Tutorial Tuesday (Photoshop Elements)

April 30, 2019 by

Repeating Patterns – Part Deux

As promised, here’s the second installment of creating your own patterned papers. (I hope our lovely designers aren’t mad we’re doing an end-run around them… but sometimes the overall design cries out for a paper they didn’t give us.) Today I’ll show you how to create a staggered pattern repeat the quick and easy way. Refresh your memory if you need to… I’ll still be here when you’re done!

If you remember, my first effort was really odd because I hadn’t made the original stamp image small enough to give it a good repeat. So here’s the Resized stamp. I went with (almost) 2 inches square for a six-time repeat across the page, but you can go with whatever makes you happy. After I Resized my stamp I just pushed the bottom of the canvas up to make it a perfect 2 inch square to calm my OCD.

Then I actually shrank the stamp down a bunch more so the staggered repeat would look better. And I filled the background with a solid colour by adding a new layer BELOW the stamp layer then flooding it with white using my Paint Bucket tool for it’s more usual purpose. And I Merged the layers into one.

This step is something we’ve only rarely done, and that’s to Resize the Canvas. What does that mean? (Yes, I heard that!) The stamp is an IMAGE. The workspace behind it is the CANVAS. The keyboard shortcuts are almost identical. CTRL/CMD>ALT>I for the Image and CTRL/CMD>ALT>C for the Canvas. Easy enough to remember, right?

I doubled the WIDTH but left the HEIGHT unchanged. I also moved the Anchor point over to left-centre by clicking on it in the diagram. This is the most important part of this step. So many new things we’re trying here!

And it’s time for another new thing! We’ve looked at the Blur filter, and the High Pass filter and we’ve played with some of the others but we’ve never talked about the Offset filter.

Isn’t it awesome that all you have to do is choose it from the drop-down menu and Elements runs with it? Now that there are some terrific staggered stamps here, I’m going to Define the Pattern in the same way we did it last week. Edit>Define Pattern… super simple.

I gave it a name that is different from my other defined patterns so Elements wouldn’t mix them up.

Then I went back into the Paint Bucket and chose the Fill Pattern mode. A single click on my gray paper and voilà! A staggered pattern all over my paper. (Of course, the gray paper is completely hidden by the white fill layer from way back in step 2…)

But that doesn’t matter because if I choose the correct Blend Mode, it’ll show back up with just one click. I went with Linear Burn.

And there’s the gray paper! Now to save my paper for future use. I used the Save As (CTRL/CMD>SHIFT>S) method, which lets me decide what kind of file I want it to be. Papers are always .jpg files, so that’s what I’ll do.

I have a folder on my laptop for “my” papers and that’s where I’m putting this one.

And we’re done!! I’m going to experiment before next week to make papers with more than one pattern. Wish me luck!

Filed Under: Be Inspired, Creative Style, Digital Scrapbooking, Tutorials Tagged With:

Tutorial Tuesday (Photoshop Elements)

April 23, 2019 by

Repeating Patterns – Basic

Last week’s tutorial attracted some comments, as they usually do, and thanks to Karyn Concannon I have some topics to work with for the next couple of weeks. She’d like to know how to use repeating patterns to create her own paper – let’s take a look at that one now.

I’m pretty sure this has been covered in a previous tutorial but when I went to look for it so I could link it, I couldn’t find it. So to recap… I think. To create repeating patterns you can use brushes, stamps, elements, shapes – whatever your heart desires. For my example I’m using a tribal-looking stamp from Connie Prince‘s Roar.

The first step is to Define the stamp as a Pattern. Click on Edit>Define Pattern. This is the easy part.

The menu opens up this box, where I named my pattern Connie’s Roar Stamp.

Next I chose a background paper (from Aprilisa‘s All American): neutral, gray with a git of texture.

Next, I chose the Paint Bucket tool (Work Smart Not Hard shortcut is the K key); as you can see, I’ve added a blank layer on top of the paper layer. This is an important step, so don’t leave it out.

The Paint Bucket menu has two options. The one on the left is the colour fill setting, the one on the right is the pattern fill one.

