Happy Thursday!! Our designers have lots of goodies releasing tomorrow! Let’s take a peek at what our CT created with them!
From Dagilicious
From JB Studio and Aimee Harrison
From Miss Fish
From Tinci
From Mags Graphics
From Heather Z
From Scrappin Serenity
From Aimee Harrison
From Cathy K
Getting in on the Action(s)
When I was thinking about a topic for this week’s tutorial, I wasn’t inspired, so I did a Pinterest search for ideas. Are you ready to have your mind blown?? When I was playing with this subject so I could compose a coherent discussion, my mind certainly was!
I’ve referred to Actions in previous tutorials, but didn’t get into them too deeply. Your software came to you with a set of them already in place, and they form parts of the Guided Edits. If you’re unsure what Actions are, they’re like little scripts that tell Elements to make a series of predetermined changes to an image. The process is largely automatic, but there’re usually some options for personalizing the results. And I’m going to show you a really cool action I downloaded free. The image below is one I found at Pixabay; it turned out to be ideal for this little foray.
This is where I downloaded the Action I’ll show you. Most of the Actions here are completely free and have instructions within the Action menu itself. There are actions that perform one-step edits for portraits, actions that alter the colour of images, actions that make dodging and burning easier, ones that resize and sharpen images for different purposes, actions that watermark your photos… the list is endless! Check out the list here: The Coffee Shop Blog
Accessing the Actions on your workspace isn’t intuitive. Click on Windows>Actions to see which have been loaded (outside of the Guided Edits, since they’re specific to the Edit you’re playing with).
This is the default menu (with a couple of extra Actions I’ve loaded listed at the bottom). Click on the icon shown to open the Actions command centre. This is where you Load new ones.
The software will find any Actions you’ve downloaded and placed in the Actions folder of PSE. If you want to see which ones you already have, using the file explorer on your computer and look for .atn files. I have a LOT of them… I know. The one I’m going to show you is Coffee Shop Urban Grit.
Now that I’ve added it to the Actions menu, there it is! When I click on the triangle icon to the left of my chosen Action, it will open a dropdown that contains the script, or list of processes Elements is going to run.
Some Actions will have a dropdown list of steps that you can turn on or off. This one does too, but to see it I’d have to click on that triangle icon next to the name of the Action.
With the desired Action highlighted, click on the blue triangle icon shown to “play” the Action. The script will start running; with some Actions you can watch the changes being made flash over your image. With others the changes only happen when you decide where you want them. That’s how this one works.
So, it looks like all the software did was add a Layer Mask. The image itself looks exactly the same. But… the Brush tool menu is now open and the Layer Mask is selected. So I chose a large, soft, round brush and used it on the Layer Mask.
Can you see what’s happened? I just used the brush over the car and the girl. The sky, sea and sand weren’t touched. (Look at the Layer Mask to see what area was brushed over.)
But what else can I do with this now that I’ve played the Action? I duplicated the mask layer and it really amped up the effect. Here is where Blend Modes really come into play.
I liked the more obvious effect of the two mask layers but I wanted to try a few more things. I duplicated the mask layer and went down the list of Blend Modes until I found one I really liked. I’ve never found a way to use the Difference mode until now!
But the focal point of the image is too dark and muddy now. So I lowered the Opacity of the layer to 80% which made it better.
I moved that Difference layer down to the bottom and found the funk was still there but the image was much brighter. Can you see this on an art journal page?
I did one. More. Thing. If I decide to use this image on an art journal page, I’ll probably want to blend the sky/sea/sand areas into the paper. To make that possibility more workable, I changed the Background to a layer to make it editable. (I had NO clue what would happen when I started playing with it, I just wanted some more options.) To make the Background into an editable layer, right-click on the layer then choose Layer from Background from the dropdown. Then you can do what you like to that layer! I lowered the Opacity to 75% and was delighted to see that only the actual image background was changed. It became more transparent. So if I clip this finished image (with the layers merged) to a blended mask, it’ll look amazing. That’s next on my agenda!
