Tutorial Tuesday (Photoshop Elements)

Recolouring Word Art with Gradient Maps

PDF Version : https://bit.ly/3wGloE0

We’ve talked about recolouring embellishments, word art and brushes before and I’ve shown you a variety of ways to accomplish that goal. One that we haven’t ever looked at is using Gradient Maps. Today we’re only going to talk about recolouring word art, but they’re pretty powerful tools for photo effects too.

But first… what the heck is a Gradient Map? Here’s a direct quote from Essential Photoshop (it also applies to Elements): “Gradient Map is a tool in Adobe Photoshop that allows you to apply a gradient effect over an image. It works by mapping different shades of gray tones in your image to colors defined by a gradient bar. This creates an effect where the highlights and shadows are transformed into specific colors without affecting other details in the image.” Let’s see how it worksI’m going to use this title word art from Word Art World. I’ve made several copies of the word art and isolated the big words, afternoon and park, onto their own layers by Erasing everything else on that layer. I have one untouched original layer just in case I mess it up; it’s not visible. This will let me selectively recolour the words.

This is only a sample so my colour choices are arbitrary; if I was going to use this word art title on a layout, I could choose colours from my photos or from the kit I’d be using to create a cohesive look. When I think about “park”, I see grass, trees, water and light in my mind’s eye. So I think I should colour the word park green. As you can see, I’ve used the Paint Bucket Color Picker to set the foreground colour to a spring green.

Next, I toggled the Color Picker (click the X key to toggle between foreground and background) and chose a more yellow-y green. These two colours will form my Gradient.

Next I clicked on the icon that looks like a circle half blue and half gray, at the top of the Layers Panel, which is the Add Fill/Adjustment Layer button. From the drop down menu I chose Gradient Map…

See the new addition to the work space? That’s the Gradient Map adjustment panel. The colour bar shows the two shades of green I chose, gradually shifting from one value to the other. At this point the Gradient Map layer is affecting all the layers, but that’s easily fixed, so we can ignore it for now.

One easy way to adjust the Gradient Map is to simply Reverse it. Now the colour bar has the light and darker colours swapped. It’s easy to see the difference between the two screenshots. Remember that Elements has created a grayscale copy of the word and has applied the colour based on a mathematical algorithm. If you don’t love it Reversed, untick the box.

Another option is to change the Blend Mode. This will take a little experimentation to find the look I want, so I ran the list. I like the grungy look I get with Vivid Light, so that’s where I stopped.

I also tested adjusting the Opacity and decided I liked 100% best. Now I can Clip my Gradient Map to the PARK layer. Right-click on the Gradient layer then choose Create Clipping Mask. Or use the keyboard shortcut CTRL/CMD>G for PSE14 and earlier versions, CTRL/CMD>ALT/OPT>G for PSE15 and more  recent.

Now I’ll do the AFTERNOON layer. Notice that the Adjustment panel is empty. It’ll populate again once I click on the Add Adjustment Layer button.

This tool is so much fun to play with! What do you think the Gradient Map will look like for this colour combo?

Well, it’s pretty orange. Clicking on the colour bar itself opens up this adjustment panel. The sliders start out at the ends of the adjustment bar, and as you move them, you can watch the effect they have on the image. I’ve got the Reverse box ticked, but I’d still like a bit more magenta to show.

It’s very hard to see the bits of magenta that show in this screenshot, but if you’re viewing in PDF, you can Zoom in and check it out.

Now I’ve got all the layers recoloured and the Gradient Maps are all Clipped to the appropriate layers. All that’s left is to Merge the layers and add the title to a layout!

As I mentioned above, this tool is FABULOUS for adding colour to Brushes. I have some grungy alpha brushes that I played with first and other than having to put each letter on a separate layer, I loved the effect. I can’t wait to try it with alphas and other embellishments. What do you think? Would you like to see how Gradient Maps work with photos, or is that not something you’d ever do?

