Tutorial Tuesday (Fonts)

Christmas is Coming… Get Your Fancy Fonts HERE!

I’m pretty sure I’m not the only one whose having a hectic time right now. Even though Christmas will be a little different this year, it’s still coming and there are still lots of jobs to take care of. I haven’t had much free time this week to do something wildly creative to share with you, so I went for the low-hanging fruit – free Christmasy fonts! (It’s been a while since I shared some wintertime fonts with you, after all.) I have a baker’s dozen for you, and four sets of dingbats that I think you’ll love. They’re all from dafont.com and are 100% free for personal use. The bold blue test links you right to the download area, so have fun! (I won’t tell you how many I downloaded while I was doing my “research”.)

We’ll start with this brand new font called Christmas Bell. It has a bunch of glyphs (swirlicues, doodles and tiny ornaments) that turn the letters into something really special. If you’re unsure how to find those fancy add-ons, I have a tutorial for you called Unlocking the Secret Extras in Your Font Files and one for Mac users here.

Next up is Snowy Christmas. It’s a cute one, with lots of potential. It too has some little add-ons like that adorable snowman.

The third one has the very imaginative title of Merry Christmas. But those snowflakes! And the reindeer!!

Holly and Berries looks similar to Snowy Christmas, but it’s got lots of its own charm.

The Perfect Christmas is also similar, but is a cursive font that looks almost hand-drawn. And it has snowflakes.

Sorry, I got sidetracked there for a second. I was watching a red-tailed hawk looking for lunch! PW Joyeux Noel is font #6 on my list today. It’s more wintery than Christmasy, but it’s fun. (Joyeux Noël is Merry Christmas in French.)

This one has a delicious distressed, grunge look. Miraculous Christmas would be ideal for layouts with a farmhouse or rustic theme.

Christmas Lights is like a font/dingbat hybrid. It has two different looks: the “outside” version reminds me of all the times hubby and I were outside in the freezing cold, putting lights on the gutters without enough clips and freezing our fingers off. Yep, it’s good enough, now let’s get inside! Then the “inside” version looks like the lights have been carefully strung on a mantel or around a door, with plenty of attention to detail.

This one, Christmas Time, comes with two versions, one with stars and one without.

I think I might have shown you Candy Cane before. But it’s cute enough and has so many possibilities, so here it is (maybe) again.

Next Tuesday, December 21, is the first time in nearly 800 years that the “Bethlehem star” (a conjunction between Jupiter and Saturn that will look like a huge star) will be visible to the whole world. (Astronomers say those living near the Equator will have the best view.) If you’d like to know more about why I’m calling it the “Bethlehem star”, drop me a comment and I’ll expound. What made me think of it is the way the stars in Christmas Sparkle look a lot like artistic portrayals of the original New Testament star.

I like this next one for its title-potential. Hello Christmas has a calligraphic style with a scatter of glitz.

What can I say about Christmas/Flakes? It’s a very formal, very upright, very elegant all-caps font with snowflakes!

Now on to the dingbats. There are so many things that can be done with these!! You could create a customized coloring book for a special little person, create a brush you can use over and over, turn them into Christmas cards or gift tags, really the only limit is your imagination.

Xmas TBF Christmas is filled with festive images. That reindeer cracks me up!

I think this one is really creative. The outlines can be done in one color, the fillers in another. Hello Christmas Icons is simple but interesting.

I think Merry Christmas Go would be perfect for the littlest kiddos as coloring pages. The outlines are thick and dark, the shapes aren’t overly fussy and they could be used to teach new words to little readers.

I saved the BEST dingbat set for last. It’s crammed with images both spiritual and fun. There are 3 dingbat sets in one collection called WM Christmas. Pro tip: This one takes a lot of time to queue up to install, so make sure you verify a successful install before you want to use it.

Hopefully next week I’ll have something new and creative for you, but I’m not making any promises. I’m going to make a drive-by visit at my parents’ house on Sunday, just to see them with my own eyes. It’s a 2 1/2 hour drive each way, but the weather should be good. Maybe inspiration will strike while I’m driving… To my Jewish friends out there, may the last days of Hanukkah be blessed.