This was just a quick-and-dirty guide to loading and using actions. There are so many ways they can be used for elevating our work. I hope you’ll download one or two and give them a whirl.
Double Indemnity? Nope, Double Exposure!
Here we are, at the very end of 2019!! I hope you all had some wonderful times with family and friends over the holidays. If you’re celebrating tonight, stay safe!!
Are you ready for another Guided Edit? This one was only introduced with the 2018 version, but I LOVE it!! It’s under the Fun Edits tab and it creates a double exposure almost automatically. It caught my interest when I started seeing lots of double-exposure photos popping up on my Pinterest feed after I Googled PSE techniques. All the how-to’s were for Photoshop‘s full version and try as I might, I wasn’t getting the results I hoped for when I tried to find a work-around. Then I tried this. I know you’re going to love it. I’m playing with photos I downloaded from Pixabay and chose a black-and-white close-up portrait as my base photo.
Once I clicked on Guided>Fun Edit>Double Exposure this is the menu that comes up. (Remember, if you click on Cancel, you’re back to the Start Menu so be very sure that’s what you want to do…)
For this tutorial I just took the most basic route possible with my photo choices so as to make it as straight-forward as possible. I’ll be playing with it a lot more in the weeks to come, so you may see another more complex tut later. The Edit tools are lined up top-to-bottom for easy progression through the steps. If your photo needs to be cropped, this is when you’d do it, with the Crop tool. The Guide suggests cropping so your desired focal point is in the centre.
There’s also the option of Selecting only a portion of your photo. I skipped both the Crop and Select steps altogether.
Now, the software has some images already embedded in the Edit that you can use for your double exposures: a forest scene, a cityscape and some clouds. Here I’ve superimposed the forest scene over my photo; if you look in the upper left corner you can see the girl’s eye, but it’s pretty well concealed.
Thankfully the software knows that might not be the look you’re after. The Intensity of the superimposed photo can be easily adjusted by pulling the slider to the left. Here you can see the difference it makes to decrease it to about 47%.
There’s also the opportunity to move the superimposed image around a bit by using the Move tool. It can be activated either by clicking on the tool image in the upper left of your workspace, or by clicking on the tool bar in the menu.
The cityscape almost completely obliterates the original photo. Good thing it’s adjustable!
I decreased the Intensity to about 35% and the resultant image is really moody. It suggests the girl is homesick for this view, at least in my imagination…
What will the clouds do? Well, at first glance, we can see her nose and chin fairly clearly, but not her eye, and I think the eye is the key.
I’m conflicted as to which emotion this evokes. I think she looks wistful, so maybe it’s dream-like.
Okay, before we move on, I want to show you how to use another of your own photos. So instead of using a preset, I clicked on Import a Photo. It opened up Windows Explorer and let me find a suitable photo for the look I’m aiming for. Once I clicked on the thumbnail in the photos folder, I clicked on the Place button.
Wow! That’s a really dramatic image!! I don’t even know if there’s any adjustment needed.
But just to be sure, I decreased the Intensity by 50%. There are still more ways to manipulate the image so let’s keep going.
Before I moved on, I opted to shift the rocks in the superimposed photo down and almost off her face. It makes the sky more of an element in the image and you can’t see the demarcation where the superimposed photo ends. Further down the menu, there are some more Effects presets. So working with the image with the superimposed photo at 50%, let’s hit it with each of the Effects to see what they do. The very first one, top left of the tool menu is No Effect… just the way it is.
I’ve circled the Effect with each image so you can see what they look like right out of the box. This one adds a lot of colour.
This one makes the original image more vivid and increases the contrast.
Here, it’s basically a black-and-white version. If my original photo had been a colour portrait, it might make a big difference to use this Effect.
This one is a soft, rainbow-hued look.
I think this one would be amazing with underwater photography, or for photos with a beachy, watery theme.
This adds a touch of cool colour to a tonal black-and-white image.
I’m showing my age. All that’s missing is a prism in the middle.
The last one gives the whole image a warm, golden look.