When I click on the little triangle inside the frame for the pattern fill setting, the default patterns open up, and so does the one I just defined from the stamp!

I clicked on the stamp pattern and WHOA! That wasn’t what I was ready for…

It turns out I should have resized the original stamp png BEFORE I turned it into a pattern. That can be accomplished one of two ways: Image>Resize>Resize Image or CTRL/CMD>ALT>I. Then decide how small to make it. Keep in mind your canvas size (3600×3600 pixels or 12×12 inches in my example). Once it’d been Resized, I went back and Defined Pattern with it, giving it a different name.

Then I used Pattern Fill and got what I was expecting the first time.

There are so many ways this can be jazzed up – Blend Modes have a lot of options, texture filters can make your paper look flocked or sponged, the colour can be changed in several ways. Give them all a whirl! For my example below, I changed the Blend Mode to Dissolve and made it look like I’d stencilled it on.

One way to change the colour is to add a Fill Layer using the Layer menu. Layer>New Fill Layer>Solid Color

By ticking that box, you’re telling PSE to clip the new colour to the layer below it.

When the Color Picker opens up, you get to choose what colour you want to go with. I like this method because it’s much more reliable than using the Paint Bucket to fill the design – that usually ends up being a lot of work for a not-so-great result.

If you want to make further adjustments to the pattern layer, Merge the pattern layer and colour fill layer together. (CTRL/CMD>E)

The merged layers will lose the Blend Mode so I hit it again with Dissolve.

That’s how to make a simple repeating pattern. All the control is in your hands. Next week I’ll show you how to do a staggered repeating pattern. It takes a few more steps and some experimentation…

Filed Under: Be Inspired, Creative Style, Digital Scrapbooking, Tutorials Tagged With:

Tutorial Tuesday (Creative Style)

April 16, 2019 by

Standing Out in a Crowd

Last night (before I was side-tracked by a bunch of genealogical records) I was thinking about creating a layout for this month’s first Template Challenge. I love template challenges – they couldn’t make scrapping easier! And of course, who doesn’t love free stuff? But on the wings of those thoughts, I found myself pondering how to make MY layout stand out from the rest. When everybody is working from the same template, it’s easy to end up with something very similar to all the others. So that led me to have a look at the layouts already completed and posted to the Challenge thread to see how others have made their layouts unique. And I’m going to show you some of those examples today.

First, let’s look at the template Dagi has created for this challenge.

It’s got so much potential!!

This first layout, by basicbear2, has been rotated 180° and she’s spread that cute photo of the boy with the tube over the blended photo spot and the one with the frame. The other cool technique she used is to clip a paper (the rubber duckies) to one of the painted areas.

Next, let’s look at this lovely one from JeannieK. She’s left the template in its original orientation, but by clipping that daisy-floral paper to all the painted areas, securing her photos with the large daisy and adding both the gold paper around the edges and the blue-triangle border, she’s changed it up into something quite lovely.

CherryLej has tweaked the template a lot! The gorgeous watercolour areas elevate the background of her layout and I love the way she’s tied the photos together with the pennant banner. She’s substituted washi tape for the wordstrips, created a matching frame for her square photo and added in a beautiful cluster. Stunning!

knclark has used repeating images to great effect here by clipping a blue paper with puffy white clouds to the painted background in such a way that it blends right into her photos. The sun-and-clouds cluster is the cherry on top.

Pixel Palette has shifted the photo spots around to allow more of her large photo to show.

Keevs has added several papers to her background, popped a stamp into the upper left corner and shifted one of the photo spots to reveal more of her large photo. By really subduing the paint in the background she’s changed the look of the template in a most pleasing way. And all that texture!

jirsev has a fantastic take on the template here, where she’s made the blended photo much larger, she’s added a lot of texture to the background and she’s emphasized her smaller photos with her choice of elements.

This masterpiece is by kabrak1207. It’s impressive how she’s spread her photo over all the photo spots and accented it with the papers clipped to the painted spots.

gmae has taken it a long way from ordinary here, keeping only the painted areas and the general placement of the clusters and title.

