Hello everyone. I hope you had an enjoyable week. I can’t believe we are at the end of another month. Make sure to check back tomorrow for the June Buffet items.
Remember if you spend $10 in the store, you’ll get this great collab free.
Let’s take a look at some of the new items in the store this week.
Today is the last day to get the May challenges done and posted. Complete any 10 challenges and get this great kit as a reward.
Quick Trick: Gradient Titles
PDF Version : https://bit.ly/45ljkOv
Are you up for another way to use Gradients in your scrapbooking? Let’s apply one to some text to create a title. (I’m showing it on a photo, but it’ll be great as a layout title too. You could even create your own Gradient papers and alphas with this Trick!!) It’s a really quick way to elevate our layouts. Let’s use this photo.
Did you recognize the Joshua tree? Trajan Pro 3 is an Adobe font; I used it for its clean lines. It may be a system font on your computer. But any font you like will be perfect.
I don’t think I’ve ever mentioned what happens when you Simplify a text layer. It basically converts the font to pixels, which then allows us to modify it however we want to – but it’s no longer editable. Here’s a tip: If you think there’s any risk of needing to edit that text, make a Copy of it and make it invisible, like I’ve done here.
This next step is absolutely essential. Click on the Lock Transparent Pixels button, show in the box, so that the Gradient is applied ONLY to the text.
I want to use colours from my photo for the Gradient, so using the Color Picker (Eyedropper), I first selected a spot in the sky for a bright blue. Then I held down the ALT/OPT key and clicked the Eyedropper on the darker shadow area of the photo just above the “U”. That way, I didn’t have to switch the target swatches, Elements did it for me.
This technique’s path is much shorter than the one in our last Gradient tutorial. Click on the Gradient Tool (looks like a… dark-to-light gradient across a sheet of paper) in the Control Panel. To keep this really basic, we’ll use the default settings for the Tool. But there’s a LOT that can be done down there in the Tool Options panel to create a truly unique effect.
To duplicate the photo’s palette, with blue above and tan below, I clicked my cursor above the text and dragged a straight, vertical line to below the text. The Gradient will go in the direction you drag your cursor; I tried upper-left-to-lower-right too, just to see what it looked like. You do you! 😉
To bring the text up out of the sand, I added a slight Drop Shadow and a bit of a Bevel. That’s all there is to it!
For this sample, I went to the invisible, unSimplified text layer and put it all one a single line. Then I followed the preceding steps again to get this effect.
With the identical Shadow and Bevel, this look is much more subtle. Hmm. Which way do I like it better?
Here’s one last look at options. This time I pulled the Gradient up from below, creating a mirror version. I can’t decide!!!!
See you all in June!
Welcome to another Friday! We’re almost at the end of May already and it’s a long weekend if you are in the US. Three-day weekends are always a bonus.
Remember if you spend $10 in the store, you’ll get this great collab free.
We’ve got some really cute kits in the store this week!
Have you grabbed the May Monthly Mix? Only a few more days at this great price.
How are those challenges going? Complete any 10 challenges and you will get this great kit as a reward!
Challenge Spotlight: iNSD Mini Kit Challenge
Yep, I know. May is 2/3 over already. It seems Spring is a little behind for us this year; it’s quite cool and damp – I can’t complain about rain though, given the extreme drought we’re stuck in here. But I digress. This month I’m taking us on a bit of a different path for the Challenge Spotlight. Rather than going with one of the usual monthly Challenges, I chose the iNSD Mini Kit Challenge, hosted by CarolW. This was part of the week-long (inter)National Scrapbook Day celebration and it was VERY well-received. The kit Carol provided for the Challenge is beautiful! [editor’s note: There’s an entire BUNDLE that matches the mini in Carol‘s store…] The mini was so well-received, in fact, that I had to stop snagging images from the Gallery when I hit 20. Can’t lose the audience, you know! The layouts appear in the order they were posted to the Challenge thread.
As always, I’ll be linking each of the layouts to the Gallery so you can get a closer look at them and leave some comments, should you wish. Just click on the Scrapper’s user name and you’ll be zoomed right to her layout. Now let’s look at how each Scrapper has used the exactly same mini kit to create a very individual layout…
First up is this clean-and-simple layout from deej. She’s kept her focus on the photo with her minimalist use of papers and embellishments.