Tutorial Tuesday (Photoshop Elements)

Stuffing that Envelope!

Did you ladies enjoy the tutorial on Reflections, Perspective and Shadows from a few weeks back? I hope you did. I know the ladies on the creative team for Ginger at Dandelion Dust Designs did, and becky_a wound up with a Layout of the Week with her version of the scraplift. After such success, the team has brought me another technique challenge after they found this beautiful layout by Blackkathy.

That envelope is to die for, isn’t it? It looks three dimensional and so real! So challenge accepted. Let’s hit it!

I looked and looked through my stash for an envelope or pocket I could transform and came up empty. So I created a template, which I’ve zipped up for you to download if you like. You can find it here. Then I clipped a paper from CathyK‘s Christmas Delight kit to it. (It’s rotated 90° to have the stripes running diagonally instead of the original vertical.) When you go to use the template, clip your paper to the base layer BEFORE you move your envelope onto you layout. That way you’ll have both the paper layer and the stitching together.

Then I loaded up the envelope with pretty seasonal goodies that will work with my photo. (It’s from Pixabay, the photographer is Terri Cnudde.) I used more of the elements in Christmas Delight as well as from a couple of CathyK‘s other kits. Remember when you’re putting objects “inside” pockets or envelopes that are stitched down that your objects have to sit within the stitched border. They shouldn’t rest UNDER the stitching, unless they’re flat or you plan to warp your pocket/envelope around them. In this screenshot you can sort of see the bounding box for the crocheted snowflake I’ve tucked in there. (More about THAT choice later…)

To achieve the dimensional look of a stuffed envelope we’re going to use the Dodge and Burn tools. I’ve shown several ways to use these tools before and if you’re already comfortable using them, you’ve probably figured out where I’m going. first up is the Burn tool. If you remember the basics, Burning darkens or burns the where you apply it, while Dodging lightens. I’m going to use a LARGE (367 pixels) soft brush with the Burn tool with the Range set to Shadows and the Exposure set to 55%.

Make sure the active layer is the ENVELOPE and keep it the active layer all the way to the end! I’m right handed and work toward myself rather than away, but you’re welcome to start with either corner, depending on your own preference. I’ve placed the cursor as shown to centre the tool over the actual corner of the envelope. Click and drag the brush down, across and back up along the edge of the envelope to darken it where it would be more tightly attached to the background.

Now you can see the difference. It already looks more contoured. And you could stop here and it would be just fine!

But that’s not my jam… so I’m going to highlight areas where the paper of the envelope would be stretched by the things inside it. I started with the chocolate dipped spoon. To know exactly where the handle is touching the paper on the inside of the envelope, I CTRL/CMD>clicked inside the layer thumbnail for the spoon – don’t click on the layer itself, just the thumbnail. You don’t want to change your active layer! The marching ants show me where the edges of the handle are and I can adjust the size of my brush to fit inside. This time I’m using the Dodge tool with the Range set to Midtones, the brush size is much smaller (65 pixels) and the Exposure is 30%. I click-dragged the brush down the centre of the handle.

And this is the effect it gave me.

Then I moved on to the candy cane, which is sitting underneath the spoon. It *might* be pushing the spoon into the paper a little harder so the area where they intersect is a smidge lighter.

This springerle cookie mold is a bit more complex. It has a significant ridge in the centre of the outline and so I’m going to do the Dodging in two steps. First I’ll do the whole width of the metal, then with a smaller brush I’ll go over the high ridge again. I’m not going to be too picky here, just close enough.

I think it still needs something. So I’m going back to the Burn tool with a smaller brush and I’ll go around the outside of the star to add a bit of shading.

It doesn’t have to be right there in your face, but perceptible if you know what you’re looking for.

This little gingerbread house cookie has holes in it. So I think it needs the same treatment.

See what I mean? It’s subtle, but definite.