Tutorial Tuesday (Photoshop Elements)

Stuffing a Vellum Envelope

PDF Version : https://bit.ly/3QR1LQl

Once again, Karen Hampton has brought me a great idea for a tutorial. She saw this layout by LidiaG in a Gallery and was charmed by the vellum look of the envelope. I was too! So today I’m going to show you how easy it is to stuff a vellum envelope. But first, let’s talk about vellum for a minute. As a paper crafter, I used to HATE vellum because sticking it to anything invisibly was nigh-on impossible. Because it’s semi-transparent, adhesive always shows through. But what, exactly, IS vellum? When I tell you about its origins, you’ll be glad you’re living now, and not a millenium ago… Vellum is an early form of paper, similar to parchment, but of higher quality. Originally it was made from very thinly tanned calfskin by a long a tedious process of scraping, wetting, drying and starting at the beginning again. The highest-quality, most desirable vellum was made from the skins of stillborn calves. <insert puke emoji here…> Its best quality is its translucence. It’s still desired for use in the creation of government documents, religious documents (the Torah being one) and certificates. Its archival qualities and stability are still highly prized. Fast forward to modern day and vellum is now made from plasticized cotton rag, much like ordinary papers, but maintaining the translucent look for which it was so highly prized. It’s perfect for the creation of blueprints, and so is in demand by architects and draftsmen.

So let’s look at LidiaG‘s layout. Take note of the way the items inside the envelope are visible through it. To duplicate this effect, you’ll need a plain paper envelope with an intact flap. For my example, I’m using one from Aimee Harrison’s Sweet Talk  minikit. All the rest of the ephemera I’m using – except for the postcard, it’s a scan of an actual family document – is from Cindy Ritter’s Seafoam.

Let’s get started, shall we?

I’m going to remove all of the envelope but the front panel for the vellum step, but will need to keep the flap too. So I Duplicated the envelope. The two most common methods are as shown on the screenshot. Right-click on the layer then choose Duplicate Layer. OR click CTRL/CMD>J.

If you use the keyboard shortcut, the Copy Layer will be plopped right on top of the original – where we want it. If you chose the first method, you’ll need to tell Elements where you want it. In this case, just click OK and you’ll have the two envelopes stacked in the Layers Panel.

Now let’s Cut off the flap from the top envelope layer. First, turn visibility off for the original layer by “closing the eye” on it. Then, with the Rectangle Marquee Tool, drag out a big rectangle of marching ants over the flap area of the top layer. My envelope is a little off square so the rectangle with either cover too much, or not enough. But that’s fixable.

Some time back I showed you a Quick Trick for Transforming Selections. Let’s review. You’re not stuck with the first version of your rectangle! Right-click inside the marching-ants bounding box and this menu opens. Almost all the way down the list, choose Transform Selection.

Down in the lower left corner of the Tool Options, there are several options: Rotate, Scale and Skew, moving the anchor point, resizing and an angle meter. I just needed to make my rectangle a little bigger then Rotate it a tiny bit to the left so the lower edge of the rectangle sits on the fold of the envelope and still includes the point of the flap.

Next, click Edit>Cut. OR CTRL/CMD>X and the flap with disappear.

It’s hard to see on this screenshot (unless you’re working from the magical PDF!) but I’m using the Eraser Tool to remove that middle part of the envelope too. To start, I set the Eraser Tool to Brush, Size 45 pixels, 100% Opacity. Then I clicked my cursor just past the left top edge of the flapless envelope, held down the SHIFT key, clicked in the first corner, clicked in the second corner then clicked just past the right top edge of the flapless envelope. Only then did I let the SHIFT key back up. That gave me nice, straight lines with the Eraser. Then I could make the Size a lot bigger and dispatch the rest of the envelope that I don’t need to keep.

Nice and tidy!

Next, I want to move the two envelope layers onto my layout. In this situation, the keyboard shortcut won’t do what I need it to do, so I’ll use the first method I showed you above: activate both layers, then right-click and choose Duplicate Layers.

But instead of just clicking OK – which would put the Copy Layers on top of the existing layers – I want to tell Elements to put the two envelope layers on the paper I’ve got open in the Photo Bin. See all the options the drop down menu offers? The paper is right at the top of the list. I clicked on that then OK.

There they are! I turned visibility off for the top envelope layer while I stuffed it with my ephemera. It’s important to ensure that everything you’ve put in there stays inside the edges. I’ve layered a few paper items in there, resizing and repositioning until I’m happy with how it looks.

So, here’s my stuffed envelope before I perform my magic on it. I really want to be able to read the message on the postcard, which is very old.