Katherine Woodin‘s a scrappin’ machine. She participates in EVERYTHING while also documenting all the moments of her life. She’s augmented the mini with bits and pieces from the full kit to create her layout. By blending her desaturated photos into the background paper, she was able to use photos that might not coordinate colour-wise with the kit while reflecting the theme. I like the precision of her perfectly-spaced button border.
LovelyMissKait makes her first Challenge Spotlight appearance with this beaut! [Welcome!!] The design of her cluster is perfection. The shadows on those papers… the paper looks like it’s lifting a bit in spots. Very effective.
For her layout, greenfiend27 blended some of the papers, threw some paint splashes on, then clustered the elements to draw the eye to her images. That star bokeh adds an almost mystical look. The quote is the perfect addition.
The yellow patterned paper is surely a hit! Here, aquaris has used the wire heart as a frame, anchored by her floral cluster. [Should I tell her I see hummingbirds out my living room window all the time?]
Ah! The grungy, gesso-smeared paper takes its first starring role! The photo of the crocus was a brilliant choice, andastra; it coordinates with the kit’s colour palette beautifully.
There it is again! But this layout looks very different – individual style, amirite? That tumble of paper rounds created by pagefrocks provides movement anc keeps the eye traveling across the page.
And we’re back to the yellow patterned paper again. But that’s the only similarity to the other yellow layouts. KarenDiamond has chosen a photo that coordinates perfectly, then blended it over a paper frame. Her use of brushes and word art to draw the eye while remaining true to the theme is quite skillful.
I see mum23ms has used elements from the full kit for her white space layout. Can you pick them out?
What an artsy look dhariana has given her layout. That grungy paper is the perfect background for this style. She’s made expert use of white space and created a strong horizontal aspect with the arrangement of her elements.
This just screams JOY at me! LidiaG has designed a gorgeous cluster to anchor her photo, and is the first to use the most neutral of the papers for her background. On (much) closer inspection I see she’s also used a mask to blend in the striped paper with a very subtle touch. Love it!
It’s so interesting that two Scrappers can use identical backgrounds and yet have such unique looks. I can see where trinanne got her inspiration – the carriage flair! So far she’s the only one whose extracted the hummingbird from the ephemera.
Cool!! Look at how the way jenasz used the star bokeh sparks her photo! It adds such a magical touch – almost like fireflies. The other unique touch is how she’s twined the vine all the way around the photo, like a frame.
Ooh, where do I start with this? The splotchy ink is gorgeous, the masked photo is perfect and to be honest, it’s really hard to tell where the photo ends and the elements pick up. This is a masterpiece, biche77!
I adore how bagheertje has blended her papers for the background. It looks easy, but getting it right isn’t! She too has extracted the hummingbird and used the loop of twine as a frame, but brings her own style to that beautiful central cluster.
There’s the star overlay again, but with a completely different look. Pippin‘s spray of flowers draws the eye to her photo beautifully blended into the ink splotch. See how the hummie ephemera almost seems like an extension of the ink?
I think this is the first layout to make prominent use of the raffia twine loops. I very much like the font demma_b13 chose for her title – it has an old-world feel, evoking thoughts of European colonization in the late 15th century. The yellow flowers bring a sunny warmth.
How clever is wvufan04? Using the ink splash as the background for some word art in a font very similar to the one on her male subject’s t-shirt… so smart! I like the tiny pops of pink too.
I like how jirsev has amped the ink splashes against that grungy paper. Her layout pops right off my screen.
Our last peep is muted and filled with luscious white space. AJsRandom opted to emphasize the yellow end of the colour palette for her layout and kept her cluster very simple. Lovely!
If you participated in this Challenge and your layout isn’t shown above, I apologize for the omission. It doesn’t mean your layout isn’t stunning and deserving, it means I ran outta gas! I’m functioning on very little sleep ATM and just couldn’t go beyond 20 today. I feel like my brain is melting… But I’ll pull it together and come up with a Quick Trick for next Tuesday!
Happy Friday Scrappers!! How are you all doing? We have been enjoying some beautiful spring weather lately! Today we had a big family water balloon fight, it was so much fun! I took so many photos, I can’t wait to scrap them. I hope you are making some great memories too!
We have some amazing Fresh Baked goodies for you today and the $1.50 Bake Sale is NOW OPEN too! Click the banner below to be taken directly to the $1.50 Bake Sale :
Now here is a look at the New Release products this week:
Remember if you spend $10 in the store, you’ll get this great collab free.