I kept working down the layers, adding contour as I went. This paper strip really only needed a tiny bit of shading/Burning along the edge, since it’s flat and probably a bit stiff.

Ah yes. The crocheted snowflake. What was I thinking? Dodge the high spots, burn the low spots. Zoom out. Look at it. Zoom in and add a bit more. Zoom back out. Repeat until I’m happy.

There, I think that’s good enough!

Here’s how it’s looking so far. I think I might add a bit more shading to the outside edges of the envelope, and in between the thicker objects.

I’m really pleased with how it looks. So now to finish the layout!

 

 

 

Designer Spotlight: November 2020

Wimpychompers!

Here we are in November already. 2020 has, in so many ways, definitely been an annus horribilus, to steal from the Queen. Hopefully there are better days ahead!

I’d like to introduce you all to Christina, the creative genius behind Wimpychompers. (I just wish I would have thought to ask her how she came up with that name… I’m sure there’s a story there!) She’s in the Designer Spotlight this month and has gifted all of us with a fabulous Daily Download. Make sure you’re picking up your pieces while they’re available.

J: How long have you been designing?

C: I want to say 10 or 11 years

J: What made you decide to design?

C: I got really interested in making signatures in forums actually. I started messing around with Paint Shop Pro (ha) and ended up writing tutorials for signature making. I swore I would never start digital scrapbooking as I did paper scrapping at the time but soon changed my mind. Once I started figuring out the program I switched to digital, then decided I loved designing.

J: What do you use to create your designs (program, additional tools, etc.)?

C: Mostly Photoshop but I have recently gotten my hands on Procreate so we will see if I add my own drawings to my items

J: Describe your design workplace.

C: My couch. (laughs). I sit on the couch with a lap desk, it’s the most comfortable and especially helpful now that my kids are doing school from home and have taken all of our desks.

J: What motivates and inspires you as a designer?

C: I love looking at colors on Pinterest but mostly I am theme driven. I especially love to do kits I know I could use.

J: What is your favorite kit currently in your GS store and why?

C: Can I say all of them? (ha). I would say the entire When I Grow Up series, it’s not technically one kit but that one took a lot of time and makes me smile, each kit being so different.

J: If you could only eat one meal for the rest of your life, what would it be?

C: Ooh, dangerous. Cinnamon rolls probably although my waistline may not appreciate that one

J: What is your favorite game or sport to watch and play?

C: I don’t watch sports but I love playing Lego video games with my kids, it can be therapeutic to smash everything in the game.

J: What did you want to be when you were small?

C: A children’s book author, a teacher, and a ballerina

J: Aside from necessities, what one thing could you not go a day without?

C: Hugs from my kids, they are teens so it’s not as often anymore and I take them when I can!

J: Who would you want to play you in a movie of your life?

C: I’ve never considered this one. Maybe someone like Kristin Bell

J: If you had a warning label, what would yours say?

C: Caution: Can go off on a tangent with no warning!

J: What celebrity would you like to meet at Starbucks for a cup of coffee?

C: Maybe Reese Witherspoon

Before we say thanks and see ya to Christina, I think I should tell you that she’s put everything in her store on sale at 30% off for the WHOLE MONTH of November!! That’s really generous, and I bet it boosts her sales pretty nicely, just in time for Black Friday and Christmas. I’m going to check it out right now!

Tutorial Tuesday (Fabulous Fonts)

Ten Fonts for DAD!

It’s almost Father’s Day already, and that means the year is nearly half over. I know staying home and feeling hemmed in has made it seem like time has really been dragging, but it really hasn’t. I know many of you have been scrapping your little hearts out to keep busy, and that Father’s Day this year (like Mother’s Day and so many other special occasions) will be a little different than we’d like. Personally, I haven’t had time for much, but that’s gradually sorting itself out. For this week’s tutorial, I have a question for you… “Do you have some great fonts for your masculine layouts?” I did a little looking around for some manly (and FREE!) fonts that will add the finishing touches to your layouts about Dads. These are the Top Ten on my list.