To get the vellum effect, all I did was decrease the Opacity of the envelope’s top layer until I was happy. Here it’s 47%. I may still tweak that a bit, but for now, that’s where I stopped.

The realism comes from the shadows! I used a set of shadow Styles, but feel free to do what you usually do. Shadow everything inside the envelope. Then use the recipe below for the top layer of the envelope: Size 29 pixels, Distance 0 pixels and Opacity 15%. It preserves the translucency but adds shadows to the edges.

I’m hoping to get the rest of the layout done later today. I had a COVID booster yesterday and feel pretty flu-y today so we’ll see how it goes. Past experience says I’ll be absolutely fine again tomorrow. See you all next week!

 

 

May 3 2024: Fresh Baked and iNSD Sales, Fun and Games

Goodness y’all. It’s iNSD time again. Are you excited? You know we always do it big here at GingerScraps. I hope you are ready for a week of sales, fun and games, and more!

Remember if you spend $10 in the store, you’ll get this great collab free.

Are you ready to see what our designers have for this great celebration?

How are you doing on your challenges? Complete any 10 challenges and get this great reward.

Designer Spotlight May 2024

Introducing Adrienne Skelton Designs

Adrienne Skelton is one of GingerScraps‘ newer designers, but that doesn’t mean she’s new to designing, as you’ll see when I let you in on our conversation. I wonder if she’s nervous… it being (inter)National Scrapbook Day on Saturday. What pressure! Let’s get to know her better.

J: Adrienne, thank you for chatting with me today, and congratulations on your very first Designer Spotlight! Let’s get the bread-and-butter stuff out of the way first. How long have you been designing?

A: I started to design back in the early 2000’s . In 2010 I had to take a health break due to illness. I have been back since 2021 and love every minute of being back!

J: I’m glad to hear whatever your health issues, you’re not letting them hold you back any more. Distraction can be as good as medicine sometimes. What brought you to designing in the first place?

A: I used to do paper scrapbooking, but at the time I had young kids and being able to afford buying scrapbook kits was expensive, so I decided to put my art skills to use and design something digital using paint shop pro and from that point on I was hooked!

J: Oh, if I had a buck for every time a designer (or digiscrapper) told me the same story… My kids were already grown when I started paper scrapping, and I went right down the rabbit hole. I have a whole room full of paper, stamps, ink, punches, dies, embossing folders and cutting tools. Then I found digiscrapping – no mess, reusable everything, very cool techniques that elevate my layouts… and derailed my own train. But don’t feel bad for my paper supplies – I’m making greeting cards with all of it. What tools do you use for your work?

A: I use Photoshop and Procreate on my iPad, sometimes I will hand craft items and scan and use them.

J: I almost threw my printer/scanner/copier off the mountain the other day. But we don’t need to talk about that. Here’s one of those impossible questions. Which of your current kits in your GingerScraps shop is your favourite, and why?

A: That IS a very hard question! If I had to pick one it would be She’s a Wildflower. I just love how this kit came together. I designed all my drawings and doodles using Procreate ( I love to draw even if it’s digitally) and put it all together with Photoshop. I think because this kit reminds me of nature so much! Being out among the wildflowers.

J: Beautiful! One of my favourite songs from my teenage years is Wildflower by Skylark. “She’s a free and gentle flower, growing wild.” Same mood! And what a segué to my next nosy question… can you play a musical instrument?

A: I am a self taught pianist although I am not very good, I still enjoy plunking on the keys every now and then.

J: I took piano lessons for awhile as a child. I sometimes noodle around on my son’s electronic keyboard, but only when I’m alone. <winkwink> So not into self-humiliation. My friends and family call me a Type A. What one word would your friends and family use to describe you?

A: LOYAL, very faithful and sincere to a fault. I can sense others emotions and am very supportive.

J: Ah. You’re an empath! What would you do if you won the lottery?

A: First I would make sure my family was taken care of. Secondly I would buy a house where I had a lot of land, a lake and plenty of nature.

J: That’s sort of what we did with my husband’s inheritance, but without the land. We lease it, and have a beautiful view, surrounded by wildlife, flowers, birds and bugs. I fall asleep at night being serenaded by crickets and bullfrogs, punctuated occasionally by a coyote choir. So, does your desire to be rural influence your perfect vacation?