As you can see, there are so many ways to make a template look less cookie-cutter and more work-of-art. Now that I’ve completely intimidated myself, I’m off to see what I can do to create something special. Will you join me?

Filed Under: Be Inspired, Behind the Scrapbook, Tutorials Tagged With:

Tutorial Tuesday (Photoshop Elements)

April 9, 2019 by

Stackin’ ’em Up!

I’m seriously in need of a week where I’m actually not scrambling for a tutorial post! I was wide awake at 1 am wracking my brain for a topic. But what do you know… one magically appeared. I remembered there were still some really useful Guided Edits I haven’t shown you yet, so that’s what we’re doing. Let’s look at the Photo Stack, just for fun.

When I tell you that this technique is literally only about a 10 minute job, I know you’re thinking, “She always says that.” But it really is SO much faster even than using a template with photo stack, because with this edit, the software does ALL the copying and stroking. All of it! The hardest part is deciding which of the three options to choose, and I think that comes down to what you want the focus to be.

All I did to get this image was to click just once on the 4 frame spot I’ve shown below.

The very first image has the narrowest border already in place. A single click on one of the border options is the next step.

The medium border is still pretty skinny.

Even the widest one isn’t especially in-your-face. But that’s completely under your control! Before I show you that part, let’s look at the other two stack options.

The eight frame option looks like this with the baseline border.

Beefing up the borders to medium still lets a lot of the original image through.

Then the wider one, still not much of a distraction.

And then there’s the twelve frame option.

Medium

Wide

With this photo I think 4 frames is the right choice. So now I’m going to move to the Expert Editor.

Whoa! Look at all those layers! And each one is another opportunity to fine-tune the final image. (Notice the multiple copies of the photo layer? It’s a GREAT thing!)

Here I’ve selected one of the border layers. The border is actually simply a stroke on its own layer. The default settings are 10 pixels and 100% Opacity.

Pulling the slider to the right makes the border wider. I could also change the colour of the border in this menu if I wanted to.

I’m going to come back to that in a minute. But first, I’m going to unlock the background (original photo) layer so I can edit it. And so I can put a transparent layer underneath it. I right-clicked on the layer in the Layers panel then chose Layer from Background. That makes it like all the other layers, completely editable.

I then added my transparent layer underneath it by CTRL/CMD>clicking on the new layer icon (the blank sheet of paper) at the top left of the Layers panel.

I turned the visibility of the very first black rectangle off and now the original image is visible to the edges and can be erased away, leaving a transparent area instead.

Don’t panic about having to be precise with the erasing. It’s not a problem! All those extra copies of the original photo that are clipped to the stacked layers aren’t going anywhere. You can just use a big eraser and go for it!

After I did that, I decided I wanted to shift the stacked photos so they were entirely inside the canvas. So I CTRL/CMD>Z as many times as I needed to to get back to the black rectangle. Then I resized them a tiny bit, shifted them a tiny bit and rotated them a tiny bit until I arrived at what you see below.

Then I decided to make the borders just a smidge wider. I double-clicked on the fx icon on the first border layer to get into the Styles menu.

I didn’t go overboard, just doubled the width of the border on each one. And then I went back and erased the areas of the original photo layer to make my stack usable.

An advanced version of this Edit would substitute other photos for some of the frames, but it would be almost as much work as using a template would be… the photos would need to be resized and rotated individually then clipped to the spots.

If I was ready to put my layout together, I could just leave it as is for now and come back to it later. But I’m going to save it for later.

In order to be able to use it for a layout, the transparent background is essential. So I’m saving it as a PNG file.

To keep the images sharp I’m using the Slowest setting and Non-Interlaced. I gave it a name and saved it to the folder I’ve created for my (future) layout.

Before I forget, LilyAnn Fisherman left a comment on last week’s tutorial asking me if I couldn’t have made my clock face by texting-on-a-path. So I went back and did it again, using Text on a Shape. It was maybe a tiny bit less work, but I still had to fiddle with the spacing to line the hours up with where they should be on the clock.