First I looked at dafont.com, which is my go-to for free fonts.

Chunk Five is a basic poster-type font, but a sturdy one.

Reisenberg comes in a variety of styles. It’s an all-caps font with limited punctuation. It’s clean and bold, so it will make awesome titles.

Galactic Vanguardian has a slightly futuristic look to it.

Black Hawk is a marquee-style font that would be perfect for layouts showcasing vintage photos.

Here’s another spacy font, Galaxy 1. I think it’s ideal for dads (or sons, or brothers) who love the Star Wars franchise, Space Balls, Star Trek, Battlestar Galactica… You know who they are!

This grungy font Capture It still has a lot of presence, even though it looks pretty rough.

Then I moved on to fontspace.com, another source for fabulous free fonts. Permanent Marker is a handwritten font you could use for both titles and journalling.

I like this one, Trajanus Roman, for its formal and spare look.

The next site I checked out was 1001fonts.com, where I found a couple of keepers.

Marlboro is reminiscent of the old cigarette ads that used to fill up magazines. But it’s also a strong, rugged font.

I saved the best for last… I LOVE Saucer!! I can think of so many ways I can use this one.

What are YOUR favourite fonts for layouts about the men in your lives?

Tutorial Tuesday (Photoshop Elements)

Building Strong Borders with Brushes

Woo hoo!! I’m BACK!! Did you miss me?? Our move went pretty well, despite the challenges of COVID-19 and all that entails. We’ve been in the new house a month and are gradually sorting out our lives, finding out how to get to the stores we like and settling in. The dogs have made meeting our new neighbours pretty easy – they don’t have any hesitation or social-distancing skills at all. Everybody has been very welcoming to both them and us. Getting down to work writing a new tut has made me feel more like myself too. So let’s get after it!

Awhile back I asked for some topic suggestions on the GingerScraps Facebook page. This is one of those, from Shana, who asked for some tips on using brushes to create custom borders for her layouts. This might not be what she was expecting, but here goes!

The area around our new house is quite natural and there are so many wildflowers in bloom right now, so the concept for this border will build on the photos I’ve taken in the last month. I went through my stash and found a kit that will work beautifully with them, it’s CathyK Designs‘s Back to Nature. This solid paper is from the kit.

The colour I chose for my brushes is a medium brown. Don’t be too concerned about the colour choice you make, because changing the Blend Mode later might give you something unexpected, or you can always change it to something you like better later.

When I set up my “new” laptop several months ago, I discovered that I’d forgotten how to keep my brush library built in to Elements 2019, so I’ve changed my workflow with brushes, only loading the ones I want to use. Not sure how to load brushes? Click on the little icon that looks like 4 short horizontal lines at the upper left of the Brush control menu. Then select “Load Brushes“. Click on the set you want to add then click on Load. I put all of my brushes into a dedicated folder so I don’t have to hunt for them.

I might sound like a broken record, but this is VERY important. ALWAYS put your brushes on their own layers! If you forget and put the brush directly on the layer you’ve got active, there’s nothing you can do with it other than Undo. On their own layers they become “Smart Objects” and can be manipulated in many ways.

Because I put them on their own layers, I usually make them as big as possible, and then size them to fit my vision. I downloaded this set of free floral corner brushes from Brusheezy.com which is one of my favourite sources for free goodies.

I then positioned and sized my corner brush to be slightly less than 1/4 of the available area.

Then I made a Copy (CTRL/CMD>J) of the brush layer, grabbed one of the side “handles” (the little open square on the bounding box) and flipped the whole brush horizontally. I used to make myself crazy trying to get the exact dimensions with my mouse as I worked, but soon figured out that it’s much easier and more precise to just start the process, then tell Elements what I want! The Transform menu, which activates when you start the flipping process, has boxes for both height and width, so you can type in whatever you want there.

I decided I didn’t want to have upside down bows on my layout, so I went with a different corner brush for the ones on the bottom.

This one I just rotated 180°, resized and slid into place.