After seeing them all, I decided I like the third version best. I decreased the Intensity to 50% again and have a really eye-catching image. I might add an inspirational quote into the dark area to the right of her neck. What do you think?
Before I shut down for the night, I decided to play with a couple of other photos I had. The one of the stone bridge provided a perfect frame for a superimposed face, but I didn’t take the time to figure out how to use the Guided Edit. Instead… I took a lot more time doing it manually. Duplicated layers, layer masks, erased areas, clipping masks, more layer masks to bring out the blue in her eyes, blend modes, sheesh. There’s gotta be a better way! When I find it I’ll share it with you!
I hope that whatever 2019 brought your way is greatly improved on in 2020! I know there are big things coming up for our family, details to follow. Happy New Year, dear GingerScrappers!
Happy Thursday! We have 6 more days until Christmas! This year has gone by sooooo fast! Are you ready for the new year? Have you scrapped your memories for 2019 yet? Our designers have more goodies to inspire you! Let’s take a peek at some CT pages!
From Mags Graphics
From Snickerdoodle Designs
From Aimee Harrison
From Tinci
From LDrag
From Alexis Designs
From Wimpychompers
Beyond the Ordinary – Holiday Photos
Wow, can it really be only 8 days until Christmas? Even fewer until the first night of Chanukah… Families all over are getting ready for the Main Event and of course, no special occasion is ever complete without the photos to prove it happened. I think I can speak for most of us when I say I’ve taken a LOT of really ho-hum photos over the years. If you’re like me and browsing through the Gallery in late December makes you envious of the amazing photos OTHER scrappers have scrapped, I’m going to offer some thoughts on how to make our holiday photos better. I’m not going to completely rehash this tut from last year but some things do bear repeating.
First, make sure you have fresh batteries and a large SD card for all the great shots you’re going to take. If you’re into phonetography, you might want to trim your in-phone collection by saving them to your computer or the Cloud, then deleting them from your internal storage.
Make a list – physical or mental – of the shots you MUST have. We all have our own preferences for what we want to document so don’t feel like you’re being forced to conform. But there are some sort of standard images we all like.
Even if you feel like decorating for the holidays is a dreaded chore, take some photos of the process. Get a shot of the decor while it’s still in the box. If your kids are helping, turn them into models for your portfolio. Remember to get down on their level. Even the cutest kids aren’t great photo subjects if they’re always shot from above. And get in close!!!! I know I’ve mentioned before that the best crop is the one you do in the viewfinder. so fill the frame! Don’t be afraid to zoom in. Same goes for your pets, if you want them in your photos.
When shooting your tree, look for a different approach than the typical 8-feet-away-so-the-whole-tree-and-gifts-are-in-the-shot. Maybe take some close-ups of your favourite ornaments. Use a portrait mode to soften the background and make the ornament totally the focal point. Get down on the floor and shoot up toward the topper, or shoot down through the branches and make the presents the subject. Turn off all the room lights and shoot the tree with just the tree lights. Experiment with shutter speed and aperture to create some lovely bokeh effects. Add a human or a pet to the frame. Or take a photo of the lights reflected in a window. (If you don’t want your reflection in your photo, stand at an angle to the window and look carefully at what’s in the viewfinder.) Or take a photo of the tree THROUGH the window! Turn off your flash though, so you don’t spoil the shot.
If you’re celebrating Chanukah, there are lots of great ways to take photos of your menorrah. A series, with each night’s new candle lighting, would make a lovely layout. Look at the angles. On the last night, when all the candles are burning, an angled shot from one end with each flame visible would be incredible. Some of my favourite photos of my grandsons are of them lighting a candle, with the soft glow of the flame on their cheeks and wonder in their eyes. (Their mom takes amazing photos.)