Have you gotten a good start on your challenges? Complete any 10 challenges and get this great reward.
Recolouring Word Art with Gradient Maps
PDF Version : https://bit.ly/3wGloE0
We’ve talked about recolouring embellishments, word art and brushes before and I’ve shown you a variety of ways to accomplish that goal. One that we haven’t ever looked at is using Gradient Maps. Today we’re only going to talk about recolouring word art, but they’re pretty powerful tools for photo effects too.
But first… what the heck is a Gradient Map? Here’s a direct quote from Essential Photoshop (it also applies to Elements): “Gradient Map is a tool in Adobe Photoshop that allows you to apply a gradient effect over an image. It works by mapping different shades of gray tones in your image to colors defined by a gradient bar. This creates an effect where the highlights and shadows are transformed into specific colors without affecting other details in the image.” Let’s see how it works. I’m going to use this title word art from Word Art World. I’ve made several copies of the word art and isolated the big words, afternoon and park, onto their own layers by Erasing everything else on that layer. I have one untouched original layer just in case I mess it up; it’s not visible. This will let me selectively recolour the words.
This is only a sample so my colour choices are arbitrary; if I was going to use this word art title on a layout, I could choose colours from my photos or from the kit I’d be using to create a cohesive look. When I think about “park”, I see grass, trees, water and light in my mind’s eye. So I think I should colour the word park green. As you can see, I’ve used the Paint Bucket Color Picker to set the foreground colour to a spring green.
Next, I toggled the Color Picker (click the X key to toggle between foreground and background) and chose a more yellow-y green. These two colours will form my Gradient.
Next I clicked on the icon that looks like a circle half blue and half gray, at the top of the Layers Panel, which is the Add Fill/Adjustment Layer button. From the drop down menu I chose Gradient Map…
See the new addition to the work space? That’s the Gradient Map adjustment panel. The colour bar shows the two shades of green I chose, gradually shifting from one value to the other. At this point the Gradient Map layer is affecting all the layers, but that’s easily fixed, so we can ignore it for now.
One easy way to adjust the Gradient Map is to simply Reverse it. Now the colour bar has the light and darker colours swapped. It’s easy to see the difference between the two screenshots. Remember that Elements has created a grayscale copy of the word and has applied the colour based on a mathematical algorithm. If you don’t love it Reversed, untick the box.
Another option is to change the Blend Mode. This will take a little experimentation to find the look I want, so I ran the list. I like the grungy look I get with Vivid Light, so that’s where I stopped.
I also tested adjusting the Opacity and decided I liked 100% best. Now I can Clip my Gradient Map to the PARK layer. Right-click on the Gradient layer then choose Create Clipping Mask. Or use the keyboard shortcut CTRL/CMD>G for PSE14 and earlier versions, CTRL/CMD>ALT/OPT>G for PSE15 and more recent.
Now I’ll do the AFTERNOON layer. Notice that the Adjustment panel is empty. It’ll populate again once I click on the Add Adjustment Layer button.
This tool is so much fun to play with! What do you think the Gradient Map will look like for this colour combo?
Well, it’s pretty orange. Clicking on the colour bar itself opens up this adjustment panel. The sliders start out at the ends of the adjustment bar, and as you move them, you can watch the effect they have on the image. I’ve got the Reverse box ticked, but I’d still like a bit more magenta to show.
It’s very hard to see the bits of magenta that show in this screenshot, but if you’re viewing in PDF, you can Zoom in and check it out.
Now I’ve got all the layers recoloured and the Gradient Maps are all Clipped to the appropriate layers. All that’s left is to Merge the layers and add the title to a layout!
As I mentioned above, this tool is FABULOUS for adding colour to Brushes. I have some grungy alpha brushes that I played with first and other than having to put each letter on a separate layer, I loved the effect. I can’t wait to try it with alphas and other embellishments. What do you think? Would you like to see how Gradient Maps work with photos, or is that not something you’d ever do?