Another Copy, Rotate and slide for the opposite corner and it was time to tie the corners together. For this task I used a set of floral divider brushes I also got from Brusheezy.

I liked the look of this butterfly divider, but didn’t like that it messed with the bows at the corners. That’s easy to fix, and because it’s on its own layer, I won’t be mangling anything else.

I wasn’t sure if the butterfly would work at the bottom, but just in case, I made a copy of the layer before I altered it in any way.

I flipped the second butterfly layer vertically, moved it out of the way and then turned the visibility for it off.

Using the Eraser tool on the original butterfly layer, I erased all the areas that impinged on the corner brush layers.

Like that!

On to the bottom of the paper. Mmm. Nope. Upside down butterflies don’t work any better than upside down bows. I turned that layer off for now but it’ll be deleted.

I picked this divider brush from the same set and it works much better. Just had to remove the parts that overlie the corner brushes.

But….. it needs to be tied together at the sides too.

I like this divider brush, also from the same set.

It needed to be rotated 90° to work with the corners.

This time I didn’t need to have the brush where it was going to live to erase the extra stuff.

It fits in the gap so neatly!

I made a copy of it and flipped it horizontally to slip it into the other side.

Once I was happy with where everything sits and how it looks, I went ahead and Merged all the brush layers into one piece.

Now for the really fun part! I actually tried ALL the Blend Modes. Some of them turned my brown border to a beautiful red, but that wasn’t in keeping with my vision. I decided I liked Darker Color.

But instead of playing with the Opacity, I copied the border then applied a paper style I bought at Creative Market to the bottom layer.

After some experimenting I realized I needed to put a thin stroke around my upper brush layer, and the reason for that will become apparent in a minute. I put the stroke on its own layer too. To do that I added a new blank layer above the brown brush layer, then clicked on the thumbnail of the border layer to Select the outline. Applying the Stroke to that selection on the new layer gives me a perfect outline of my border.

I used the same brown and went with just 2 pixels’ width, applied to the outside of the selection.

Just like that.

I turned visibility for the layer I added the paper style to off so I could concentrate on what was happening to the brown layer. I changed the Blend Mode to Soft Light and like it a lot more.

It looks so different, but it’s pretty good!

Once I brought the Opacity down to 85%, I could see a hint of the paper texture and the border looked more like it belongs on the base layer. I like the way it came out, so I saved it both as a .psd (with editable layers) and a .jpg so I can use the paper for my layout.

Hopefully I’ll have time to get my layout together soon so you can see the full effect!

Valentines’ Day AND Newsletter Hop!

Did you know 2020 is a Lead Year? Yep, that means we have one extra day in February! The GingerScraps designers wanted to show you some extra love, join us for a Newsletter Leap! Head over to the forum and sign up for every participating designers newsletters.
All you need to do is sign up to receive newsletters BEFORE February 26th. The full list is posted in the GingerScraps forum here: https://forums.gingerscraps.net/showthread.php?50186-2020-Newsletter-quot-Leap-quot-

If you are already a subscriber to a newsletter, don’t worry, you will also be receiving the new freebie too! To grab the FREEBIE from the GingerScraps shop make sure you scroll down the the end of this newsletter!

Forum Link with all the details: https://forums.gingerscraps.net/showthread.php?50186-2020-Newsletter-quot-Leap-quot-

Remember when you spend $10 in the store, you get a great new collab! One way to spend your Leap Day is to do a Random Act of Kindness!

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Spread a little joy through the world.

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As promised, here is the Newsletter Leap Freebie just for our wonderful Newsletter subscribers!

Alpha_1_RED: https://bit.ly/38df5WJ
Alpha_1_RED_Sheets: https://bit.ly/31HtZSF
Alpha_2_BLACK-HEART: https://bit.ly/2Sdsed6
Alpha_2_BLACK-HEART_Sheets: https://bit.ly/2SCFwPo
Alpha_3_WOOD: https://bit.ly/2SvRdal
Alpha_3_WOOD_Sheets: https://bit.ly/37eXlJg
Alpha_4_BLUE-DOT: https://bit.ly/2UEcsJW
Alpha_4_BLUE-DOT_Sheets: https://bit.ly/38fpoJU
previews_tou_extras: https://bit.ly/3boiWm3

Remember, if you complete 10 challenges, just ten, you get a free kit as well!!