A: My perfect vacation would be laying on the beach somewhere listening to the ocean waves, feeling the cool breeze on my face, Or that could also be somewhere/anywhere in nature where I can be at peace with my thoughts.

J: Sounds a lot like my sister’s place! What would your super power be if you had one?

A: I’d LOVE to be able to see the future.

J: Not me! I can dream up the most catastrophic of events without a crystal ball. Nope! If you came with a warning label, what would it say?

A: Be careful and stay away when she is angry!

J: The more angry I am, the quieter I get. My kids were always more afraid of me when I didn’t say anything than they were when I was shouting. On that fine note, I’ll let you get back to your day. Thanks again!

Now, the rest of you, don’t go anywhere! In addition to her Spotlight, remember that Adrienne is providing this month’s Daily Download – the sneak peeks aren’t doing it justice, I swear! I hope you’re picking up each day’s bits; the download links are good for 5 days, so if you’ve missed one, don’t worry!

Adrienne is also hosting the Designer Spotlight Challenge in addition to her regular All About Me Challenge. I’ve linked them so you can check them out. And……

Have a great Spotlight Month, Adrienne!

GingerScraps: New FREE with Purchase Collab, New Monthly Mix, New Challenge Reward, & More!!

It is the 1st of the month and you know what that means; a huge, exciting newsletter! We have a New Buffet, New Monthly Mix, New Free With Purchase Collab, New Challenge Reward, & a New Daily Download on the GingerScraps Blog! And make sure you read all the way to the bottom to see a Sneak Peek at the iNSD celebration.

Don’t forget to check out the Buffet Bundles. One easy click to add bundles of Buffet goodies to your cart.

I love how this has both bright and muted colors. So many possibilities.

Remember any $10 spent in the store gets you this great collab.

Get ready to fiesta with ‘Fiesta Fun,’ a dynamic digital scrapbooking kit bursting with vibrant colors and festive flair! Inspired by the lively spirit of a fiesta, this collection captures the essence of celebration with its bold hues and playful elements. From zesty oranges to spicy lime green, every color in this palette embodies the excitement of a fiesta, transporting you to a world of salsa-dancing, piñata-smashing fun! Dive into a fiesta of creativity as you embellish your layouts with taco motifs, colorful confetti, and whimsical sombreros. Whether you’re commemorating Cinco de Mayo festivities or adding a dash of excitement to your Taco Tuesdays photos, ‘Fiesta Fun’ is your go-to kit for creating joyous memories that sizzle with energy and warmth. Let the festivities begin!

This Free With Purchase was created by J. Conlon and Sons, Just So Scrappy, Neia Scraps, and Scrappin’ Serenity.

This collab includes: 2 Alphas {Uppercase, Lowercase, Numbers & Punctuation}, 45 Papers, and 90 Elements.

Unleash your inner joy with ‘Laugh Loud,’ a delightful digital scrapbooking kit designed to make your memories sparkle with laughter and fun! Infused with soft pink and mint green hues, this charming collection radiates a playful vibe that’s sure to bring a smile to your face. Embrace the whimsy as you adorn your layouts with quirky doodles, whimsical embellishments, and adorable emojis that capture the essence of laughter. Whether you’re reminiscing about hilarious moments with friends or documenting silly escapades with loved ones, ‘Laugh Loud’ is the perfect companion for adding a touch of silliness to your scrapbook pages. So go ahead, let out a giggle, chuckle, or LOL—because with ‘Laugh Loud,’ every memory is a joyful celebration!

This Monthly Mix was created by Aprilisa Designs, JB Studio, Jumpstart Designs, Miss Fish Templates, and Twin Mom Scraps.

This collab includes: 1 Alpha {Uppercase, Lowercase, Numbers & Punctuation}, 61 Papers, and 104 Elements.

Now to the May Daily Download Sneak Peek. This month’s Daily Download is from Adrienne Skelton Designs! Make sure you are checking the blog every day to get all the pieces of this kit!

Take a look at the new challenge reward kit. If you complete any 10 challenges this month, you get this gorgeous collab as a reward!