We’ve all got a folder full of group photos where everybody is stiffly lined up and fake-smiling at the camera. So how can we take better group shots? Having the subjects doing something together is a good start. If you have snow in your area, have the group build a snowman, or have a snowball fight. Or play football in the snow. Beach ball volleyball (in sand or snow) would make some entertaining shots. But if you just have to have a posed group shot, give some thought to who goes where. If you can arrange the people so that their faces form little triangles, you’ll have a nicer image. Have them turn their shoulders toward each other or the centre of the photo so they can get a bit closer together. Make sure you’ve chosen a landscape setting so everybody will be in focus. Think about trying not to cut people’s legs off. If you can, shoot everybody down front from the waist up. Your subjects will thank you.
Do you go all out with a gorgeous table-scape for your guests? I’ve never done it, but I love seeing how others do it. If you’re hosting and have your table all set well in advance (like the experts recommend for sanity’s sake 😉 ) take a few minutes to look at it with your photographer’s eye. Take a shot of a single place setting. Try and get the whole table in a shot, easiest if you shoot from one end. Take a closeup of your crystal.
Don’t forget to get some shots of the dinner prep. Be stealthy and get some candids of the main cook, or if that’s you, get some of your helpers. Look for interesting camera angles of your turkey, ham or standing rib roast. Ask someone to be the carver and get some action shots. And look for smiling faces as the meal commences.
What about gifts? Well, there’re lots of opportunities around gift opening. Get down on the floor with the kids. Try to capture the moment when they identify what’s in the package. If it’s your thing, you can take some of them channeling Vanna White, holding up a favourite gift. If there’s a very special gift being given, arrange for it to be delivered when you have a moment to frame your image. I really wish I had a photo of myself when I opened a gift from my sister quite a few years ago. It was a resin frame with dragonflies on it, but what made it truly special was that it held a photo of me with my grandfather, who died when I wasn’t yet 4 years old. If you know in advance, you can be ready to catch the emotion.
After the dust settles, you can relax, but don’t forget there might still be some great photos yet to happen. Like when a child falls asleep in the middle of a game, or the dog takes off with a long piece of ribbon… they could be the best shots you get all day. But don’t concentrate so hard on getting good photos that you don’t have fun! At a family reunion, my niece made a point of taking a selfie with every single one of us, and they were all fantastic. If you have mad selfie skills, give it a whirl. You might surprise yourself!
I’ll be taking next Tuesday off, as I expect most of you will too… bigger fish to fry! Merry Christmas! Mazel tov! Kwanzaa blessings to all!
Happy Thursday!!! There is less than two weeks to Christmas! Are you ready? Our designers have some great products to get you in the festive mood! Let’s check out a peek!
From Tinci
From Snickerdoodle Designs
From JoCee
From Aimee Harrison
From Miss Fish
From Daglicious
From Lindsay Jane
Come back tomorrow to see all the new releases in the shop!
Hey scrapbook friends. Hope you are enjoying your December and are grabbing the Daily Download from our Featured Designers. Kristmess Designs and Aimee Harrison Designs teamed up this month to bring us a gorgeous kit.
I had a chance to ask them a few questions. Let’s see what Kristina had to say.
How long have you been designing?
Almost 15 years.
What made you decide to design?
I have been designing my own papers and such for years, long before I ever had a computer and when I got one I just started doing it on that one thing lead to another and eventually I started selling the kits I’d made.
What do you use to create your designs (program, additional tools, etc.)?
I use Photoshop and Affinity Designer on my iMac mainly, I also use Procreate on the iPad for drawings and watercolour stuff. I also use Affinity Photo and Designer on the iPad too although that is all fairly new to me.
Describe your design workplace.
Unfortunately I live in a very small house with 3 kids and no spare rooms of any kind so my desk is in a closet in our bedroom, the door came off and the desk went in, it’s a bit cramped but once I’m in my little bubble I don’t really notice.
What motivates and inspires you as a designer?
Oh loads of things, things I see when out and about, stuff the kids do, that sort of thing.
What is your favorite kit currently in your GS store and why?
My favourite kit is usually my most recent one and usually changes as I make a new one! It’s hard to say an overall favourite but I suppose right now it is my Reverence kit, only because it is the first kit that I made primarily using my iPad. I was travelling at the time I drew the ballerinas and made the most of the kit. I am still learning my programs on the iPad so that was quite an achievement for me.