And while I was at it, I did a mock-up of what I hope the clock will look like when it’s finished.

Check back in a few weeks to see if I succeed!

Filed Under: Be Inspired, Behind the Scrapbook, Creative Style, Digital Scrapbooking, Tutorials Tagged With:

Tutorial Tuesday (Photoshop Elements)

April 2, 2019 by

Numbers-Go-Round

I almost didn’t think there would be a tutorial this week. I spent a huge chunk of time going through the paper clutter in my dining room sorting what needs to be kept and what could go to the shredder and at the end of it I was mentally exhausted. So I figured I’d do something fun; we’re redecorating and I want one of those huge farmhouse style clocks to go in the dining room. Bargain shopper that I am and not thrilled with the retail prices on these clocks, I took my $50 Lowe’s gift card and bought an 18″ chunk of stain-ready pine then started looking at examples on Pinterest. I knew I wanted Roman numerals on my clock so those are the ones I concentrated on. But how to get those numerals onto my slice of pine… PSE to the rescue. I thought.

I wasn’t anticipating the number of times I’d have to undo it all and start over. So I thought, “Maybe someone else could learn from my mistakes!” I had already decided I would use the Warp text tool and had to figure out how to bend it to my will.

I tried a couple of options from the menu before settling on the Arc warp. It gives a beautiful curve but doesn’t distort the text too much.

To give myself something to gauge the curve against, I used the Custom Shape Tool to pull out a nice perfect circle. The sliders do some crazy things to text! I went all the way over to the right with the Bend slider, but felt it didn’t leave quite enough space between the 8 and 9 or the 2 and 3. So I adjusted back to 94%

Then I typed out the rest of the numerals and warped them. But something doesn’t look right. I went back to my example on Pinterest and yep… it’s not right. The numerals on the bottom half are backwards.

So I deleted that text layer but while I was trying to figure out how to turn the numerals on the bottom half around, I pulled in some Guide lines to make positioning the 12, 3, 6 and 9 easier.

And I tried it again.

And failed. Again. So I thought, what if I flip the numerals horizontally?

Think it worked? As you can see, the bottom arc is a LOT bigger than the top one, which I did nothing to other than warp it.

Even after I resized and rotated the two halves to a more correct position, it still was wrong. Even after several more tries to get it right, I still didn’t have it.

So I took a break. I went to work, spent the day recertifying my special competencies and writing two exams. I put it out of my mind altogether. Then after I got home and had a nice glass of pino grigio to forget the stress of my math exam, I had a EUREKA moment! Maybe I needed to put the characters in reverse order then spin them around 180°.

Did it work?

YES!! With some caveats.

I adjusted the space between some of the numerals and rotated everything a smidge.

WooHOO! Now I can print it out in the size I want – even if I have to put it on four sheets – and trace them with carbon paper onto my clock. I’m so excited to see it all finished!

So there’s another way to add some originality to your text!

Filed Under: Be Inspired, Be Pinspired, Creative Style, Let's Get Crafty, Tutorials Tagged With:

Photoshop Layer Style Pattern Adjustments

March 30, 2019 by

Did you know that, when using the full version of Photoshop, you can easily adjust the position of a pattern within a Photoshop Layer Style? Photoshop Elements does not have the option available, but there is a work-around.  It’s very easy! Here’s how:

Photoshop:

1. In the Layers Panel select the layer that has the style you want to adjust.

Moving a Pattern in a Layer Style Tutorial Snickerdoodle Designs

 

2. Click on “Effects” (or anywhere in the “Effects” area, but not on the name of the Layer itself). This will open the Layer Style Panel.

3. Click on “Pattern Overlay” in the Layer Style options box on the left to make it active.

4. You can see the entire Pattern on the right, in the Pattern Overlay options box. This is handy for re-positioning reference.

5. Move to your document. Place your cursor on the object to which you have applied the style. In the image above, I have placed the cursor on the rounded rectangle.

6. Left click and hold down with your mouse, then move your cursor around within the bounds of the object to reposition the pattern.