Stuffing a Vellum Envelope
PDF Version : https://bit.ly/3QR1LQl
Once again, Karen Hampton has brought me a great idea for a tutorial. She saw this layout by LidiaG in a Gallery and was charmed by the vellum look of the envelope. I was too! So today I’m going to show you how easy it is to stuff a vellum envelope. But first, let’s talk about vellum for a minute. As a paper crafter, I used to HATE vellum because sticking it to anything invisibly was nigh-on impossible. Because it’s semi-transparent, adhesive always shows through. But what, exactly, IS vellum? When I tell you about its origins, you’ll be glad you’re living now, and not a millenium ago… Vellum is an early form of paper, similar to parchment, but of higher quality. Originally it was made from very thinly tanned calfskin by a long a tedious process of scraping, wetting, drying and starting at the beginning again. The highest-quality, most desirable vellum was made from the skins of stillborn calves. <insert puke emoji here…> Its best quality is its translucence. It’s still desired for use in the creation of government documents, religious documents (the Torah being one) and certificates. Its archival qualities and stability are still highly prized. Fast forward to modern day and vellum is now made from plasticized cotton rag, much like ordinary papers, but maintaining the translucent look for which it was so highly prized. It’s perfect for the creation of blueprints, and so is in demand by architects and draftsmen.
So let’s look at LidiaG‘s layout. Take note of the way the items inside the envelope are visible through it. To duplicate this effect, you’ll need a plain paper envelope with an intact flap. For my example, I’m using one from Aimee Harrison’s Sweet Talk minikit. All the rest of the ephemera I’m using – except for the postcard, it’s a scan of an actual family document – is from Cindy Ritter’s Seafoam.
Let’s get started, shall we?
I’m going to remove all of the envelope but the front panel for the vellum step, but will need to keep the flap too. So I Duplicated the envelope. The two most common methods are as shown on the screenshot. Right-click on the layer then choose Duplicate Layer. OR click CTRL/CMD>J.
If you use the keyboard shortcut, the Copy Layer will be plopped right on top of the original – where we want it. If you chose the first method, you’ll need to tell Elements where you want it. In this case, just click OK and you’ll have the two envelopes stacked in the Layers Panel.
Now let’s Cut off the flap from the top envelope layer. First, turn visibility off for the original layer by “closing the eye” on it. Then, with the Rectangle Marquee Tool, drag out a big rectangle of marching ants over the flap area of the top layer. My envelope is a little off square so the rectangle with either cover too much, or not enough. But that’s fixable.
Some time back I showed you a Quick Trick for Transforming Selections. Let’s review. You’re not stuck with the first version of your rectangle! Right-click inside the marching-ants bounding box and this menu opens. Almost all the way down the list, choose Transform Selection.
Down in the lower left corner of the Tool Options, there are several options: Rotate, Scale and Skew, moving the anchor point, resizing and an angle meter. I just needed to make my rectangle a little bigger then Rotate it a tiny bit to the left so the lower edge of the rectangle sits on the fold of the envelope and still includes the point of the flap.
Next, click Edit>Cut. OR CTRL/CMD>X and the flap with disappear.
It’s hard to see on this screenshot (unless you’re working from the magical PDF!) but I’m using the Eraser Tool to remove that middle part of the envelope too. To start, I set the Eraser Tool to Brush, Size 45 pixels, 100% Opacity. Then I clicked my cursor just past the left top edge of the flapless envelope, held down the SHIFT key, clicked in the first corner, clicked in the second corner then clicked just past the right top edge of the flapless envelope. Only then did I let the SHIFT key back up. That gave me nice, straight lines with the Eraser. Then I could make the Size a lot bigger and dispatch the rest of the envelope that I don’t need to keep.
Nice and tidy!
Next, I want to move the two envelope layers onto my layout. In this situation, the keyboard shortcut won’t do what I need it to do, so I’ll use the first method I showed you above: activate both layers, then right-click and choose Duplicate Layers.
But instead of just clicking OK – which would put the Copy Layers on top of the existing layers – I want to tell Elements to put the two envelope layers on the paper I’ve got open in the Photo Bin. See all the options the drop down menu offers? The paper is right at the top of the list. I clicked on that then OK.
There they are! I turned visibility off for the top envelope layer while I stuffed it with my ephemera. It’s important to ensure that everything you’ve put in there stays inside the edges. I’ve layered a few paper items in there, resizing and repositioning until I’m happy with how it looks.
So, here’s my stuffed envelope before I perform my magic on it. I really want to be able to read the message on the postcard, which is very old.
To get the vellum effect, all I did was decrease the Opacity of the envelope’s top layer until I was happy. Here it’s 47%. I may still tweak that a bit, but for now, that’s where I stopped.
The realism comes from the shadows! I used a set of shadow Styles, but feel free to do what you usually do. Shadow everything inside the envelope. Then use the recipe below for the top layer of the envelope: Size 29 pixels, Distance 0 pixels and Opacity 15%. It preserves the translucency but adds shadows to the edges.