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If you can imagine it, you can create it.

Tutorial Tuesday (Photoshop Elements)

A-Tinting We Will Go 

How did it get to be February already? The older I get the faster time flies. The last week has really kicked my butt, let me tell you. So I thought we’d try something very simple but incredibly beautiful today. I love this photo (from Pixabay) but I think it could be even prettier in black and white. With a little hint of tint…

In Photoshop Elements there are several ways you can convert a colour photo to black and white. Probably the easiest is to click on Enhance>Convert to Black and White (CTRL/CMD>ALT>B) as shown. Or you could use Enhance>Adjust Color>Adjust Hue/Saturation then pull the Saturation slider all the way to the left. But… using the method shown gives you some added options that don’t involve fiddling.

When you use the Enhance>Convert to Black and White tool, this menu opens. The default setting is for Scenic Landscape, but there are multiple style options you can choose from.

There’s a slight but visible difference when I change the style to Portrait. The image is a little sharper and the contrast is a little higher. For this technique, that’s perfect.

I plan to blend this photo into the paper shown below. It’s from January 2020’s Daily Download, Toujours from Key Lime Digi Designs and The Cherry on Top. I’m going to choose a colour from it to tint my photo.

I decided that the soft green would be lovely, so I grabbed my Eye Dropper tool and clicked on the spot shown.

Next I clicked Layer>New Fill Layer>Solid Color. The green that I chose is the foreground colour so it will be the colour used.

I made sure the Use Previous Layer to Create Clipping Mask was selected.

The Color Picker still opened so I had the chance to verify the green is what I want.

And there it is… the Fill Layer. Now what?? As you can see there are two separate layers there, with the colour layer on top. I changed the Blend Mode to Color.

If you’re of a certain age, you might remember the days when the colour on those old tube TVs would go wonky and everything was really green. Look familiar?

So I lowered the Opacity of the Fill Layer to 51%. Now there’s just a faint green glow.

I had already chosen a masked template that would work nicely with this photo. It was a freebie from Promethean Concepts in the A Love for Layout Templates Facebook group in December 2019.

Here’s a tip for ensuring the part of your photo you most want included within a mask makes it onto your layout. Rather than dragging and dropping it ON TOP of the mask, clipping and fiddling with it, try dragging and dropping it UNDERNEATH the mask and moving it around.

It isn’t exactly perfect, and I know I don’t want any harsh edges visible. I didn’t know this trick until just recently, but when using a mask like this it’s possible to use the Clone Stamp tool to extend a photo out to the edges of your mask.

I wanted more of the pearls and her hair inside the mask, so before I started playing with the Clone Stamp, I clicked Image>Transform>Skew to adjust the shape of the mask just a bit by pulling the lower left corner down and to the left, the lower right corner just over more to the right.

Then I moved the photo layer ON TOP of the mask and clipped it in place. I’m going to Clone the window, curtains and the top of her head to cover up all that pink that’s still visible from the mask. Once I’ve done that, I’ll use the Healing Brush tool to make the Cloned areas less obvious.

And there’s my finished blend. I’m pretty pleased with it, and with how little time it actually took to get the effect. I’d say 20 minutes, tops!

My finished layout looks like this:

Will you give this a try? Shout-out to Ulla-May for the inspiration.

Tutorial Tuesday (Photoshop Elements)

Hybrid Pillow Box

Have you ever wished you could customize your gift boxes and make them really personal for the intended recipient? Well, have I got a treat for you! And once again, the credit goes to calgirl (Steph). She found a printable template online for a pillow box and thought I could bring you a great seasonal tutorial for doing it digi. I thought it would be a lot more complicated than it ended up being, and I even managed to come up with a layered template for your crafting pleasure. You can grab it here: Dropbox

The template is on a letter-sized canvas so it can be printed on standard (inexpensive) cardstock. You can easily resize it a bit bigger or a lot smaller, and really make it your own. When you’re ready to print it you can either turn off the top (instruction) layer or delete it altogether.

