. So I’m doubtful I’ll pay $35 ($50 in Canadian currency) for it. It’s impressive when it works, but…

Tutorial Tuesday (Photoshop Elements)

3D Title – Paper Letters

PDF Version : https://bit.ly/3N838aO

Today’s tutorial is in response to a request from Glee. She’d seen a layout in a gallery created by biche57 that had a paper-letter title with the letters stitched to the background. The letters appeared to be lifted away from the background, sort of like butterfly wings. “How’d she do that??” Well, this is how JAN would do it…

I’m using the June Font Challenge font for my layout, and then Clipping papers to each individual letters. You can absolutely use an alpha to get it done faster and with fewer steps. The papers I’m using are from the GingerBread Ladies‘ collab Outdoorsy.

Here’s a little Quick Trick I just discovered. You can BATCH-SIMPLIFY all the text layers! To activate them all, click>shift click on the first and last text layers. Then right-click and choose Simplify Layer.

Here you can see that I’ve Clipped papers to each letter layer. Right-click>Create Clipping Mask or CTRL/CMD>ALT/OPT>G for Elements versions 15 and newer. For older versions the shortcut is just CTRL/CMD>G. To make each letter easier to manage, the paper and letter layers should be Merged. Activate the two layers then right-click>Merge or CTRL/CMD>E.

There! Now I have my paper title. Let’s stitch them down.

 

My granddaughter’s backpack is lavender, so I thought, why not use lavender stitches? You can put those stitches wherever you like; they’ll be your anchor for lifting the paper, so I felt it was best if I ran the stitches through the centre of the Bs.

We’re creating the illusion that those letters are lifted away from the background, and the easiest way to do that is to use custom shadows. For a lot of you this will be a review so feel free to skip ahead. I won’t mind! (I also won’t know. 😉 ) For those who haven’t seen the previous custom-shadow tuts, we start with Selecting the outline of the object we’re shadowing. To do that, CTRL/CMD>click on the letter’s thumbnail – that little picture of what’s on that layer – in the Layers Panel. That engages the marching ants and gets them doing their drill around the contours of the letter.

Now add a new blank layer UNDERNEATH the layer you’ve just selected. CTRL/CMD>click on the sheet-of-paper icon at the top left of the Layers Panel.

Over at the Color Picker, choose your shadow colour by clicking on the Foreground Color as shown. I’m using black [#000000] but a lot of people like a browner colour like #2c2801. It’s up to you. Then grab the Paint Bucket Tool and dump it into the outline.

Before Elements will let you do anything else, you’ll have to Select>Deselect or CTRL/CMD>D to stop the ants from marching.

The quickest, most effective way to simulate lifting the paper away is to use the Image>Transform>Distort Tool. This lets us change both the size and shape of the image in all directions. The only real limit is how far you take it. Remember to have your shadows all falling in the same direction; decide where your light source is so you can be consistent.

Click-drag one corner of the Bounding Box at a time until you get the shape you want. See how my Bounding Box isn’t symmetrical any more?

To hone the shadow and add realism to it, the shadow needs to be very narrow where the stitches are holding the letter down. I use the Smudge Tool for that. I push the shadow toward the letter at the stitches, and pull the shadow away where I want the paper lifting. The Smudge Tool also adds a slight Blur, but not usually enough to look real.

So… we’ll add a Filter>Blur>Gaussian Blur… to the shadow.

To be able to see a Preview of the Filter, click your cursor on the edge of your shadow. Then you can see up close how moving the slider softens the edges of your shadow. Remember, shadows are softer the more light is allowed to leak underneath an object – the farther away from the surface it’s sitting on it is, the softer the shadow. Hot Tip: you don’t have to go through all the Filter steps if you’re going to use the same settings for each layer. Just click CTRL/CMD>F and Elements will do the rest.

To be realistic, the background colour shows through the shadow. To achieve that requires changing the Blend Mode from Normal to Linear Burn.

To make it look less stark and harsh, decrease the Opacity of that shadow layer. Move the slider until you’re happy with what you see. I like 35% – for now – and it’ll be adjustable if I decide it’s too light or dark.

After each letter is shadowed, the stitches need shadows too. I just went with the same steps, but without the Distort and Smudge. I also used a much lighter touch with the Blur because the stitches are literally IN the paper so the shadows will be sharper.

Last thing is to make any tweaks you think will make your title really POP. I just use the Smudge Tool!

I know this method of creating shadows sounds complicated and labour-intensive. At first, it really is. But the more you do it, the easier and more intuitive it becomes. I don’t even really think about the steps now, they’re so familiar. It’s the shadows that really elevate a layout, so it’s worth practicing. Don’t forget to have fun! Next week we’re going to play with doodles.

Tutorial Tuesday (Fonts)

More Hearts and Flowers Fonts

PDF Version : https://bit.ly/3k05qOr

It’s been a rough week at our house, meaning no time for me to do anything really inspiring. But I’ve been seeing a LOT of inspiring Valentine’s Day projects so I had a thought… Surely there are some great new Valentine’s Day fonts and dingbats that y’all can use those Styles we talked about last week to make REALLY fabulous. And there are!! I’ve got eleven FREE fonts and six dingbats for your scrapping pleasure, from dafont.com. (If you want any of these, just click on the font’s name and you’ll be linked up.) Ready?

Couple Valentine is a fancy, all-caps font that would be perfect for pretty much any application. Titles, subtitles, journaling – all of it! I love that.

This romantic script font, Mybook Again, is another multipurpose gem. I could see this on wedding invitations, all kinds of wedding favours and Valentines. It’s beautiful, don’t you think?

I really love these bubble fonts like Romantic Love. There are SO many ways to use them and so many things you can do to zhuzh them up.

Pink Valentine is so retro and cute! It brings me right back to my teenage years when I still had rose-coloured glasses.

This font could be right out of a fairy tale. Lovaline Story is another versatile font that is suitable for any purpose.

Candy Kisses would make beautiful titles. Beyond Valentine’s Day and weddings, I’d probably use it for baby layouts.

Beauty Heart is a lovely farmhouse-type font. I’d love to see it with a glossy Style so it looks like candy.

I like the heart ligatures on Finding Love. It’s yet another all-purpose font with infinite options.

Ooh, here’s a swashy script called Jully Julia. It’s perfect for subtitles and journaling.

I don’t know that I’d use You Are My Valentine for journaling, but it would be good for titles and subtitles.

I was looking for dingbats when I found Quirky Love. It’s already pretty fabulous, and has potential to be even more so! Doesn’t it look like leather?

Now for the dingbats. Heart Salads is the first set I’ve found that has an anatomical heart in it.

I can see so many things that can be done with Romantine Dingbat. Yes, most of them involve hitting them with a Style… or three.

I love these heart emoji dings, don’t you? Fluffy Hearts Ding just makes me smile.

PW Little Hearts covers the gamut of things we love. That heart-with-the-ball-of-yarn would make a great element for a cat layout.

These are pretty romantic hearts in Vanlentines Day TBF. I think my favourite is the solid heart with the stars along the right side.

Last, but not least, we have Merciful Heart Doodle. I might use this one to create a border. What would you do with it?

Now I must run… gotta deal with all the errands I’ve put off for the last week while my son has been sick. Hopefully I’ll get ’em done before the rain turns to snow…