7. When you are happy with the result, release the mouse.

So how is this useful?

For the purposes of this tutorial, I used my seamless Watercolor Styles 02. Because the styles are seamless, I moved around the pattern in just one of the style effects and was able to quickly come up with 9 different looks. The ability to reposition patterns exponentially multiplies the options you have when using seamless styles with color variations.

 

There are 15 style effects in this one pack. So if you, by chance, were able to get 9 different looks from just ONE style, it is conceivable that you could get 135 different patterns from this pack (15 styles X 9 looks per style)!  I won’t guarantee you could get 9 different looks from each effect, but just wanted to emphasize how moving a pattern in a style can add to the versatility of many styles.

What about Styles that are not seamless?

If you are working with a style that is not seamless, and the shape to which you want to apply a style is larger than the pattern size, you will see the pattern seams. Here’s what that would look like:

By repositioning the pattern, depending upon the size of the style and of the object, you have a good chance of being able to hide the seams. By dragging the pattern a bit to the left, this is the result I was able to achieve with this style:

What about Photoshop Elements users?

To date, Adobe hasn’t included the ability to move patterns around in Photoshop Elements.  They can, however, Scale a pattern, which can be helpful.

In the top menu bar: Layer > Layer Style > Scale Effects

Another window will open which has a slider, allowing you to make the pattern larger or smaller. When making a pattern much larger than it is intended, you may degrade the quality of the pattern, so that’s just something to be aware of.

 

Thanks for stopping by the blog today. I hope you have found this tutorial helpful. If you would like to download a PDF for reference, you may do so here.

Snickerdoodle Designs

Filed Under: Tutorials Tagged With: ,

Tutorial Tuesday (Photoshop Elements)

March 26, 2019 by

True Colours – Not Just a Song

Has anybody seen my mojo? It seems to have gone walkabout without me! I haven’t scrapped a single thing this month. Not one. That can’t be allowed to continue!!

Today I thought I’d show you a really quick (literally only 5 minutes of your precious time) photo edit that will help you save those special photos that just aren’t. I think we’ve all taken a bunch of photos of a special event or trip, only to find out when we’re ready to use them that they’re not quite the masterpieces we thought they would be. Sometimes that’s because the lighting did weird things to the colours… like in my example photo below. For those who’ve never seen it, this is the Three Graces fountain at Caesar’s Place in Las Vegas. But it’s not supposed to be yellow.

The path to solving this problem and unlocking the true colours in your photo goes like this: Enhance>Adjust Color>Remove Color Cast.

Fixing an ugly colour cast is pretty simple, but it often is a bit of a trial-and-error exercise. Everything in the photo is affected by the same odd colouration so you’ll be making some guesses. The tool works by using an algorithm to adjust the colours based on you telling it which areas of the photo are either white, gray or black. The trick is to figure out which is what!

Because my photo is 10 years old, I really can’t remember the kind of details that would make this easy. So I just picked a spot – the lampshade – that I expected to be white. But I was wrong.

Fortunately, with a single click, I can Reset the image and try again.

This time I chose the bright light in the chandelier as my “white” source. The result is better, but is it right?

So I went to the reflected light in this molding. It looks white… but apparently it isn’t.

I was obviously failing with the white areas, so then I tried a spot that looked like it should be black… the sleeve on the jacket this woman is wearing. Better. Best?

To be sure I’d gotten it right, I tried a couple more spots. I assumed the sculpture was marble, or intended to looklike marble, so I clicked on an area of cheekbone. There’s still a hint of sepia in the image though.

So I tried black again, clicking on the dark area of the mirror, shown below. Fooled again! It’s NOT black.

This is the one that my eye tells me is truest. With a little haze removal, it should be vastly improved from the original. Another photo saved!

Finished version… 5 minutes. Tops!

 

Filed Under: Be Inspired, Tutorials Tagged With:

Tutorial Tuesday (Photoshop Elements)

March 19, 2019 by

What the Heck is a Vignette?

It’s been awhile since we did anything really creative using a Guided Edit. Today we’re changing that!