I’m hoping to get the rest of the layout done later today. I had a COVID booster yesterday and feel pretty flu-y today so we’ll see how it goes. Past experience says I’ll be absolutely fine again tomorrow. See you all next week!
Goodness y’all. It’s iNSD time again. Are you excited? You know we always do it big here at GingerScraps. I hope you are ready for a week of sales, fun and games, and more!
Remember if you spend $10 in the store, you’ll get this great collab free.
Are you ready to see what our designers have for this great celebration?
How are you doing on your challenges? Complete any 10 challenges and get this great reward.
Introducing Adrienne Skelton Designs
Adrienne Skelton is one of GingerScraps‘ newer designers, but that doesn’t mean she’s new to designing, as you’ll see when I let you in on our conversation. I wonder if she’s nervous… it being (inter)National Scrapbook Day on Saturday. What pressure! Let’s get to know her better.
J: Adrienne, thank you for chatting with me today, and congratulations on your very first Designer Spotlight! Let’s get the bread-and-butter stuff out of the way first. How long have you been designing?
A: I started to design back in the early 2000’s . In 2010 I had to take a health break due to illness. I have been back since 2021 and love every minute of being back!
J: I’m glad to hear whatever your health issues, you’re not letting them hold you back any more. Distraction can be as good as medicine sometimes. What brought you to designing in the first place?
A: I used to do paper scrapbooking, but at the time I had young kids and being able to afford buying scrapbook kits was expensive, so I decided to put my art skills to use and design something digital using paint shop pro and from that point on I was hooked!
J: Oh, if I had a buck for every time a designer (or digiscrapper) told me the same story… My kids were already grown when I started paper scrapping, and I went right down the rabbit hole. I have a whole room full of paper, stamps, ink, punches, dies, embossing folders and cutting tools. Then I found digiscrapping – no mess, reusable everything, very cool techniques that elevate my layouts… and derailed my own train. But don’t feel bad for my paper supplies – I’m making greeting cards with all of it. What tools do you use for your work?
A: I use Photoshop and Procreate on my iPad, sometimes I will hand craft items and scan and use them.
J: I almost threw my printer/scanner/copier off the mountain the other day. But we don’t need to talk about that. Here’s one of those impossible questions. Which of your current kits in your GingerScraps shop is your favourite, and why?
A: That IS a very hard question! If I had to pick one it would be She’s a Wildflower. I just love how this kit came together. I designed all my drawings and doodles using Procreate ( I love to draw even if it’s digitally) and put it all together with Photoshop. I think because this kit reminds me of nature so much! Being out among the wildflowers.
J: Beautiful! One of my favourite songs from my teenage years is Wildflower by Skylark. “She’s a free and gentle flower, growing wild.” Same mood! And what a segué to my next nosy question… can you play a musical instrument?
A: I am a self taught pianist although I am not very good, I still enjoy plunking on the keys every now and then.
J: I took piano lessons for awhile as a child. I sometimes noodle around on my son’s electronic keyboard, but only when I’m alone. <winkwink> So not into self-humiliation. My friends and family call me a Type A. What one word would your friends and family use to describe you?
A: LOYAL, very faithful and sincere to a fault. I can sense others emotions and am very supportive.
J: Ah. You’re an empath! What would you do if you won the lottery?
A: First I would make sure my family was taken care of. Secondly I would buy a house where I had a lot of land, a lake and plenty of nature.
J: That’s sort of what we did with my husband’s inheritance, but without the land. We lease it, and have a beautiful view, surrounded by wildlife, flowers, birds and bugs. I fall asleep at night being serenaded by crickets and bullfrogs, punctuated occasionally by a coyote choir. So, does your desire to be rural influence your perfect vacation?
A: My perfect vacation would be laying on the beach somewhere listening to the ocean waves, feeling the cool breeze on my face, Or that could also be somewhere/anywhere in nature where I can be at peace with my thoughts.
J: Sounds a lot like my sister’s place! What would your super power be if you had one?
A: I’d LOVE to be able to see the future.
J: Not me! I can dream up the most catastrophic of events without a crystal ball. Nope! If you came with a warning label, what would it say?
A: Be careful and stay away when she is angry!
J: The more angry I am, the quieter I get. My kids were always more afraid of me when I didn’t say anything than they were when I was shouting. On that fine note, I’ll let you get back to your day. Thanks again!