What was your first job?
The first job I ever had was working as a waitress in a restaurant near to where I grew up, whilst I was going through college.
Have you ever met anyone famous?
Lot of people actually, with my husband’s line of work I meet famous people on a regular basis. I also worked on cruise ships and there were quite a few famous folks came on the cruises.
What are you reading right now?
I am afraid to say I am not a big reader, I am dyslexic and find it very difficult and time consuming to read. I read only things I have to and try to avoid the rest.
What is your favorite quote?
“My spelling is wobbly, it’s good spelling but it wobbles and the letters get in the wrong places” by A.A. Milne (Winnie the Pooh)
What is something you want to do in the next year that you’ve never done before?
Get organized!
You have your own latenight talk show, who do you invite as your first guest?
No idea, sorry.
If you had to delete all but 3 apps from your smartphone, which ones would you keep?
I think I probably only have 3 apps on my smartphone! I don’t use it all that much, except for making phone calls of course. Now lets see, I think I would keep FaceTime, Transit (local bus schedule) and Mail.
If you could have someone follow you around all the time, like a personal assistant, what would you have them do?
Oh the housework, most definitely! I can’t stand doing housework and I would LOVE to have someone do that for me!
Would you rather travel back in time to meet your ancestors or to the future to meet your descendants?
Ancestors for sure!
What commercial jingle gets stuck in your head all the time?
Believe it or not I can’t think of one off hand, I guess I don’t listen to much in the way of commercials!’
If you could turn the ocean into a liquid other than water, which one would you pick?
Hmm, Fanta cos that would make it Fanta Sea!!
Thanks Kristina. I loved your answers. Make sure to check out her GingerScraps store, her Facebook Fan Page, and her blog.
Are you grabbing the Daily Download? I just love this Sneak Peek!
To Theme or Not to Theme
I apologize for missing my deadline. I got caught up in a Christmas sewing project and by the time I came up for air it was almost bedtime. But I didn’t totally forget about you!
When I was looking in the Forum at the December Challenges I was drawn to the Mini Kit provided by Neia Scraps. Although it’s called Christmas Spirit and has a Christmas-y theme I knew I would be using it instead to scrap one (or more) of my DD’s wedding photos (from July) because the palette is PERFECT for them. So I downloaded the kit and created a layout that has nothing to do with the kit’s theme. And that started me thinking about how often others might use a themed kit for a layout about something completely unrelated. I do it fairly often, and figured we could talk about that a bit today. (Note to Glee… the light source is almost directly centred over the layout, but slightly left and up. The frame is holding the paper star down but the points are free.)
For this layout I used a Valentine’s Day kit, the GingerBread Ladies‘ collab Smitten, to scrap a dog photo. (I know, I do a lot of layouts with my dogs front and centre. What can I say?)
Then I took a (very quick) tour through the Gallery.
Gingerscrapper dshepard created a layout with a kit from Magical Scraps Galore with a candy theme; it’s called Sweet as Candy. The subject of her layout is a visit to a theme park.
This pretty example from honeybee was created with Harvest Sunrise from Mag’sGraphics. No harvest anywhere in sight… but lots of love!
Then I found this cute layout from snojewel about pirates. She used a motivational kit from the GingerBread Ladies called Love Yourself.
And then I found this one from teamkobza about a fun day she had with some little people, although I doubt they were in Iowa. The kit she used is Travelogue Iowa from Connie Prince.
So here’s a challenge for all y’all. I’d like you to create a layout using a kit with an obvious theme but about something unrelated. It’ll broaden your horizons!
Happy Thursday!!! We are one week away from Thanksgiving! I can’t believe how fast the year has gone!! Our designers have been hard at work to bring you some excellent new releases! Let’s take a peek!
From Dagilicious
From Tinci
From JoCee
From Lindsay Jane
From Aimee Harrison
From Alexis Design Studio
Paper-to-Digi 3D Emboss
I’m back!! I’ve recovered about 85% from my unfortunate tumble and should be all there again soon. Thank you all so much for your kind wishes for my speedy healing, I’m positive it helped. (I think that’s my post with the most comments ever!)