So, go to your stash and decide what you’re going to use for your special pillow box… papers and embellishments for the occasion. I used Aimee Harrison’s A Rustic Christmas kit. Turn off that top instruction layer for now, or go ahead and delete. You’ll know what to do without it.

Drop your paper on top of the bottom layer. You’ll still be able to see the guidelines.

Then Clip (right-click>Create Clipping Mask or CTRL/CMD>ALT>G) your paper to the template.

Using the guidelines, add in your embellishments. If you’ve added a tag or a label, pick a pretty font and type in your sentiment. What could be better than NOT to need a tag or label? Once you’ve got your clusters and what-have-you in place, add in your shadows. All that’s left is to print it, cut it out from the cardstock, score it and fold it up. A little dab of glue along the very top edge to hold it together and you’re DONE! You can use a bone folder, or a stylus or a totally dead ballpoint pen to do your scoring. If you’re worried about the guidelines showing on your finished box, you can decrease the Opacity of that layer down to barely visible. Or… If you want, you can put the guidelines on the back simply by flipping over the paper and running it through the printer again. Just turn the rest of the layers off and everything will line up perfectly.

I make jewelry for gifts, and I think this would be a perfect way to present them. In a custom box with my signature on it! How many ways can you think of to make this work for you??

Tutorial Tuesday (Photoshop Elements)

Paper-to-Digi 3D Emboss

I’m back!! I’ve recovered about 85% from my unfortunate tumble and should be all there again soon. Thank you all so much for your kind wishes for my speedy healing, I’m positive it helped. (I think that’s my post with the most comments ever!)

Before we get started, I want to apologize for the lack of consistency with the images I’m sharing with you. I’m still not happy with the way this laptop does screenshots and wish I could go back to how my dead one did it, where I could hover over a control so you could actually see what I was selecting. But alas. Add that to the changes WordPress has made to their blogging software, and now I’m also having to resize every image before I write the text. It’s a real drag!

Okay, so. Another suggestion I got from calgirl (Steph) via YouTube video was to show you all how to create a deep 3D embossed look with digital tools. I had to play around a bit to make this work the way it looked in my head, and I think I succeeded. I’m working against a solid cardstock background using a nice blue one from Ooh La La ScrapsPocket Full of Sunshine. I’ll also be using a brush – on a separate layer, of course!

The brush I used is from Brusheezy, one of a free set called Frosted Flakes. (linked) I’ll use it at full size. The Opacity isn’t totally important, as you can see it’s set at 65%. I’m going to stack the brush until it looks dark and sharp enough for the technique.

Here’s what the first click created. I think it has a lot of 3D potential, don’t you?

I kept clicking until I had an almost solid image, a total of 5 clicks. I used white to make the steps easy to see as we go along.

This is another non-essential step. I enlarged my brush image to make everything more easily visible. You do you!

Then I made 3 copies of the brush layer. At this point, I thought I’d use them all, but I ended up only using 3 total. It’s always better to have something and not need it rather than need it and not have it. Onward.

I turned the visibility of the copy layers off, because this is a bottom-up technique.

My next step was to click on Styles and choose the Bevel set.

For the bottom brush layer I used the Simple Pillow Emboss option.

You can see that there’s some texture there now. I clicked on the fx icon on that bottom layer to bring up the Style Settings menu. Then I added an Outer Glow of 13 pixels at 50 % Opacity. The Bevel is set at 27 pixels. Now, this is a matter of taste, and I found that the Outer Glow added some depth that wasn’t there with just the Bevel.

With the second brush layer now visible, I CTRL/CMD>clicked on the Layer Thumbnail (the little picture on the left side of the column) in the Layers Panel to Select the edges of the brush. Selecting an object brings up the marching ants.

To enhance the 3D effect, I decided to shrink the second brush layer a bit by Select>Modify>Contract.