Now, the rest of you, don’t go anywhere! In addition to her Spotlight, remember that Adrienne is providing this month’s Daily Download – the sneak peeks aren’t doing it justice, I swear! I hope you’re picking up each day’s bits; the download links are good for 5 days, so if you’ve missed one, don’t worry!
Adrienne is also hosting the Designer Spotlight Challenge in addition to her regular All About Me Challenge. I’ve linked them so you can check them out. And……
Have a great Spotlight Month, Adrienne!
It is the 1st of the month and you know what that means; a huge, exciting newsletter! We have a New Buffet, New Monthly Mix, New Free With Purchase Collab, New Challenge Reward, & a New Daily Download on the GingerScraps Blog! And make sure you read all the way to the bottom to see a Sneak Peek at the iNSD celebration.
Don’t forget to check out the Buffet Bundles. One easy click to add bundles of Buffet goodies to your cart.
I love how this has both bright and muted colors. So many possibilities.
Remember any $10 spent in the store gets you this great collab.
Get ready to fiesta with ‘Fiesta Fun,’ a dynamic digital scrapbooking kit bursting with vibrant colors and festive flair! Inspired by the lively spirit of a fiesta, this collection captures the essence of celebration with its bold hues and playful elements. From zesty oranges to spicy lime green, every color in this palette embodies the excitement of a fiesta, transporting you to a world of salsa-dancing, piñata-smashing fun! Dive into a fiesta of creativity as you embellish your layouts with taco motifs, colorful confetti, and whimsical sombreros. Whether you’re commemorating Cinco de Mayo festivities or adding a dash of excitement to your Taco Tuesdays photos, ‘Fiesta Fun’ is your go-to kit for creating joyous memories that sizzle with energy and warmth. Let the festivities begin!
This Free With Purchase was created by J. Conlon and Sons, Just So Scrappy, Neia Scraps, and Scrappin’ Serenity.
This collab includes: 2 Alphas {Uppercase, Lowercase, Numbers & Punctuation}, 45 Papers, and 90 Elements.
Unleash your inner joy with ‘Laugh Loud,’ a delightful digital scrapbooking kit designed to make your memories sparkle with laughter and fun! Infused with soft pink and mint green hues, this charming collection radiates a playful vibe that’s sure to bring a smile to your face. Embrace the whimsy as you adorn your layouts with quirky doodles, whimsical embellishments, and adorable emojis that capture the essence of laughter. Whether you’re reminiscing about hilarious moments with friends or documenting silly escapades with loved ones, ‘Laugh Loud’ is the perfect companion for adding a touch of silliness to your scrapbook pages. So go ahead, let out a giggle, chuckle, or LOL—because with ‘Laugh Loud,’ every memory is a joyful celebration!
This Monthly Mix was created by Aprilisa Designs, JB Studio, Jumpstart Designs, Miss Fish Templates, and Twin Mom Scraps.
This collab includes: 1 Alpha {Uppercase, Lowercase, Numbers & Punctuation}, 61 Papers, and 104 Elements.
Now to the May Daily Download Sneak Peek. This month’s Daily Download is from Adrienne Skelton Designs! Make sure you are checking the blog every day to get all the pieces of this kit!
Take a look at the new challenge reward kit. If you complete any 10 challenges this month, you get this gorgeous collab as a reward!
Indulge your creative spirit with ‘She’s All That,’ a captivating digital scrapbooking kit exuding the essence of feminine energy. Bursting with vibrant hues and elegant motifs, this collection is a celebration of womanhood in all its glory. From bold pinks to tranquil blues, this color palette ignites inspiration, inviting you to craft timeless memories with a modern twist. With its eclectic blend of patterns and elements, ‘She’s All That’ breathes life into your digital creations, allowing you to capture the essence of beauty, strength, and grace. Whether you’re commemorating cherished moments or expressing your artistic flair, this kit empowers you to curate stunning layouts that reflect the true essence of femininity.
This Challenge Reward was created by CathyK Designs, Kristmess, Lisa Rosa Designs, Sweet Pea Designs, and WM[squared] Designs.
This collab includes: 1 Alpha {Uppercase, Lowercase, Numbers & Punctuation}, 67 Papers, and 94 Elements.
And now the promised Sneak Peek. Make sure to check back on Friday for the start of iNSD. You know we like to have a big party for iNSD and this year will be no different.