Before we get started, I want to apologize for the lack of consistency with the images I’m sharing with you. I’m still not happy with the way this laptop does screenshots and wish I could go back to how my dead one did it, where I could hover over a control so you could actually see what I was selecting. But alas. Add that to the changes WordPress has made to their blogging software, and now I’m also having to resize every image before I write the text. It’s a real drag!
Okay, so. Another suggestion I got from calgirl (Steph) via YouTube video was to show you all how to create a deep 3D embossed look with digital tools. I had to play around a bit to make this work the way it looked in my head, and I think I succeeded. I’m working against a solid cardstock background using a nice blue one from Ooh La La Scraps‘ Pocket Full of Sunshine. I’ll also be using a brush – on a separate layer, of course!
The brush I used is from Brusheezy, one of a free set called Frosted Flakes. (linked) I’ll use it at full size. The Opacity isn’t totally important, as you can see it’s set at 65%. I’m going to stack the brush until it looks dark and sharp enough for the technique.
Here’s what the first click created. I think it has a lot of 3D potential, don’t you?
I kept clicking until I had an almost solid image, a total of 5 clicks. I used white to make the steps easy to see as we go along.
This is another non-essential step. I enlarged my brush image to make everything more easily visible. You do you!
Then I made 3 copies of the brush layer. At this point, I thought I’d use them all, but I ended up only using 3 total. It’s always better to have something and not need it rather than need it and not have it. Onward.
I turned the visibility of the copy layers off, because this is a bottom-up technique.
My next step was to click on Styles and choose the Bevel set.
For the bottom brush layer I used the Simple Pillow Emboss option.
You can see that there’s some texture there now. I clicked on the fx icon on that bottom layer to bring up the Style Settings menu. Then I added an Outer Glow of 13 pixels at 50 % Opacity. The Bevel is set at 27 pixels. Now, this is a matter of taste, and I found that the Outer Glow added some depth that wasn’t there with just the Bevel.
With the second brush layer now visible, I CTRL/CMD>clicked on the Layer Thumbnail (the little picture on the left side of the column) in the Layers Panel to Select the edges of the brush. Selecting an object brings up the marching ants.
To enhance the 3D effect, I decided to shrink the second brush layer a bit by Select>Modify>Contract.
I opted to Contract by 10 pixels, meaning that the outline of the brush will be moved toward the inside by 10 pixels all the way around.
Then I Inverted the Selection by Select>Inverse (or CTRL/CMD>Shift>I)
And then I Cut away the outer piece of the Brush layer that was now Selected through Inverting. Edit>Cut (or CTRL/CMD>X)
Just like on the first brush layer, I used a Bevel, this time the Simple Emboss as shown.
See the new texture that adds?
I also tweaked this layer, adding an Outer Glow of 29 pixels at 49% and adjusted the amount of Bevel to 15 pixels.
Now on to the third brush layer. I think you know what’s coming. Select the outline again.
This time Select>Modify>Contract to 15 pixels.
And then Invert the Selection (CTRL/CMD>Shift>I)…
and CTRL/CMD>X away the Selected area.
Hit it with the Simple Emboss Bevel.
Adjust the Style Settings to add an Outer Glow of 29 pixels at 50% and the Bevel at 30 pixels.
I realized that I’d gotten the effect I was looking for without that 4th brush layer. I could have left the resulting image as it was, which would look like a very detailed 3D white paper die cut, but I wanted to see how it would look as a true embossing of the blue paper. I opted to add a copy of the paper layer on top of all my brush layers, in case I changed a Blend mode for the paper and lost the original blue. Here I’ve toned down the Opacity of the top cardstock layer to 78% and it looks pretty much like I’d expect an embossed blue cardstock to look.
I don’t know if doing this step made much of a difference to the overall effect, but I added another paper layer and changed the Blend Mode to Color. What do you think?
Have a look through your brush collection to see what you have that might work for this and give it a whirl!