The dictionary has a number of definitions for the word “vignette”.

noun

  • a decorative design or small illustration used on the title page of a book or at the beginning or end of a chapter.
  • an engraving, drawing, photograph, or the like that is shaded off gradually at the edges so as to leave no definite line at the border.
  • a decorative design representing branches, leaves, grapes, or the like, as in a manuscript.
  • any small, pleasing picture or view.
  • a small, graceful literary sketch.

verb (used with object), vi·gnet·ted, vi·gnet·ting.

  • Photography . to finish (a picture, photograph, etc.) in the manner of a vignette.

This photo – “a small, pleasing picture or view” – of my cocker spaniel Bailey (who left us 4 years ago) is my most favourite one of her. When I was sorting through a box of stuff I found a frame I had bought for this photo shortly before she died; I decided it was time to print and frame the photo, but wanted to increase the impact of it a bit first.

My first thought was to add a vignette effect to my vignette. Photoshop Elements has one in the Guided Edits menu, so here goes!

This particular effect has quite a few uses, especially when it comes to landscape photos where there’s an element or view that screams for sharper focus (attention-wise). But it would also be stunning with newborn photos, wedding photos and any number of others.

When you open the tool, this is what the interface looks like. Remember, down at the bottom right corner there are two buttons, a Next and a Cancel. The Next button gives you the option of saving, sharing or moving on to the Expert workspace. The Cancel button resets the image. So if you’ve made several adjustments and are pleased with your efforts, take great care not to Cancel it!

Obviously there are two vignette options here, Black and White. I’m showing you the white first, with the software’s default setting. It’s not the look I’m after, but I have some adjustment capability so let’s see what happens when I use them.

By decreasing the Intensity of the vignette effect, I get an effect I like better.

The button bar I’ve circled is the second adjustment tool, which lets the user shift the shape of the vignette and softness of the edges. I’ve shown you the defaults. The marching ants show you where the software has made its selection.

I moved the Feather slider over a bit to the right (to 7.7 pixels) and made the edge softer, then slid the the Roundness handle all the way to the left (-100%). The Roundness tool contracts or expands the selection edge. Can you see what that did to my photo?

This is what I get when I move the Roundness slider all the way to the right without adjusting the Feather. But even with lots of tweaking, it’s not the look I’m after. So I hit the Cancel button.

Then I tried the Black vignette. Here’s the image with the defaults. TOO too…

So I pulled the Intensity of the vignette down to about 55% and like it a lot better.

This time I pushed the Feather slider all the way to the right, 50.0 pixels.

Then I played with the Roundness, moving the slider left to -10%.

There it is! Bailey is the focus, the edges are darker and softer and I’m really happy with the way it looks. I can print it now and get it in the frame. If I wanted to work with this photo more, inside a layout for example, I would go to the Next button and make my choice of subsequent actions. I Saved it to my folder for printing.

Can you think of a photo in your collection that would be even better using this technique? (There’s another way to do this technique that’s a bit more work, and I’ll show you how in another lesson.)

Filed Under: Be Inspired, Creative Style, Tutorials Tagged With:

What are Blend Modes?

March 16, 2019 by

Many of you have expressed the desire to learn more about Blend Modes, so today let’s take a look at this powerful Photoshop tool.

Blend Modes are available both in Photoshop and Photoshop Elements to assist you with your creativity. But what are they and why should you care?

Blend Modes change the way that layers interact with each other, allowing you to create a variety of looks with the same supplies, depending upon the Blend Mode you choose.

Screenshots in this tutorial are from Photoshop CC2019; however, you will find that Blend Modes work exactly the same in Photoshop Elements.

You will find the Blend Mode option at the top of your Layers Panel. The default is set to “Normal.” Click on the down-pointing arrow to the right and a drop-down menu will open with all of the options you see in the image below.

snickerdoodle-blend-modes-tutorial-1

Because the result of a Blend mode will depend upon the colors you are working with, there is not one formula that is perfect for every situation. However, if you have a general understanding of how Blend Modes work, you will be able to have a good idea which Blend Mode to start with when experimenting, depending upon what result you want to achieve.