I opted to Contract by 10 pixels, meaning that the outline of the brush will be moved toward the inside by 10 pixels all the way around.

Then I Inverted the Selection by Select>Inverse (or CTRL/CMD>Shift>I)

And then I Cut away the outer piece of the Brush layer that was now Selected through Inverting. Edit>Cut (or CTRL/CMD>X)

Just like on the first brush layer, I used a Bevel, this time the Simple Emboss as shown.

See the new texture that adds?

I also tweaked this layer, adding an Outer Glow of 29 pixels at 49% and adjusted the amount of Bevel to 15 pixels.

Now on to the third brush layer. I think you know what’s coming. Select the outline again.

This time Select>Modify>Contract to 15 pixels.

And then Invert the Selection (CTRL/CMD>Shift>I)…

and CTRL/CMD>X away the Selected area.

Hit it with the Simple Emboss Bevel.

Adjust the Style Settings to add an Outer Glow of 29 pixels at 50% and the Bevel at 30 pixels.

I realized that I’d gotten the effect I was looking for without that 4th brush layer. I could have left the resulting image as it was, which would look like a very detailed 3D white paper die cut, but I wanted to see how it would look as a true embossing of the blue paper. I opted to add a copy of the paper layer on top of all my brush layers, in case I changed a Blend mode for the paper and lost the original blue. Here I’ve toned down the Opacity of the top cardstock layer to 78% and it looks pretty much like I’d expect an embossed blue cardstock to look.

I don’t know if doing this step made much of a difference to the overall effect, but I added another paper layer and changed the Blend Mode to Color. What do you think?

Have a look through your brush collection to see what you have that might work for this and give it a whirl!

Tutorial Tuesday (Potpourri)

Summertime Funtime Fonts

So… I finally got around to updating the master link list for all the Tutorial Tuesday posts yesterday. This is TT post #139!! Amazing… that I’ve found that much to yammer on about! While I was going over the list, I realized that I haven’t done a post with summertime fonts and such. Here in the northern hemisphere, we’ve just past the summer solstice and welcomed the formal season. We’re under a huge bank of rain clouds and parts of Alberta and BC got snow on the 21st, so we’re not feeling summer love right now, but I’ve got a baker’s dozen today, a mixture of fonts and ding bats, all found free at dafont.com.

First up is this font, ironically named Summertime. It’s pretty and would be an amazing title font for garden photos, weddings and other celebrations.

Next up is a fun font with some alternate characters from some of the letters, like that cure sun for the “O”.

If you live in the parts of the world where temperatures soar in the summer, (or you have annual forest fires 🙁 )this font might catch your eye.

This one made me almost spew my coffee. It looks just like I did at work last Tuesday! But I think it could be super for titles.

Think about doing this one in a dark red, and you’ve got a great picnic layout title. Or a cookout, if you go for gingham tablecloths.

This one I threw in because two big celebrations are coming up fast. Canada Day and Independence Day. So fireworks are a natural.

This one and the next are different takes on a similar theme. I can’t decide which one I like better.

Can you?

Now for some ding bats. Ding bats are little mini line drawings that can be used in the same way as a font, but with very interesting and fun results.

These are all very summery and could be used in so many ways.

This set could be used for more adult layouts. They’re solid, but by duplicating the layers, it would be easy to change colours and add glitter.

Same for these ones. I’m an avid gardener and have scads of garden photos. I’ll have to think about how I can use these.

This set has a mixture of images. The cactus could be incorporated into a desert layout title with that Summer Fire font. Amiright?

This set looks like so much fun! A day at the beach…

I have one last piece of news to add to this week’s post. Tomorrow is my last day of work in my real job. After 24 years of pediatric critical care nursing, I’m retiring. So I’ll have more time for hobbies… <does the happy dance> which is great timing, because I jumped on the Adobe sale for Elements 2019. Time to learn a few new tricks! (More to come on my retirement plans when I have them firmed up.) Have a great week, see you right here again next Tuesday!