Indulge your creative spirit with ‘She’s All That,’ a captivating digital scrapbooking kit exuding the essence of feminine energy. Bursting with vibrant hues and elegant motifs, this collection is a celebration of womanhood in all its glory. From bold pinks to tranquil blues, this color palette ignites inspiration, inviting you to craft timeless memories with a modern twist. With its eclectic blend of patterns and elements, ‘She’s All That’ breathes life into your digital creations, allowing you to capture the essence of beauty, strength, and grace. Whether you’re commemorating cherished moments or expressing your artistic flair, this kit empowers you to curate stunning layouts that reflect the true essence of femininity.

This Challenge Reward was created by CathyK Designs, Kristmess, Lisa Rosa Designs, Sweet Pea Designs, and WM[squared] Designs.

This collab includes: 1 Alpha {Uppercase, Lowercase, Numbers & Punctuation}, 67 Papers, and 94 Elements.

And now the promised Sneak Peek. Make sure to check back on Friday for the start of iNSD. You know we like to have a big party for iNSD and this year will be no different.

Tutorial Tuesday (Photoshop Elements)

Quick Trick: Level Your Horizons

PDF Version : https://bit.ly/3y3EaWg

Have you ever had some stunning photos of a lake or the ocean except that something just looked wrong? It could be that your water is flowing out of the photo…  There’s one hard-and-fast rule about landscape photography where you have both a body of water and a visible horizon: the horizon and the surface of the water must be absolutely level (unless you’re composing your photo at an obvious angle for artistic purposes, of course). But often we’re not really seeing the slight off-kilter angle we’ve snapped, caught up in the magic of the scene in front of us. Today I’m going to show you a Quick Trick for straightening those photos, well, really, any photo that needs straightening. And there’s a keyboard shortcut for that! There are several ways to straighten photos, but this is about the easiest I’ve tried.

My sister took this shot last summer. It’s hard to see where the edge of the river is in the screenshot, so instead look at the reflections. Another object in the photo that can guide straightening this photo is the spruce tree.

With the turquoise Guide in place, the tilt is a bit more obvious. To create a Guide, click on the top or left edge of the workspace then drag your cursor to where you want the Guide to be.

Click on the P key to activate that bubble level. Then click and drag a line using something in the photo as a reference – I used that spruce tree – to tell Elements which direction to rotate the photo. You probably won’t need to go too far off perpendicular to get where you want to go. If it’s still not quite right, click and drag another line.

This is what happens on your workspace. Notice how my click-and-drag line is perfectly perpendicular to the Guide and the reflections on the river are level. I think the developers chose the letter P for “plumb”, and that’s how I’ll remember the shortcut going forward.

I’ve Zoomed in so you can see more easily how the reflections on the river have leveled out.

The only thing left to do is to Crop the photo inside the red border and Save it for later.

Thank you for giving me grace for taking last week off. Stuff just piled on me all at once. We bought a new car, my husband had a biopsy done, I had some medical testing done, we had company and a birthday to celebrate, AND I had to get some government paperwork squared away. It was exhausting! The good news is hubby’s biopsy was negative, all my tests are good, the wait at Service Canada for my documentation was about a quarter as long as I expected and we’re getting used to all the high-tech gear in the car. Back to normal!

 

Fresh Baked! April 26, 2024

Happy Friday! I hope you have all had a wonderful week!

Remember if you spend $10 in the store you’ll get this great collab.

Let’s see what we have new this week.

Have are your April challenges? Complete any 10 challenges to get this kit as a reward.

Fresh Baked! April 19, 2024

Happy Friday scrappers. It’s time for the Spring Cleaning Retiring Products sale. This sale runs from today (April 19) through Thursday, April 25 at 11:59 PM Eastern. Note that after this sale ends, all products in this category will no longer be available so grab them while you can. Take a look a the end of the newsletter to see a sampling of some of the retiring items.

Remember if you spend $10 in the store you’ll get this great collab.

Let’s see some of the new items in the store this week.

Have are your April challenges? Complete any 10 challenges to get this kit as a reward.