There are 5 main Categories, each their own use and options.  First listed is Normal. “Normal” is an unaffected image, and “Dissolve” can give your image a “frayed” look. I don’t know if I’ve ever used that category myself.

What I consider the “real” first Category is the are the options which will darken your images. Within that category, your options are: Darken, Multiple, Color Burn, Linear Burn, and Darker Color.

Moving onto Category #2, which lightens images, you also have 5 options, as shown in the image below. Categories 3, 4, and 5 also have their own options.

The best way to see how Blend modes work is to fill a layer with color, place an overlay on a layer above it, and just experiment. Try each Blend Mode to see what it does and how it affects your image. This will give you a good feel for the results of each option and you will be on your way to understanding what you can expect with each option.

Here is an example using a pink colored cardstock, with a grayscale Vintage Book Texture.  Overlay and Soft Light are my favorites here, and those are always good options to start with when you are using a grayscale texture.

snickerdoodle-blend-modes-tutorial-2Time Saving Tip:

Did you know that you can cycle through Blending Modes without using your mouse?  Here’s how:

  • Select the layer that you want to blend. In this example, I want to Vintage Book Overlay with a piece of colored Cardstock.
  • Click on the down-pointing arrow in the Blend Mode box to make it active.
  • Click on any Blend Mode to make it active.
  • Use the Up and Down or Right and Left arrows on your keyboard to cycle through the different Blend Modes

I hope you have found this helpful! If you would like to download a PDF of this tutorial, you may do so here.

Filed Under: Digital Scrapbooking, Tutorials Tagged With: ,

Tutorial Tuesday (Fonts)

March 12, 2019 by

Fontastic Spring!

Once again I’m apologizing for not having a great tutorial prepared for you. I’ve been caught up in family obligations the last several days and haven’t had time for much else. I didn’t even get my family bible layout done. But I’ve noticed that almost all the comments on last week’s post mentioned the fonts I showed you. And I also noticed that I haven’t done a post about spring-y fonts. So there we’re going!

As I’ve mentioned before, I love dafont.com as a great source of free fonts; their selection is outstanding! I made a quick cruise through there and have found you a baker’s dozen of fonts (and a dingbat set) that would make great titles or subtitles for spring layouts. See if you agree. Each font is hyperlinked to the site; just click on the font name in the description.

Alpha Shapes Raindrops might be what you’re looking for when you scrap rainy-day layouts. If you simplify each letter on its own layer, you can use the Smudge tool to animate your drops.

Floralies is similar to Blomster, but a little “lighter”.

Florality isn’t technically a font, but the viny, leafy look of it is so pretty!

I’m thinking there are so many ways to make Alpha Flowers just POP off the page.

Flower Explosion is a little lighter too, but still really pretty.

Think how beautiful CF Flowers of Destiny would look with a Blend Mode like Multiply! Ooh, and a gradient… smashing!

Nebulo is really gorgeous, just be aware that it’s a mishmash of capital and lowercase letters.

I just love this one! Kingthings Willow has two choices for even more freedom and control.

Black Flowers Blossom is just pretty.

Vanessa is another really pretty font; imagine it clipped to a paper, maybe with a little border around it.

CF Springtime has a nice bit of heft to it, and those sprigs are a cute touch.

This whimsical little beauty would be an amazing addition of layouts with Day Dreams ‘n Designs‘ Daily Download kit Bee Mine. I think we also need to heed the message… Save the Honeybee.

This one doesn’t say spring so much as the name of it does. I like it though. Butterfly

That leaves only the dingbat set. KR Spring Me has LOTS of spring-y images and so many possibilities.

Do you have any favourite fonts that make you think of spring? It looks like spring might actually be on its way to my corner of the world. Our temperature finally got above freezing on Sunday for the first time since January 31. That’s a long time to be cold!

Filed Under: Be Inspired, Behind the Scrapbook, Creative Style, Digital Scrapbooking, Tutorials Tagged With:
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