Tutorial Tuesday (Individual Style)

Challenge Spotlight: Daily Download

Today I have a selection of layouts pulled from the Daily Download Challenge Gallery. There’s a bit of a discrepancy between the Gallery and the Challenge thread in the Forum, so not all of the layouts posted to the Forum are here. Sorry! For those of you who are seeing a Challenge Spotlight for the first time, let me fill you in. On the third Tuesday of each month, I choose a Challenge from the long list of options we have here at GingerScraps and put the Challenge participants’ layouts in the Spotlight. Over time, each of us develops our own particular style, sometimes to the point that viewers know without looking whose layout is on their screen. My comments about each of the layouts I’m sharing will point out something specific that reflects the Scrapper’s Individual Style. What makes a Challenge well-suited for this type of Spotlight is that all participants are working from the same starting point: a kit, template, brush, mask, font, word art or image. Where there are too many variables, a Spotlight is a bit more difficult, but not necessarily impossible. Each of the layouts to come will be linked to the Gallery so you can take a closer look and leave a comment, if you’re so inclined. Just click on the Scrapper‘s user name and you’ll be whisked right to the layout in the Gallery. I chose the Daily Download today; this Challenge requires the participant to use the previous month’s Daily Download kit to create a layout, topic of their choice. Last month’s DD was supplied by Connie Prince and it looks like this:

Now, let’s look at how this kit inspired our GingerScrappers. Up first is makeyesup. She has created a minimalist desktop calendar, with what I think is one of the papers clipped to a grid brush. She has also clipped a coordinating paper to a font to create the month header. It has a bright, springy look.

This is the work of domino44. She’s added a solid white paper (included in the kit but not visible in the thumbnail) to her paper stack to provide her neutral background and changed the wording of the title tag. (I feel like that title needs some context. 😉 ) She’s shadowed the paper doily to perfection!

How eye-catching is that embossed brown cardstock lulumoon has used for her background? Her command of white space is stellar; her single photo is very much the focal point. I like that she clipped the same striped paper she framed her background with to the perforated heart; it pulls the layout together into a complete whole. If you look reaaaallly closely, she’s also threaded the ribbon through one of the heart-shaped punch-outs in the heart.

For her layout, katt chose to keep it simple… the maps, location pin, photo and title all tell the story suggested by her journaling.

Here, photocrazy has chosen patterned papers that read more like solids – I usually do that too! That choice lets all the spring elements draw the eye to her photo of hyacinths in bloom. I need Smellovision©!

I LOVE what austin_kellie has done with her layout! The kit coordinates with her photos so beautifully, and her use of the peeling painted wood paper background is brilliant. Her clusters compliment her photos without taking away from them, leading the eye around the page.

CathyS had me puzzling for a second, then I realized she’d used one of Connie‘s papers clipped to a mask for that cheery background – which I think is a blend of two solids, toning down the brightness of the yellow. Keeping the add-ons to a minimum makes that technique even more effective! I even thought she’d created an out-of-bounds look with the sunflower in the upper left… very skillful use and placement of the elements!

DianeInOz has created a beautiful travelogue with her layout. I think this type of layout is perfect for using bold patterned paper in the background. It holds its own with multiple photos but doesn’t distract. I have to give her family props for travelling at a time when COVID was still a major concern (not that it’s gone, it’s just laying low right now); I’ve only done short day trips by car. I’m too chicken!

Now THIS is genius! Look at how chigirl has turned patterned papers into ribbons, then wove them into a frame for the heart of her layout. Her clusters echo the brightness of her photos, making them pop off the page.

The simplicity of willow‘s layout is its strength. By decreasing the saturation of the green curly ribbon, she’s given it a supporting role. The mask she’s used is absolutely perfect with her almond blossom photo.

Clean-and-simple is how I describe alexandergirl68‘s style here. Her photos are driving the bus! The bright pops of yellow really bring the layout to life.

Pocket-scrapping is great for travel photos, or really, any layout with multiple photos. Kristi Martin‘s sparing use of embellishments keeps the layout crisp while the pops of yellow add warmth. The addition of white borders on all her paper blocks is intriguing. I may have to borrow that…..

To round out our baker’s dozen, this layout from trinanne puts a huge smile on my face. I’ve mentioned before that one way to achieve cohesion when your photos don’t quite work with your chosen kit is to convert them to black and white. I might have tried to keep the bunny ears in full colour, though.

There won’t be a Tutorial Tuesday post next week. I have some stuff going on that will need my attention. Details to follow…

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